Neoism Plagiarism Praxis


Neoism Plagiarism Praxis
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Neoism Plagiarism Praxis


Neoism Plagiarism Praxis
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Author : Stewart Home
language : en
Publisher:
Release Date : 1995

Neoism Plagiarism Praxis written by Stewart Home and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.


"Home is a novelist, art agitator, and documenter of art terrorism... The art terrorist's art terrorist." "Modern Review." "Neoism, Plagiarism & Praxis" is concerned with what's been happening at the cutting edge of culture since the demise of Fluxus and the Situationists. It provides inside information on the Neoists, Plagiarists, Art Strikers, London Psychogeographical Association, K Foundation, and other groups that are even more obscure. "



Improper Names


Improper Names
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Author : Marco Deseriis
language : en
Publisher: U of Minnesota Press
Release Date : 2015-10-01

Improper Names written by Marco Deseriis and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-01 with History categories.


Improper Names offers a genealogy and theory of the “improper name,” which author Marco Deseriis defines as the adoption of the same pseudonym by organized collectives, affinity groups, and individual authors. Although such names are often invented to pursue a specific social or political agenda, they are soon appropriated for different and sometimes diverging purposes. This book examines the tension arising from struggles for control of a pseudonym’s symbolic power. Deseriis provides five fascinating and widely varying case studies. Ned Ludd was the legendary and eponymous leader of the English Luddites, textile workers who threatened the destruction of industrial machinery and then advanced a variety of economic and political demands. Alan Smithee—an alias coined by Hollywood film directors in 1969 in order to disown films that were recut by producers—became a contested signature and was therefore no longer effective to signal prevarication to Hollywood insiders. Monty Cantsin was an “open pop star” created by U.S. and Canadian artists in the late 1970s to critique bourgeois notions of authorship, but its communal character was compromised by excessive identification with individual users of the name. The Italian media activists calling themselves Luther Blissett, aware of the Cantsin experience, implemented measures to prevent individuals from assuming the alias, which was used to author media pranks, sell apocryphal manuscripts to publishers, fabricate artists and artworks, and author best-selling novels. The longest chapter here is devoted to the contemporary “hacktivist” group known as Anonymous, which protests censorship and restricted access to information and information technologies. After delving into a rich philosophical debate on community among those who have nothing in common, the book concludes with a reflection on how the politics of improper names affects present-day anticapitalist social movements such as Occupy and 15-M.



Violence And Dystopia


Violence And Dystopia
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Author : Daniel Cojocaru
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-09-18

Violence And Dystopia written by Daniel Cojocaru and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-18 with Literary Criticism categories.


Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973), Chuck Palahniuk’s Fight Club (1996) and Rant (2007), and Brad Anderson’s film The Machinist (2004). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-sacrificial crisis as defined by Girard for archaic religion. The third chapter focuses on the psychogeographical writings of Iain Sinclair and Peter Ackroyd. Walking the streets of London the pedestrian represents the excluded underside of the world of Ballardian speed. The walking subject is portrayed in terms of the expelled victim of Girardian theory. The fourth chapter considers violent crowds as portrayed by Ballard’s late fiction, the writings of Stewart Home, and David Peace’s GB84 (2004). In accordance with Girard’s hypothesis, the discussed narratives reveal the failure of scapegoat expulsion to restore peace to the potentially self-destructive violent crowds. The fifth chapter examines the post-apocalyptic environments resulting from failed scapegoat expulsion and mimetic conflict out of control, as portrayed in Sinclair’s Radon Daughters (1994), Margaret Atwood’s The Handmaid’s Tale (1985) and Oryx and Crake (2003), and Will Self’s The Book of Dave (2006).



A Neoist Research Project


A Neoist Research Project
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Author : N. O. Cantsin
language : en
Publisher: N.O. Cantsin
Release Date : 2010

A Neoist Research Project written by N. O. Cantsin and has been published by N.O. Cantsin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


