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Notes On Participatory Art


Notes On Participatory Art
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Notes On Participatory Art


Notes On Participatory Art
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Author : Gustaf Almenberg
language : en
Publisher: AuthorHouse
Release Date : 2010-12-02

Notes On Participatory Art written by Gustaf Almenberg and has been published by AuthorHouse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-12-02 with Art categories.


We are living in the Age of Participation. Social media are exploding, customer cooperation is sought in product development, and customer content is even built into media. But where is the art reflecting our times? Where are the artists making this kind of art? Who were their predecessors? In this book the author traces the roots of Participatory Art from Duchamp, Mondrian and Moholy-Nagy via less well known artists like Lygia Clark and Charlotte Posenenske as well as via better known artists like Joseph Beuys and yvind Fahlstrm to contemporary artists showing an interest in participation like Olafur Eliasson and Antony Gormley. Participation is the most important thing that has happened in art Gormley said in 2009. What, then, is Participatory Art? After around 40 years of practice the author tries to distill the essential principles in 10 suggestions for a Manifesto. Most central is its focus on the unfolding creative moment itself and on the creativity of the spectator.



Artificial Hells


Artificial Hells
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Author : Claire Bishop
language : en
Publisher: Verso Books
Release Date : 2012-07-24

Artificial Hells written by Claire Bishop and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-24 with Art categories.


This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.



Pioneering Participatory Art Practices


Pioneering Participatory Art Practices
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Author : Annemarie Kok
language : en
Publisher: transcript Verlag
Release Date : 2024-05-06

Pioneering Participatory Art Practices written by Annemarie Kok and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-06 with Art categories.


Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).



Pla Notes 29 Performance And Participation


Pla Notes 29 Performance And Participation
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Author :
language : en
Publisher: IIED
Release Date :

Pla Notes 29 Performance And Participation written by and has been published by IIED this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Living As Form


Living As Form
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Author : Nato Thompson
language : en
Publisher: MIT Press
Release Date : 2012

Living As Form written by Nato Thompson and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.


'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.



Participation


Participation
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Author : Claire Bishop
language : en
Publisher:
Release Date : 2006

Participation written by Claire Bishop and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.


Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.



Creativity Society And The Role Of Socially Engaged Art In Higher Arts Education


Creativity Society And The Role Of Socially Engaged Art In Higher Arts Education
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Author : Kai Lehikoinen
language : en
Publisher: Taylor & Francis
Release Date : 2025-07-21

Creativity Society And The Role Of Socially Engaged Art In Higher Arts Education written by Kai Lehikoinen and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-07-21 with Education categories.


This interdisciplinary book explores socially engaged art as a subject of study and its relevance in higher arts education institutions' third mission—giving back to society and engaging with the community—to build a sustainable higher arts education for the future. Drawing on data from two large-scale EU-funded projects—supplemented by interviews, educational document analysis, and secondary data—this book explores emerging trends in the arts sector and the role of arts universities in cross-sector collaboration, innovation, and actions towards social and environmental responsibility. Chapters posit theoretical analysis, case studies and practically orientated examples from countries including the United States, Ghana, Indonesia, and from across Europe to explore the growing demands for the positive societal impact of higher arts education. Located at the interface between the sociology of higher arts education and community engagement, the book explores a richness of international contexts including activism, churches, refugee work, eldercare, gender politics, prisons and many others. This timely volume responds to the urgent need to investigate the full potential of socially engaged art in higher arts education. As such, it will appeal foremost to scholars, researchers, postgraduate students, and teachers in higher arts education and the sociology of education. Practitioners working in arts curriculum design, university-society partnerships, and those focused on creating inclusive and respectful spaces in higher arts education and research, will also find the volume of use.



The Participator In Contemporary Art


The Participator In Contemporary Art
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Author : Kaija Kaitavuori
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018-08-30

The Participator In Contemporary Art written by Kaija Kaitavuori and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-30 with Art categories.


The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.



Where Is Art


Where Is Art
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Author : Simone Douglas
language : en
Publisher: Routledge
Release Date : 2022-06-30

Where Is Art written by Simone Douglas and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-30 with Art categories.


Featuring chapters by a diverse range of leading international artists and theorists, this book suggests that contemporary art is increasingly characterized by the problem of where and when it is situated. While much advanced artistic speculation of the twentieth-century was aligned with the question “what is art?,” a key question for many artists and thinkers in the twenty-first century has become “where is art?” Contributors explore the challenge of meaningfully identifying and evaluating works located across multiple versions and locations in space and time. In doing so, they also seek to find appropriate language and criteria for evaluating forms of art that often straddle other realms of knowledge and activity. The book will be of interest to scholars working in art history, contemporary art, art criticism, and philosophy of art.



History From Below


History From Below
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Author : Brigitta Bernet
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2025-07-21

History From Below written by Brigitta Bernet and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-07-21 with History categories.


What we know as history from below has long been considered a more democratic form of history-writing and research than forms of history that have counted, sometimes by default, as elite, and therefore by implication elitist. But history from below also has a tendency towards populism: an emphasis on authenticity, on voices uncontaminated by elite narratives, and a focus on the indigenous. Apart from its having a long-standing problem of finding sources to ‘give voice’ to the underrepresented, the question as to who can write about (and therefore represent) the people below, and a possible focus, in consequence, on themes of blood, soil, and the Volk. This volume explores, over nine essays and an introductory thematic essay, these tensions and dichotomies. The purpose is to bring to the foreground a long-standing danger of celebrating voices from below, perhaps uncritically at times, and therefore also of a romanticisation of those voices.