Musica In Cinema
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Composing For The Cinema
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Author : Ennio Morricone
language : en
Publisher: Scarecrow Press
Release Date : 2013-10-10
Composing For The Cinema written by Ennio Morricone and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Performing Arts categories.
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Music In Cinema
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Author : Michel Chion
language : en
Publisher: Columbia University Press
Release Date : 2021-10-12
Music In Cinema written by Michel Chion and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-12 with Art categories.
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.
Music And Cinema
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Author : James Buhler
language : en
Publisher: Wesleyan University Press
Release Date : 2000-11
Music And Cinema written by James Buhler and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11 with Music categories.
A wide-ranging look at the role of music in film.
The Routledge Companion To Global Film Music In The Early Sound Era
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Author : Jeremy Barham
language : en
Publisher: Taylor & Francis
Release Date : 2023-12-22
The Routledge Companion To Global Film Music In The Early Sound Era written by Jeremy Barham and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-22 with Music categories.
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
Soundtrack
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Author : Mark Evans
language : en
Publisher:
Release Date : 1975
Soundtrack written by Mark Evans and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.
Beyond The Soundtrack
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Author : Daniel Ira Goldmark
language : en
Publisher: Univ of California Press
Release Date : 2007-06-08
Beyond The Soundtrack written by Daniel Ira Goldmark and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-06-08 with Performing Arts categories.
This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.
Saying It With Songs
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Author : Katherine Spring
language : en
Publisher:
Release Date : 2013-11
Saying It With Songs written by Katherine Spring and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11 with Music categories.
Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.
Movie Music The Film Reader
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Author : Kay Dickinson
language : en
Publisher: Psychology Press
Release Date : 2003
Movie Music The Film Reader written by Kay Dickinson and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Motion picture music categories.
This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.
Film Music
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Author : Sergio Miceli
language : en
Publisher:
Release Date : 2013
Film Music written by Sergio Miceli and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing Arts categories.
(MGB). Comprehensive text on the history of film music, including in-depth chapters on Silent Cinema, Sound Cinema, Aesthetic Theories, Music and Animated Cinema, and much more.
European Film Music
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Author : Miguel Mera
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2006
European Film Music written by Miguel Mera and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.