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Nceca Journal

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Author :
language : en
Publisher:
Release Date : 1998

Nceca Journal written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Ceramic sculpture categories.

Nceca Journal

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Author :
language : en
Publisher:
Release Date : 1999

Nceca Journal written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Ceramic sculpture, American categories.

Nceca Resource Membership Directory

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Author : National Council on Education for the Ceramic Arts (U.S.)
language : en
Publisher:
Release Date : 2004

Nceca Resource Membership Directory written by National Council on Education for the Ceramic Arts (U.S.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Potters categories.

Alien Among Anxious Artists

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Author : Dennis Parks
language : en
Publisher: Xlibris Corporation
Release Date : 2011-01-21

Alien Among Anxious Artists written by Dennis Parks and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-21 with Art categories.

Making Theory Constructing Art

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Author : Daniel Alan Herwitz
language : en
Publisher: University of Chicago Press
Release Date : 1996-05-15

Making Theory Constructing Art written by Daniel Alan Herwitz and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-05-15 with Art categories.

Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory. Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, and Andy Warhol.

Making Theory Constructing Art

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Author : Daniel Herwitz
language : en
Publisher: University of Chicago Press
Release Date : 1993-11

Making Theory Constructing Art written by Daniel Herwitz and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-11 with Art categories.

Artists and critics regularly enlist theory in their creation and assessment of artworks, but few have scrutinized the art theories themselves. Making Theory/Constructing Art: On the Authority of the Avant-Garde is among the first philosophical texts to provide a close encounter with this theoretical tendency in twentieth-century art and aesthetics, exploring the norms, assumptions, historical conditions, and institutions that have framed the development and uses of theory in art. In a series of intricate readings of constructivism, Mondrian, and John Cage, Daniel Herwitz outlines the avant-garde's belief that theory can perfectly prefigure the avant-garde art object and invest it with utopian force. Through similarly insightful treatments of Arthur Danto, Andy Warhol, Jean-Francois Lyotard, Jean Baudrillard, and postmodern art and theory, Herwitz demonstrates how the contemporary art world is heir to the avant-garde's theoretical assumptions and practices. In fact, avant-garde art objects live as art only by partly resisting the master theories of their makers and interpreters. Skillfully resisting the lure of grand theory himself, Herwitz urges the art world to be more self-critical and self-reflective about its uses of theory. Making Theory/Constructing Art is as accessible and entertainingly written as it is philosophically incisive. Since the book is both a philosophical and a cultural encounter with theory in twentieth-century art, it will engage all those who have tried to grapple with the inscrutability of the theoretical art muse.

Handbook Of Public Pedagogy

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Author : Jennifer A. Sandlin
language : en
Publisher: Routledge
Release Date : 2010-07-29

Handbook Of Public Pedagogy written by Jennifer A. Sandlin and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-29 with Education categories.

Bringing together scholars, public intellectuals, and activists from across the field of education, the Handbook of Public Pedagogy explores and maps the terrain of this burgeoning field. For the first time in one comprehensive volume, readers will be able to learn about the history and scope of the concept and practices of public pedagogy. What is 'public pedagogy'? What theories, research, aims, and values inform it? What does it look like in practice? Offering a wide range of differing, even diverging, perspectives on how the 'public' might operate as a pedagogical agent, this Handbook provides new ways of understanding educational practice, both within and without schools. It implores teachers, researchers, and theorists to reconsider their foundational understanding of what counts as pedagogy and of how and where the process of education occurs. The questions it raises and the critical analyses they require provide curriculum and educational workers and scholars at large with new ways of understanding educational practice, both within and without schools.

Nceca Resource Membership Directory

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Author : National Council on Education for the Ceramic Arts (U.S.)
language : en
Publisher:
Release Date : 1991

New Directions In Ceramics

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Author : Jo Dahn
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-03-31

New Directions In Ceramics written by Jo Dahn and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-31 with Antiques & Collectibles categories.

New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.

Ceramics And The Museum

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Author : Laura Breen
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-08-22

Ceramics And The Museum written by Laura Breen and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-22 with Design categories.

Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.

Nceca Journal

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