"A Neoist Research Project" is the first comprehensive anthology and source book of Neoism, an international collective network of mostly anonymous and pseudonymous subcultural actionists and speculative experimenters. It consists of more than one hundred Neoist texts and two hundred images documenting diverse Neoist interventions, Neoist Apartment Festivals, definitions and pamphlets of Neoism and affiliated currents, language and identity experiments, and Neoist memes such as the shared identity Monty Cantsin. From the contents: "Neoist Chair and Chair Action," "Death Mauses Meat Pieces," "Kline Bottle Pieces," "Street performance actions against false infinity," "APT 4, Low Theatre, Montreal," "Neoist Parking Meter Action: Pay Me to Go Away," "Direct Address," "Contract," "The Ceiling Crashes in," "Neoism 101: Thought Projection," "Our Tactics against Stockhausen," "Seven Scripts for One Week of Neoist Activity," "Hypnotic Movement: Concrete Life Examples," "Macmag Virus," "March 24," "Cogito of the pseudo-scientist, experimenting with mild trauma," "Physics," "The Comb," "the gold flag of near neologisms: the striped page," "The White Head," "APT 5," "What is an uh, uh, Apartment Festival," "Blo-Dart Acupuncture &/or Ear-Piercing," "Impractical Seriousness," "Krononautic Divector Field Didaction," "Chronicle of the Neoast Observer at the So-Called Millionth Apartment Festival," "3 part action," "Neoist haircut," "non-participation," "Philosopher's Union soapbox stand," "anything is anything," "language constructions," "Dyslexia," "Continuity Poem (cinematic version)," "A note from the editors of SMILE," "Dialectical Immaterialism," "Formula," "The Last Words of Wilhelm Reich, continued," "Theology," "Plenial Wer," "anti-art is art," "Censorship - the oldest of suppressed traditions," "Proletarian Posturing and the Strike which never Ends," "Neoism is simple," "What is Neoism?," "The First Announcement of Neoism," "The Generation Positive and Neoism," "Origins of Neoism Illuminated," "Bread + Pain + Love = Total Sex," " anti-post-actualism++++++," "Western Cell Division," "Akademgorod," "Why Neoists do not drink alcohol," "The Eroticism of Boredom," "The Concept of Monty Cantsin," "Stupid Undergrounds," "Neoism propaganda sheet 1: SMILE," "Lt. Murnau," "Luther Blissett," "SMILE," "Blood, Bread and Beauty," "Plagerism," "The Curse of Originality," "The 56 Laws of Neoism."



Copyright And Piracy


Copyright And Piracy
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Author : Lionel Bently
language : en
Publisher: Cambridge University Press
Release Date : 2010-10-28

Copyright And Piracy written by Lionel Bently and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-28 with Law categories.


An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?



Film And The Anarchist Imagination


Film And The Anarchist Imagination
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Author : Richard Porton
language : en
Publisher: Verso
Release Date : 1999

Film And The Anarchist Imagination written by Richard Porton and has been published by Verso this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Performing Arts categories.


From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmuller and Ken Loach, this book offers a comprehensive survey of anarchism in film.



Engineering Culture


Engineering Culture
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Author : Geoff Cox
language : en
Publisher: Autonomedia
Release Date : 2005

Engineering Culture written by Geoff Cox and has been published by Autonomedia this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Computers categories.


Social change does not simply result from resistance to the existing set of conditions but from adapting and transforming the technical apparatus itself. Walter Benjamin in his essay "The Author as Producer" (written in 1934) recommends that the 'cultural producer' intervene in the production process, in order to transform the apparatus in the manner of an engineer.This collection of essays and examples of contemporary cultural practices (the second in the DATA browser series) asks if this general line of thinking retains relevance for cultural production at this point in time -- when activities of production, consumption and circulation operate through complex global networks served by information technologies. In the 1930s, under particular conditions and against the backdrop of fascism, a certain political optimism made social change seem more possible. Can this optimism be maintained when technology operates in the service of capital in ever more insidious ways?



Original Copy


Original Copy
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Author : Robert Macfarlane
language : en
Publisher: OUP Oxford
Release Date : 2007-03-08

Original Copy written by Robert Macfarlane and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-03-08 with Literary Criticism categories.


'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.



Postmodern Plagiarisms


Postmodern Plagiarisms
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Author : Mirjam Horn
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2015-07-01

Postmodern Plagiarisms written by Mirjam Horn and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-01 with Literary Criticism categories.


This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity.



Crisis On Campus


Crisis On Campus
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Author : Wilfried Decoo
language : en
Publisher: MIT Press
Release Date : 2001-12-21

Crisis On Campus written by Wilfried Decoo and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-12-21 with Education categories.


A comprehensive guide to the handling of cases of academic misconduct. Crisis on Campus presents an overview of the phenomenon and handling of academic misconduct. After a brief historical background, it discusses contemporary circumstances that affect the nature and frequency of academic misconduct. It then details the phases of misconduct discovery and investigation: detection, analysis, assessment, reporting, and institutional handling. The final chapter deals with prevention. The book focuses on concrete cases, showing the complexities and ambiguities in dealing with presumed academic misconduct. The book also provides practical advice to both whistle-blowers and those accused of academic misconduct. The book pays special attention to plagiarism as one of the most frequent but also most complex forms of academic misconduct. It analyzes the various degrees of possible plagiarism, detection techniques, challenges in proving plagiarism, and denial tactics. It gives valuable advice on how to report and handle cases of alleged plagiarism, both by students and by professionals.