New Theatre Quarterly 69 Volume 18 Part 1
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New Theatre Quarterly 69 Volume 18 Part 1
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 2002-12-12
New Theatre Quarterly 69 Volume 18 Part 1 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-12-12 with Drama categories.
Provides an international forum where theatrical scholarship and practice can meet.
New Theatre Quarterly 70 Volume 18 Part 2
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 2002-12-12
New Theatre Quarterly 70 Volume 18 Part 2 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-12-12 with Drama categories.
Provides an international forum where theatrical scholarship and practice can meet.
New Theatre Quarterly 72 Volume 18 Part 4
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 2003-11-27
New Theatre Quarterly 72 Volume 18 Part 4 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-11-27 with Drama categories.
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 72 include: Views Across Borders; Small Audience, Big Picture; Cheerful History: the Political Theatre of John McGrath; 'Blood Red Roses': John McGrath and Lukacsian Realism; The Events of June 1848: the Monte Cristo Riots and the Politics of Protest; Performance, Embodiment, Voice; The Market Theatre of Johannesburg and its Presence in the New South Africa; NTQ Book Reviews.
New Theatre Quarterly 71 Volume 18 Part 3
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 2002-12-12
New Theatre Quarterly 71 Volume 18 Part 3 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-12-12 with Drama categories.
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.
New Theatre Quarterly 73 Volume 19 Part 1
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Author : Simon Trussler
language : en
Publisher: Cambridge University Press
Release Date : 2003-08-25
New Theatre Quarterly 73 Volume 19 Part 1 written by Simon Trussler and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-08-25 with Drama categories.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.
New Theatre Quarterly 49 Volume 13 Part 1
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 1997-08-21
New Theatre Quarterly 49 Volume 13 Part 1 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-08-21 with Drama categories.
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Modern British Playwriting The 1990s
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Author : Aleks Sierz
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-03-20
Modern British Playwriting The 1990s written by Aleks Sierz and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-20 with Literary Criticism categories.
British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.
New Theatre Quarterly 45 Volume 12 Part 1
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 1996-02-15
New Theatre Quarterly 45 Volume 12 Part 1 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-02-15 with Drama categories.
New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.
New Theatre Quarterly 41 Volume 11 Part 1
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 1995-04-06
New Theatre Quarterly 41 Volume 11 Part 1 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-04-06 with Drama categories.
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly 60 Volume 15 Part 4
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Author : Clive Barker
language : en
Publisher: Cambridge University Press
Release Date : 2000-02-24
New Theatre Quarterly 60 Volume 15 Part 4 written by Clive Barker and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-02-24 with Drama categories.
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.