Musical Imagery


Musical Imagery
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Musical Imagery


Musical Imagery
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Author : R.I. Godoy
language : en
Publisher: Routledge
Release Date : 2012-10-12

Musical Imagery written by R.I. Godoy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-12 with Music categories.


An edited collection of papers which explore a large number of topics related to musical imagery. Musical imagery can be defined as our mental capacity for imagining sound in the absence of a directly-audible sound source, meaning that we can recall and re-experience or even invent new musical sound through our inner ear. The first part of the volume is focused on theoretical issues such as the history, epistemology, neurological bases, and cognitive models of musical imagery. The second part presents various applications of musical imagery in performance and composition, and provides the reader with a broad overview of the many musical activities which are concerned with musical imagery.;Musical imagery is a truly interdisciplinary subject, and it is the belief of the editors that a plurality of approaches, ranging from the introspective and philosophical to the experimental and computational, is the most fruitful strategy for exploring the subject of musical imagery.



The Musical Image


The Musical Image
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Author : Laurence D. Berman
language : en
Publisher: Praeger
Release Date : 1993-06-21

The Musical Image written by Laurence D. Berman and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-06-21 with Music categories.


A musical phrase, or, for that matter, a musical unit of any size or shape, becomes an image whenever we imagine it to be invested with a content whose origins lie outside music. Such a content, according to the theory developed here, constitutes the image's conventional significance; it accounts for whatever strikes us about the image as having a common and familiar ring. That being so, the origins in question must be coincident with the fundamental ideas--the archetypes--that have been traditionally represented as underlying and unifying Western culture. As the theoretical constructs they are, arehctypes are never encountered directly. It is in the form of their local variants that we make contact with the archetypes, and it is at this local level that the present book sets its sights: style, the typical or shared element in the musical imagery of a time and place, is studies as a function of Zeitgeist, the complex of beliefs, values, and ideals of a community. The approach is both thematic and historical, in keeping with a key objective of archetypal criticism. Far from repudiating the popular notion that music expresses the human emotions, this study attempts to recast emotion theory by examining musical images for kinds of behavior from which we may infer not only emotion (pathos, effectus) but also personality (ethos). Ethical and affective distinctions are very sharply drawn, in an effort to clarify and widen the vocabulary of musical commentary, as well as to provide cultural and historical backing for contents long considered the cliches of musical expression.



Shakespeare S Musical Imagery


Shakespeare S Musical Imagery
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Author : Christopher R. Wilson
language : en
Publisher: A&C Black
Release Date : 2011-11-03

Shakespeare S Musical Imagery written by Christopher R. Wilson and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-03 with Literary Criticism categories.


Music pervades Shakespeare's work. In addition to vocal songs and numerous instrumental cues there are thousands of references to music throughout the plays and many of the poems. This book discusses Shakespeare's musical imagery according to categories defined by occurrence in the plays and poems. In turn, these categories depend on their early modern usage and significance. Thus, instruments such as lute and viol deserve special attention just as Renaissance ideas relating to musical philosophy and pedagogical theory need contextual explanation. The objective is to locate Shakespeare's musical imagery, reference and metaphor in its immediate context in a play or poem and explain its meaning. Discussion and explanation of the musical imagery suggests a range of possible dramatic and poetic purposes these musical references serve.



Shakespeare S Musical Imagery


Shakespeare S Musical Imagery
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Author : Christopher R. Wilson
language : en
Publisher: Bloomsbury Publishing
Release Date : 2011-11-03

Shakespeare S Musical Imagery written by Christopher R. Wilson and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-03 with Literary Criticism categories.


Music pervades Shakespeare's work. In addition to vocal songs and numerous instrumental cues there are thousands of references to music throughout the plays and many of the poems. This book discusses Shakespeare's musical imagery according to categories defined by occurrence in the plays and poems. In turn, these categories depend on their early modern usage and significance. Thus, instruments such as lute and viol deserve special attention just as Renaissance ideas relating to musical philosophy and pedagogical theory need contextual explanation. The objective is to locate Shakespeare's musical imagery, reference and metaphor in its immediate context in a play or poem and explain its meaning. Discussion and explanation of the musical imagery suggests a range of possible dramatic and poetic purposes these musical references serve.



Musical Imagery


Musical Imagery
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Author : R.I. Godoy
language : en
Publisher: Routledge
Release Date : 2012-10-12

Musical Imagery written by R.I. Godoy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-12 with Music categories.


