[PDF] Musicus Und Cantor - eBooks Review

Musicus Und Cantor


Musicus Und Cantor
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Parlar Cantando


Parlar Cantando
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Author : Elena Abramov-van Rijk
language : en
Publisher: Peter Lang
Release Date : 2009

Parlar Cantando written by Elena Abramov-van Rijk and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Foreign Language Study categories.


This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing» - the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.



Companion To Medieval And Renaissance Music


Companion To Medieval And Renaissance Music
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Author : Tess Knighton
language : en
Publisher: Univ of California Press
Release Date : 1997

Companion To Medieval And Renaissance Music written by Tess Knighton and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.


With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.



Literatur Und Musik Im Mittelalter


Literatur Und Musik Im Mittelalter
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Author : Achim Diehr
language : de
Publisher: Erich Schmidt Verlag GmbH & Co KG
Release Date : 2004-09-02

Literatur Und Musik Im Mittelalter written by Achim Diehr and has been published by Erich Schmidt Verlag GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-09-02 with Einstimmige Musik categories.


Dieses Buch möchte interessierten Lesern unterschiedlicher Fachrichtungen Theorie und Praxis der einstimmigen Musik des Mittelalters näher bringen. Es informiert auf verständliche Weise über Instrumente, Musiker, Notationsformen und Grundlagen des mittelalterlichen Musikverständnisses, um dann das Zusammenspiel von Text und Melodie vor allem auf seinen Erkenntnisgewinn für die Literaturwissenschaft zu befragen.



Music Education In The Middle Ages And The Renaissance


Music Education In The Middle Ages And The Renaissance
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Author : Susan Forscher Weiss
language : en
Publisher: Indiana University Press
Release Date : 2010-07-16

Music Education In The Middle Ages And The Renaissance written by Susan Forscher Weiss and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-16 with Music categories.


What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.



The Berkeley Manuscript


The Berkeley Manuscript
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Author : Oliver B. Ellsworth
language : en
Publisher: U of Nebraska Press
Release Date : 1984-01-01

The Berkeley Manuscript written by Oliver B. Ellsworth and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984-01-01 with Music categories.


Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.



Cui Dono Lepidum Novum Libellum


Cui Dono Lepidum Novum Libellum
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Author : Ignace Bossuyt
language : en
Publisher: Leuven University Press
Release Date : 2008

Cui Dono Lepidum Novum Libellum written by Ignace Bossuyt and has been published by Leuven University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with History categories.


This book presents an interdisciplinary study of the nature of the sixteenth-century dedication that will appeal to not only Neo-Latinists and musicologists but also historians of the book and philologists.



Sung Birds


Sung Birds
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Author : Elizabeth Eva Leach
language : en
Publisher: Cornell University Press
Release Date : 2018-07-05

Sung Birds written by Elizabeth Eva Leach and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-05 with Music categories.


Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.



Music As Concept And Practice In The Late Middle Ages


Music As Concept And Practice In The Late Middle Ages
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Author : Reinhard Strohm
language : en
Publisher:
Release Date : 2001

Music As Concept And Practice In The Late Middle Ages written by Reinhard Strohm and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.


This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.



Dante S Journey To Polyphony


Dante S Journey To Polyphony
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Author : Francesco Ciabattoni
language : en
Publisher: University of Toronto Press
Release Date : 2010-01-01

Dante S Journey To Polyphony written by Francesco Ciabattoni and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Literary Criticism categories.


In Dante's Journey to Polyphony, Francesco Ciabattoni's erudite analysis sheds light on Dante's use of music in the Divine Comedy. Following the work's musical evolution, Ciabattoni moves from the cacophony of Inferno through the monophony of Purgatory, to the polyphony of Paradise and argues that Dante's use of sacred songs constitutes a thoroughly planned system. Particular types of music accompany the pilgrim's itinerary and reflect medieval theories regarding sound and the sacred. Combining musicological and philological scholarship, this book analyzes Dante's use of music in conjunction with the form and content of his verse, resulting in a cross-discipline analysis also touching on Italian Studies, Medieval Studies, and Cultural History. After moving from infernal din to heavenly harmony, Ciabattoni's final section addresses the music of the spheres, a theory that enjoyed great diffusion among the early middle ages, inspiring poets and philosophers for centuries.



Zur Bedeutungsgeschichte Von Musicus Und Cantor Bei Isidor Von Seville


Zur Bedeutungsgeschichte Von Musicus Und Cantor Bei Isidor Von Seville
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Author : Wilibald Gurlitt
language : de
Publisher:
Release Date : 1950

Zur Bedeutungsgeschichte Von Musicus Und Cantor Bei Isidor Von Seville written by Wilibald Gurlitt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with categories.