Nineteenth Century Music Criticism
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Music Criticism In Nineteenth Century France
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Author : Katharine Ellis
language : en
Publisher: Cambridge University Press
Release Date : 1995-09-14
Music Criticism In Nineteenth Century France written by Katharine Ellis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-09-14 with Music categories.
In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.
Music Criticism In Nineteenth Century France
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Author : Katharine Ellis
language : en
Publisher: Cambridge University Press
Release Date : 1995-09-14
Music Criticism In Nineteenth Century France written by Katharine Ellis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-09-14 with Music categories.
In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.
Nineteenth Century Music Criticism
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Author : Teresa Cascudo
language : de
Publisher: Brepols Publishers
Release Date : 2017
Nineteenth Century Music Criticism written by Teresa Cascudo and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.
The long nineteenth century encompasses what has been described by some authors as newspaper civilization. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press. On the one hand, news, chronicles and criticism played a central part in the musical market, since the success of that market was predicated on the dissemination of information about performers, musical events and new repertoires. On the other hand, as we have observed, the prominence of music opened the door to new types of critical reflection in longer essays. Writings about music in those years were the result of artistic aspirations and preferences; the same writings also present evidence of prejudices and modes of perception marked by specific ideological issues. This volume collects twenty-two articles that address these issues, focusing on case studies in Europe and America. The collection reflects the growing importance of music criticism in particular and the press in general as objects of study for contemporary musicology.
Music Criticism And The Challenge Of History
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Author : Kevin Karnes
language : en
Publisher: Oxford University Press on Demand
Release Date : 2008-08-22
Music Criticism And The Challenge Of History written by Kevin Karnes and has been published by Oxford University Press on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-22 with Music categories.
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, this volume provides a view of the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization.
The Regulation And Reform Of Music Criticism In Nineteenth Century England
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Author : Paul Watt
language : en
Publisher: Routledge
Release Date : 2017-11-22
The Regulation And Reform Of Music Criticism In Nineteenth Century England written by Paul Watt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-22 with Music categories.
Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.
Nineteenth Century Music Review
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Author : Bennett Zon
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2010-07-01
Nineteenth Century Music Review written by Bennett Zon and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-01 with categories.
Aims to locate music within the framework of intellectual activity pertaining to the long nineteenth century (c 1789-1914). This title focuses on the interdisciplinary scholarship that explores music within the context of other artistic and scientific discourses.
Nineteenth Century Music
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Author : Carl Dahlhaus
language : en
Publisher: Univ of California Press
Release Date : 1989
Nineteenth Century Music written by Carl Dahlhaus and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Biography & Autobiography categories.
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Music Criticism In Nineteenth Century France
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Author : Katharine Ellis
language : en
Publisher: Cambridge University Press
Release Date : 2007-05-31
Music Criticism In Nineteenth Century France written by Katharine Ellis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-31 with Music categories.
This book focuses on the musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory. Dr. Ellis analyzes the process of canon formation, the development of French musicology and the increasing sensitivity of critics to questions of performance practice. She also examines the inevitable conflict between commercial interest and aesthetic integrity.
Realism In Nineteenth Century Music
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Author : Carl Dahlhaus
language : en
Publisher: CUP Archive
Release Date : 1985-06-13
Realism In Nineteenth Century Music written by Carl Dahlhaus and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-06-13 with Music categories.
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Music At The Turn Of Century
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Author : Joseph Kerman
language : en
Publisher: Univ of California Press
Release Date : 1990-01-01
Music At The Turn Of Century written by Joseph Kerman and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-01-01 with Music categories.
Turn-of-the-century modernists were involved, implicated, and often locked in a struggle with all the formidable legions of nineteenth-century music. The focus of this collection, essays originally published in the journal 19th-Century Music, is upon modernism in relation to its immediate heritage. Major composers whose reflections on the past come under consideration include Debussy, Mahler, Schoenberg, Stravinsky, Bartok, and Ives, while older composers such as Liszt and Wolf figure as precursors of modernist harmony and sensibility. The contributors include many leading musicologists, critics, and music theorists known for their work on nineteenth- and twentieth-century music. Some of the essays deal closely with the new musical languages that evolved in that era others deal with reception and performance issues. Many of them bring together insights from various sub-disciplines to achieve a richer kind of composite scholarship than is available to traditional musical studies.