New Directions In Renaissance Drama And Performance Studies


New Directions In Renaissance Drama And Performance Studies
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New Directions In Renaissance Drama And Performance Studies


New Directions In Renaissance Drama And Performance Studies
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Author : Sarah Werner
language : en
Publisher: Palgrave MacMillan
Release Date : 2010-01-01

New Directions In Renaissance Drama And Performance Studies written by Sarah Werner and has been published by Palgrave MacMillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Theater categories.


"This collection asks pressing questions about how and why we study performances of Renaissance drama, challenging prevailing views and suggesting new methodologies for the field. How does an emphasis on Shakespeare limit us? What can we learn from non-traditional theatre? Why should we rethink the value of studying what happens onstage?"--Provided by publisher.



Performing Early Modern Drama Today


Performing Early Modern Drama Today
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Author : Pascale Aebischer
language : en
Publisher: Cambridge University Press
Release Date : 2012-10-11

Performing Early Modern Drama Today written by Pascale Aebischer and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-11 with Literary Criticism categories.


Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.



Shakespeare Performance Studies


Shakespeare Performance Studies
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Author : W. B. Worthen
language : en
Publisher: Cambridge University Press
Release Date : 2014-06-26

Shakespeare Performance Studies written by W. B. Worthen and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-26 with Drama categories.


This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.



Shakespeare S World Of Words


Shakespeare S World Of Words
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Author : Paul Yachnin
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-10-22

Shakespeare S World Of Words written by Paul Yachnin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-22 with Literary Criticism categories.


Was Shakespeare really the original genius he has appeared to be since the eighteenth century, a poet whose words came from nature itself? The contributors to this volume propose that Shakespeare was not the poet of nature, but rather that he is a genius of rewriting and re-creation, someone able to generate a new language and new ways of seeing the world by orchestrating existing social and literary vocabularies. Each chapter in the volume begins with a key word or phrase from Shakespeare and builds toward a broader consideration of the social, poetic, and theatrical dimensions of his language. The chapters capture well the richness of Shakespeare's world of words by including discussions of biblical language, Latinity, philosophy of language and subjectivity, languages of commerce, criminality, history, and education, the gestural vocabulary of performance, as well as accounts of verbal modality and Shakespeare's metrics. An Afterword outlines a number of other important languages in Shakespeare, including those of law, news, and natural philosophy.



Shakespeare And The Making Of Theatre


Shakespeare And The Making Of Theatre
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Author : Paul Edmondson
language : en
Publisher: Bloomsbury Publishing
Release Date : 2012-10-18

Shakespeare And The Making Of Theatre written by Paul Edmondson and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-18 with Literary Criticism categories.


A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of literature. Leading performance critics dismantle Shakespeare's texts, identifying theatrical cues in ways which develop understanding of the underlying theatricality of Shakespeare's plays and stimulate further performances.



The Arden Research Handbook Of Shakespeare And Contemporary Performance


The Arden Research Handbook Of Shakespeare And Contemporary Performance
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Author : Peter Kirwan
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-03-25

The Arden Research Handbook Of Shakespeare And Contemporary Performance written by Peter Kirwan and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-25 with Literary Criticism categories.


The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.



Ethical Implications Of Shakespeare In Performance And Appropriation


Ethical Implications Of Shakespeare In Performance And Appropriation
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Author : Geoffrey Way
language : en
Publisher: Edinburgh University Press
Release Date : 2024-04-30

Ethical Implications Of Shakespeare In Performance And Appropriation written by Geoffrey Way and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-30 with categories.


Bringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures or media changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use and consume him.



The Oxford Handbook Of Shakespeare And Performance


The Oxford Handbook Of Shakespeare And Performance
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Author : James C. Bulman
language : en
Publisher: Oxford University Press
Release Date : 2017

The Oxford Handbook Of Shakespeare And Performance written by James C. Bulman and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Literary Criticism categories.


The series statement "Oxford handbooks to Shakespeare" taken from dust jacket.



The Aesthetics Of Spectacle In Early Modern Drama And Modern Cinema


The Aesthetics Of Spectacle In Early Modern Drama And Modern Cinema
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Author : J. Sager
language : en
Publisher: Springer
Release Date : 2013-09-20

The Aesthetics Of Spectacle In Early Modern Drama And Modern Cinema written by J. Sager and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-20 with Literary Criticism categories.


Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.



Performing Arguments


Performing Arguments
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Author : Maura Giles-Watson
language : en
Publisher: BRILL
Release Date : 2024-03-04

Performing Arguments written by Maura Giles-Watson and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-04 with Literary Criticism categories.


Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate poetry, the fifteenth-century ‘disguising’ play, the Tudor Humanist debate interlude, and four Shakespearean works in which the dynamics of debate invite the plays’ reconsideration under the new rubric of ‘rhetorical problem plays.’ Performing Arguments further establishes a distinction between instrumental argumentation, through which an arguer seeks to persuade an opponent or audience, and performative argumentation, through which the arguer provides an aesthetic display of verbal or intellectual skill with persuasion being of secondary concern, or of no concern at all. This study also examines rhetorical and performance theories and practices contemporary with the early texts and genres explored, and is further influenced by more recent critical perspectives on resonance and reception and theories of audience response and reconstruction.