Nazi Cinema S New Women


Nazi Cinema S New Women
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Nazi Cinema S New Women


Nazi Cinema S New Women
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Author : Jana F. Bruns
language : en
Publisher: Cambridge University Press
Release Date : 2009-04-27

Nazi Cinema S New Women written by Jana F. Bruns and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-04-27 with Biography & Autobiography categories.


This book examines the careers of three of Nazi cinema's preeminent movie actresses, painting a unique portrait of mass entertainment and stardom under Nazi rule. Bruns uses undiscovered sources and a new approach, which integrates visual analysis within a thorough political and social context, to trace how the Nazis tried to use films and stars to build National Socialism. This analysis focuses on female stars - an important but largely unexplored area - because they were mostly responsible for Nazi cinema's spectacular commercial success and political failure. Challenging earlier studies, which view Nazi cinema as an effective propaganda instrument that helped turn Germans into devoted "Aryan" mothers and tough warriors, the book shows that the Nazi regime's liaison with the cinema was ambivalent. Films failed to disseminate a coherent political message and to Nazify German society. However, they helped the regime maintain power by diverting people's attention from the brutality of Hitler's rule and, eventually, from impending defeat.



Nazi Cinema S New Women


Nazi Cinema S New Women
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Author : Jana Francesca Bruns
language : en
Publisher:
Release Date : 2002

Nazi Cinema S New Women written by Jana Francesca Bruns and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Actresses categories.




Hitler S Heroines


Hitler S Heroines
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Author : Antje Ascheid
language : en
Publisher: Temple University Press
Release Date : 2003-01-22

Hitler S Heroines written by Antje Ascheid and has been published by Temple University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-22 with Performing Arts categories.


German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.



Women In European Holocaust Films


Women In European Holocaust Films
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Author : Ingrid Lewis
language : en
Publisher: Springer
Release Date : 2018-01-19

Women In European Holocaust Films written by Ingrid Lewis and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-19 with Social Science categories.


This book considers how women’s experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies.



Hitler And Nazi Germany


Hitler And Nazi Germany
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Author : Jackson J. Spielvogel
language : en
Publisher: Routledge
Release Date : 2016-09-16

Hitler And Nazi Germany written by Jackson J. Spielvogel and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-16 with History categories.


This text is based on current research findings and is written for students and general readers who want a deeper understanding of this period in German history. It provides a balanced approach in examining Hitler's role in the history of the Third Reich and includes coverage of the economic, social, and political forces that made the rise and growth of Nazism possible; the institutional, cultural, and social life of the Third Reich; the Second World War; and the Holocaust.



Hitler S Heroines


Hitler S Heroines
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Author : Antje Ascheid
language : en
Publisher: Temple University Press
Release Date : 2003

Hitler S Heroines written by Antje Ascheid and has been published by Temple University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Performing Arts categories.


German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.



Nazi Cinema As Enchantment


Nazi Cinema As Enchantment
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Author : Mary-Elizabeth O'Brien
language : en
Publisher: Boydell & Brewer
Release Date : 2006

Nazi Cinema As Enchantment written by Mary-Elizabeth O'Brien and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with History categories.


The Nazi regime did not merely terrorize its citizens into submission; it also seduced them by offering stability, a traditional value system, a sense of belonging, and hope of a better standard of living. Nazi cinema's popularity rested on its ability to express positive social fantasies and promote the enchantment of reality, so that one would want to share in the dream at any price. This is an interdisciplinary study, written for scholars and students in the fields of film studies, German studies, history, critical studies, and political science, that explores how cinema participated in the larger framework of everyday fascism. The book examines how five film genres - the historical musical, the foreign adventure film, the home-front film, the melodrama, and the problem film - enchanted audiences and enacted shared stories that can tell us much about how family, community, history, the nation, and the war were imagined in Nazi Germany. The book analyzes thirteen motion pictures, many of which are not well known to English-speaking audiences: Wunschkonzert, Die große Liebe, Tanz auf dem Vulkan, Damals, Die Degenhardts, Opfergang, Kautschuk, Robert und Bertram, Verklungene Melodie, Frauen für Golden Hill, Das Leben kann so schön sein, Der verzauberte Tag, and Via Mala. Based on exhaustive research in German archives, the book examines, in addition to the films themselves, articles from the propaganda ministry's official organ, Der deutsche Film, daily trade sheets, fan magazines, and even studio press packages for individual stars and films. Mary-Elizabeth O'Brien is Professor of German at Skidmore College, Saratoga Springs, New York.



Popular Cinema Of The Third Reich


Popular Cinema Of The Third Reich
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Author : Sabine Hake
language : en
Publisher: University of Texas Press
Release Date : 2001

Popular Cinema Of The Third Reich written by Sabine Hake and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Performing Arts categories.


Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.



Cinema And The Swastika


Cinema And The Swastika
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Author : Roel Vande Winkel
language : en
Publisher: Springer
Release Date : 2007-02-07

Cinema And The Swastika written by Roel Vande Winkel and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-02-07 with History categories.


This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.



Hitler And Film


Hitler And Film
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Author : Bill Niven
language : en
Publisher: Yale University Press
Release Date : 2018-01-01

Hitler And Film written by Bill Niven and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-01 with Biography & Autobiography categories.


An exposé of Hitler's relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.