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Musik Und Technik


Musik Und Technik
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Essays On Music


Essays On Music
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Author : Theodor Adorno
language : en
Publisher: Univ of California Press
Release Date : 2002-08-08

Essays On Music written by Theodor Adorno and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-08-08 with Music categories.


"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History



Musik Und Technik


Musik Und Technik
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Author : Eugen Mayer-Rosa
language : de
Publisher:
Release Date : 1974

Musik Und Technik written by Eugen Mayer-Rosa and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Music categories.




Musik Und Technik


Musik Und Technik
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Author : Helga De la Motte-Haber
language : de
Publisher:
Release Date : 1996

Musik Und Technik written by Helga De la Motte-Haber and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Computer music categories.




Musik Raum Technik


Musik Raum Technik
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Author : Steffen Scholl
language : de
Publisher: transcript Verlag
Release Date : 2014-06-30

Musik Raum Technik written by Steffen Scholl and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-30 with Music categories.


Die graphische Programmierumgebung für Musik und Multimedia »Max« findet heute, nach über zwei Jahrzehnten Entwicklungs- und Wirkungsgeschichte, als eine Art lingua franca an praxisorientierten Musik-, Kunst- oder Medieninstitutionen weltweit Verwendung. Erstmals wird in diesem Buch ein kulturhistorischer Gesamtüberblick geliefert, innerhalb welchem die Software als Produkt eines spezifischen Handlungsraums der ästhetischen Praxis erscheint, welches rückwirkend neuartige Produktionsstrukturen evoziert. Damit rücken die tiefgreifenden Wechselwirkungen zwischen technologischer und künstlerischer Produktion ins Zentrum der Analyse.



Neue Musik Durch Neue Technik


Neue Musik Durch Neue Technik
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Author : Michael Harenberg
language : de
Publisher:
Release Date : 1989

Neue Musik Durch Neue Technik written by Michael Harenberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Computer music categories.




Die Bedeutung Der Technik F R Die Musikalische Avantgarde Transformation Musikalischer Sthetik Und K Nstlerischen Selbstverst Ndnisses


Die Bedeutung Der Technik F R Die Musikalische Avantgarde Transformation Musikalischer Sthetik Und K Nstlerischen Selbstverst Ndnisses
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Author : Claas Hanson
language : de
Publisher: Diplomica Verlag
Release Date : 2015-08

Die Bedeutung Der Technik F R Die Musikalische Avantgarde Transformation Musikalischer Sthetik Und K Nstlerischen Selbstverst Ndnisses written by Claas Hanson and has been published by Diplomica Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08 with Art categories.


Die Abwertung der Technik in der Kunst hat eine lange Geschichte. Haftet technischer Kunst noch heute in der öffentlichen Wahrnehmung der Makel des ›Uninspirierten‹ und die Unterstellung kreativer Minderwertigkeit an, so stand der griechische Begriff der téchne im ursprünglichen, aristotelischen Sinne noch für Kunstfertigkeit und Schöpfungskraft. Im Zentrum der vorliegenden Arbeit steht die Bedeutung der Technik für die musikalische Avantgarde, insbesondere die durch die Technik ausgelösten oder in ihr verorteten Transformationen musikalischer Ästhetik und künstlerischen Selbstverständnisses. Technik gerät dabei sowohl auf Seiten der Produktion, Reproduktion und Distribution von Musik als auch als programmatisches Element in den Blick. Unberührt davon bleibt aber die Frage, inwiefern wirklich technische Innovation oder bloße Wahrnehmung und Anerkennung der technischen Realität von Kunst substantielle Veränderungen auslöste.



Instruments For New Music


Instruments For New Music
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Author : Thomas Patteson
language : en
Publisher: Univ of California Press
Release Date : 2016

Instruments For New Music written by Thomas Patteson and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium



Catalogue Of Copyright Entries


Catalogue Of Copyright Entries
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Author : Library of Congress. Copyright Office
language : en
Publisher:
Release Date : 1931

Catalogue Of Copyright Entries written by Library of Congress. Copyright Office and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1931 with Copyright categories.




Technik Zwischen Akzeptanz Und Widerstand


Technik Zwischen Akzeptanz Und Widerstand
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Author : Gerhard A. Stadler
language : de
Publisher: Waxmann Verlag
Release Date :

Technik Zwischen Akzeptanz Und Widerstand written by Gerhard A. Stadler and has been published by Waxmann Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Dirigierende Maschinen


Dirigierende Maschinen
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Author : Philippe Kocher
language : de
Publisher: transcript Verlag
Release Date : 2022-12-31

Dirigierende Maschinen written by Philippe Kocher and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-31 with Music categories.


In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.