An edited collection of papers which explore a large number of topics related to musical imagery. Musical imagery can be defined as our mental capacity for imagining sound in the absence of a directly-audible sound source, meaning that we can recall and re-experience or even invent new musical sound through our inner ear. The first part of the volume is focused on theoretical issues such as the history, epistemology, neurological bases, and cognitive models of musical imagery. The second part presents various applications of musical imagery in performance and composition, and provides the reader with a broad overview of the many musical activities which are concerned with musical imagery.;Musical imagery is a truly interdisciplinary subject, and it is the belief of the editors that a plurality of approaches, ranging from the introspective and philosophical to the experimental and computational, is the most fruitful strategy for exploring the subject of musical imagery.



Shakespeare S Musical Imagery


Shakespeare S Musical Imagery
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Author : Christopher R. Wilson
language : en
Publisher: A&C Black
Release Date : 2011-11-03

Shakespeare S Musical Imagery written by Christopher R. Wilson and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-03 with Literary Criticism categories.


A study of the meaning of Shakespeare's musical imagery in his plays and poems.



Music And Mental Imagery


Music And Mental Imagery
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Author : Mats B. Küssner
language : en
Publisher: Taylor & Francis
Release Date : 2022-12-22

Music And Mental Imagery written by Mats B. Küssner and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-22 with Psychology categories.


Drawing on perspectives from music psychology, cognitive neuroscience, philosophy, musicology, clinical psychology, and music education, Music and Mental Imagery provides a critical overview of cutting-edge research on the various types of mental imagery associated with music. The four main parts cover an introduction to the different types of mental imagery associated with music such as auditory/musical, visual, kinaesthetic, and multimodal mental imagery; a critical assessment of established and novel ways to measure mental imagery in various musical contexts; coverage of different states of consciousness, all of which are relevant for, and often associated with, mental imagery in music, and a critical overview of applications of mental imagery in health, educational, and performance settings. By both critically reviewing up-to-date scientific research and offering new empirical results, this book provides a unique overview of the different types and origins of mental imagery in musical contexts, various ways to measure them, and intriguing insights into related mental phenomena such as mind-wandering and synaesthesia. This will be of particular interest for scholars and researchers of music psychology and music education. It will also be useful for practitioners working with music in applied health and educational contexts.



Earworms And Involuntary Musical Imagery


 Earworms And Involuntary Musical Imagery
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Author : Kassidy-Rose McMahon
language : en
Publisher: GRIN Verlag
Release Date : 2017-11-13

Earworms And Involuntary Musical Imagery written by Kassidy-Rose McMahon and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-13 with Music categories.


Document from the year 2017 in the subject Musicology, Griffith University (Queensland Conservatorium of Music), course: Bachelor of Music, language: English, abstract: This research essay analyses a published research paper by Timothy Byron and Lucinda Fowles titled "Repetition and recency increases involuntary musical imagery of previously unfamiliar songs". In addition to this, an explanation of the experimental design of a primary experiment conducted by the 1105QCM class will be provided. The results and their importance will be discussed in detail with reference to the article by Byron and Fowles. Finally, the strengths and limitations of the experiment will be examined to draw conclusions about the accuracy and reliability of the data. The research aimed to determine the relationship between familiarity, likeability, number of earworms experienced and earworm length. It was found that familiarity had no impact on the number of earworms or earworm length for a particular song, which rejected the initial hypothesis. It was discovered that the likeability of a particular song increased the number of times it occurred as an earworm and increased earworm length, which supported the hypothesis. An earworm (involuntary musical imagery, or INMI) may be described as the experience of a short tune, which becomes trapped in the mind and is heard repeatedly outside one’s conscious control. A study by Liikkanen showed 91.7% of the 12, 420 participants reported INMI at least once a week; 33.2% every day and; 26.1% several times a day (2008).



The Enraged Musician


The Enraged Musician
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Author : Jeremy Barlow
language : en
Publisher: Routledge
Release Date : 2017-03-06

The Enraged Musician written by Jeremy Barlow and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-06 with Music in art categories.


More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CÃ]cilia's Day.



The Cambridge Handbook Of The Imagination


The Cambridge Handbook Of The Imagination
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Author : Anna Abraham
language : en
Publisher: Cambridge University Press
Release Date : 2020-06-18

The Cambridge Handbook Of The Imagination written by Anna Abraham and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-18 with Psychology categories.


The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.