Nobilt Di Dame
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Nobilt Di Dame
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Author : Fabritio Caroso
language : en
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
Release Date : 1986
Nobilt Di Dame written by Fabritio Caroso and has been published by Oxford [Oxfordshire] ; New York : Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Language Arts & Disciplines categories.
Fabritio Caroso was dancing master to some of the greatest princely families of Italy, and Nobiltà di dame, his sumptuous collection of ballroom dances and their music, reflects an age that believed that the person of high rank should be a work of art, uniting strength and beauty. Caroso's detailed instructions (including rules for steps, style and etiquetter, and forty-eight actual choreographies) are unequalled by any contemporary manual in their specificity and clarity. Most dances are preceeded by an engraving showing the opening position and illustrating many aspects of dress, posture, and gesture. A full scholarly apparatus, giving new information unavailable elsewhere, makes the book even more valuable to dancers and to students of dance and music at the junction of the Renaissance and Baroque eras.
Courtly Dance Of The Renaissance
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Author : Fabritio Caroso
language : en
Publisher: Courier Corporation
Release Date : 1995-01-01
Courtly Dance Of The Renaissance written by Fabritio Caroso and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-01-01 with Music categories.
Renaissance classic includes choreography and music for 49 dances from the period 1550 to 1610, plus guidance on court dress and etiquette for men and women. Indispensable source of authentic information.
Nobilta Di Dame
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Author : Fabritio Caroso
language : it
Publisher:
Release Date : 1980
Nobilta Di Dame written by Fabritio Caroso and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Dance categories.
Nobilta Di Dame
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Author : Marco Fabrizio Caroso
language : it
Publisher:
Release Date : 1970
Nobilta Di Dame written by Marco Fabrizio Caroso and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with categories.
Nobilt Di Dame Rist Anast Venezia 1600
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Author : Marco F. Caroso
language : it
Publisher:
Release Date : 1980
Nobilt Di Dame Rist Anast Venezia 1600 written by Marco F. Caroso and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Social Science categories.
Tanz Und Musik
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Author : Christelle Cazaux
language : en
Publisher: Schwabe Verlag (Basel)
Release Date : 2023-11-13
Tanz Und Musik written by Christelle Cazaux and has been published by Schwabe Verlag (Basel) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-13 with Music categories.
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
Art That All Arts Do Approve Manifestations Of The Dance Impulse In High Renaissance Culture
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Author : Richard Ralph
language : en
Publisher: Edinburgh University Press
Release Date : 2007-11-26
Art That All Arts Do Approve Manifestations Of The Dance Impulse In High Renaissance Culture written by Richard Ralph and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-26 with History categories.
This issue of Dance Research is in honour of Margaret McGowan, the doyenne of British dance historians. The theme is dance as an over-arching and stimulating agent, contributing to cultural and intellectual life during the early modern period in ways that were broader and more profound in their influence than is often recognised.
The Sounds And Sights Of Performance In Early Music
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Author : BrianE. Power
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Sounds And Sights Of Performance In Early Music written by BrianE. Power and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
Furioso
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Author : Lillian Pleydell
language : en
Publisher:
Release Date : 1992
Furioso written by Lillian Pleydell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Dance categories.
Dance Theory
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Author : Tilden Russell
language : en
Publisher: Oxford University Press, USA
Release Date : 2020
Dance Theory written by Tilden Russell and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Performing Arts categories.
"This book began in 2014 as an introduction to the book I was then writing about a small group of dance theorists-five Germans and an Englishman-and their treatises published between 1703 and 1721: obviously a very narrow conspectus in subject and years. The aim of the introduction was to place these largely ignored writers (epecially the Germans) in a broad historical context that would demonstrate how essential and pivotal they were. As I read further in dance theory I found more and more sources on the subject that turned out to be far more interesting and complex than I had originally imagined. The introduction kept getting longer, until it became an albatross on the book's actual text, not only because of its ever-increasing length, but more gravely, because I had assumed it would trace a teleological ascent in dance theory culminating in my authors and their works, followed by a degenerative aftermath. This tendentious viewpoint threatened not only to deter readers from a sympathetic reading of the book as a whole; it turned out, the more I read and learned, to be simply wrong. The history of dance theory, as I gradually came to realize, is too interesting and important to be exploited for spurious purposes. Also, it's an untold story. Dance historians are familiar with many or most of the authors and titles, but not what they have to say about dance theory. That's the part usually at the beginning of books that is skimmed through in order to get to the more urgent preoccupations of historical dancers and dance historians: performance practice, reconstruction, technique, and repertoire. Viewed superficially, moreover, it can seem as if the same self-evident and obligatory themes keep getting repeated like clichés in these sections under the general rubric of theory: a definition of dance and/or dance theory, or at least a list of their basic components; the relation of dance to the other arts and other areas of knowledge; dance's origin and history; and its utility (i.e., health, social conduct and success, recreation). Finally, and contrary to what I had long believed, dance theory is not dead. In fact, it is thriving in the twenty-first century. Yes, I was fully aware that something called dance theory was being copiously written and talked about, and that "theory" and "theorizing" and "theorist" had become wildly ubiquitous in dance scholars' lexicon, but I believed that what they were talking about was no genuine dance theory, had no kinship with what was historically accepted as dance theory, and did not meet the criteria of what a theory should be. I was convinced that what I considered dance theory had been swept away in the iconoclastic, irreverent, and nonconformist spirit of postmodernism. Luckily, early readers tactfully convinced me to address my folly. As I wrote, I learned. Writing this book has already served as a textbook in my own learning experience. There are some excellent compilations of readings in dance history. The common format is to devote each chapter to a historical period, with an introductory essay followed by relevant readings. The number of readings tends to increase as history marches on, peaking in the nineteenth century. A sampling of such compilations follows. Each book differs from this one in different ways, but in general, and by intent, none of them does everything this book sets out to do: treat theory in depth and as a discrete topic; treat theatrical and social dance equally; include readings dating from classical Antiquity to the twenty-first century; and link the readings, through brief introductory essays, from end to end by a narrative thread based on salient topics as seen from evolving perspectives"--