New Theatre And Film 1934 To 1937


New Theatre And Film 1934 To 1937
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New Theatre And Film 1934 To 1937


New Theatre And Film 1934 To 1937
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Author : Herbert Kline
language : en
Publisher: San Diego : Harcourt Brace Jovanovich
Release Date : 1985

New Theatre And Film 1934 To 1937 written by Herbert Kline and has been published by San Diego : Harcourt Brace Jovanovich this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Motion pictures categories.




Legacies Of Twentieth Century Dance


Legacies Of Twentieth Century Dance
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Author : Lynn Garafola
language : en
Publisher: Wesleyan University Press
Release Date : 2005-01-28

Legacies Of Twentieth Century Dance written by Lynn Garafola and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-28 with Performing Arts categories.


Selected writings illuminate a century of international dance.



Hollywood And Hitler 1933 1939


Hollywood And Hitler 1933 1939
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Author : Thomas Doherty
language : en
Publisher: Columbia University Press
Release Date : 2013-04-02

Hollywood And Hitler 1933 1939 written by Thomas Doherty and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-02 with History categories.


Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).



The Documentary Film Reader


The Documentary Film Reader
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Author : Jonathan Kahana
language : en
Publisher: Oxford University Press
Release Date : 2016

The Documentary Film Reader written by Jonathan Kahana and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Art categories.


The documentary film reader' brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. While documentary has long been a mainstay of universities and cinematheques, its popularity of late has grown tenfold as reality television has flourished and as the ranks of novice filmmakers have swelled. There are now dozens of film festivals dedicated exclusively to documentaries. This reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. It integrates historical and theoretical approaches, offering a collection that is particularly well suited to meet the needs of large undergraduate survey courses on nonfiction film, as well as providing sufficient depth for graduate classes.



Encyclopedia Of The Documentary Film 3 Volume Set


Encyclopedia Of The Documentary Film 3 Volume Set
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Author : Ian Aitken
language : en
Publisher: Routledge
Release Date : 2013-10-18

Encyclopedia Of The Documentary Film 3 Volume Set written by Ian Aitken and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-18 with Performing Arts categories.


The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.



Stepping Left


Stepping Left
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Author : Ellen Graff
language : en
Publisher: Duke University Press
Release Date : 1997

Stepping Left written by Ellen Graff and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with History categories.


Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers' rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period--when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.



Lovers Of Cinema


Lovers Of Cinema
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Author : Jan-Christopher Horak
language : en
Publisher: Univ of Wisconsin Press
Release Date : 1995

Lovers Of Cinema written by Jan-Christopher Horak and has been published by Univ of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Performing Arts categories.


Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.



They Must Be Represented


They Must Be Represented
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Author : Paula Rabinowitz
language : en
Publisher: Verso Books
Release Date : 2020-05-05

They Must Be Represented written by Paula Rabinowitz and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Performing Arts categories.


They Must Be Represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s, about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema. A great deal of documentary expression has been influenced by developments in cultural anthropology, as committed artists brought their cameras and typewriters into the field not only to report, but also to change the world. Yet recently the projects of both anthropology and documentary have come under scrutiny. Rabinowitz argues that the gendering of vision that occurs when narratives confirm to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectator in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history.



The Concise Routledge Encyclopedia Of The Documentary Film


The Concise Routledge Encyclopedia Of The Documentary Film
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Author : Ian Aitken
language : en
Publisher: Routledge
Release Date : 2013-01-04

The Concise Routledge Encyclopedia Of The Documentary Film written by Ian Aitken and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-04 with Performing Arts categories.


The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa. The Concise Routledge Encyclopedia of the Documentary Film: Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.



Hollywood On The Hudson


Hollywood On The Hudson
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Author : Richard Koszarski
language : en
Publisher: Rutgers University Press
Release Date : 2008

Hollywood On The Hudson written by Richard Koszarski and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Motion picture industry categories.


Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.