O Cinema Da Retomada
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O Cinema Da Retomada
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Author : Lúcia Nagib
language : pt-BR
Publisher: Editora 34
Release Date : 2002
O Cinema Da Retomada written by Lúcia Nagib and has been published by Editora 34 this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Motion picture producers and directors categories.
Apresenta um amplo painel histórico do cinema no Brasil entre 1994 e 1998, com depoimentos de 90 cineastas que participaram da retomada do cinema nacional.
Revis O Cr Tica Do Cinema Da Retomada
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Author : Marcelo Ikeda
language : pt-BR
Publisher: Editora Sulina
Release Date : 2022-10-28
Revis O Cr Tica Do Cinema Da Retomada written by Marcelo Ikeda and has been published by Editora Sulina this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-28 with Performing Arts categories.
Este livro oferece um olhar original sobre o cinema brasileiro entre as décadas de 1990 e 2000, por meio de uma reflexão sobre a expressão "cinema da retomada". Comumente utilizada por críticos e pesquisadores para refletir sobre os desafios da recuperação do cinema nacional após o desmonte do governo Collor, a "retomada" apresenta-se, a princípio, como uma expressão neutra, sem um ideário estético estrito, expressando apenas a continuidade do ritmo de produção. No entanto, esta publicação procura demonstrar que, por trás dos princípios de diversidade e totalidade, essa expressão contribuiu para a formação de um ideário prescritivo, aderente às transformações da cultura, da economia e da sociedade brasileiras em meados dos anos 1990, por meio de reformas modernizadoras que inseriram o País aos rumos da aldeia global. Desse modo, se o "cinema da retomada" contribuiu para inverter o cenário de grave crise institucional do cinema brasileiro do início dos anos 1990, também acabou por produzir apagamentos, empurrando para as margens obras, autores e tendências que não se integravam plenamente aos seus preceitos implícitos.
Mundializa O No Cinema Da Retomada
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Author : Eduardo Dias Fonseca
language : pt-BR
Publisher:
Release Date : 2017
Mundializa O No Cinema Da Retomada written by Eduardo Dias Fonseca and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art categories.
O cinema produzido no Brasil durante os anos 1990 passou por transformações tanto no aspecto institucional como nas construções de discursos dentro dos temas propostos pela maioria dos filmes. O surgir de uma nova configuração no fazer cinematográfico realizado no Brasil convencionou-se chamar de “Cinema da Retomada”, constituindo o encontro que se deu entre uma cinematografia realizada em momentos posteriores ao fim da Embrafilme com um novo formato de realização, atraindo o público e suas legitimações em festivais ao redor do mundo. Através do uso de propostas de análise fílmica, este livro pretende averiguar os processos de interpenetrações em um momento de avanço da mundialização da cultura e da globalização econômica. O autor analisa seis textos fílmicos que mostram um recorte da amplitude de discursos gerados pelo Cinema da Retomada e a sua diversidade. Temas como hibridismo cultural, antropofagia, ironia, território e diáspora são aportes que vão ao encontro a uma perspectiva de análise fílmica para visualizar procedimentos mundializantes dentro do Cinema da Retomada.
Cinema Brasileiro A Partir Da Retomada
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Author : Marcelo Ikeda
language : pt-BR
Publisher: Summus Editorial
Release Date : 2015-08-04
Cinema Brasileiro A Partir Da Retomada written by Marcelo Ikeda and has been published by Summus Editorial this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-04 with Business & Economics categories.
Este livro traça um panorama das políticas públicas para o setor audiovisual, com ênfase nas políticas cinematográficas, dos anos 1990 até 2010. Nesse período, o cinema nacional passou por grandes mudanças, oscilando entre a crise profunda e momentos de incontida euforia. Analisando os períodos de reconstrução, consolidação e reavaliação do modelo estatal, o autor oferece um panorama rico e atual sobre o tema.
Popular Cinema In Brazil 1930 2001
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Author : Stephanie Dennison
language : en
Publisher: Manchester University Press
Release Date : 2004-11-27
Popular Cinema In Brazil 1930 2001 written by Stephanie Dennison and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-11-27 with Performing Arts categories.
This work provides an entertaining introduction to popular film in Brazil, situating major box-office successes such as Central Station, in their socio-historical context.
Cinema Brasileiro
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Author : Sidney Ferreira Leite
language : pt-BR
Publisher:
Release Date : 2005
Cinema Brasileiro written by Sidney Ferreira Leite and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Motion picture industry categories.
Cinema De Novo
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Author : Luiz Zanin Oricchio
language : pt-BR
Publisher:
Release Date : 2003
Cinema De Novo written by Luiz Zanin Oricchio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
Discute as tendências atuais na cinematografia brasileira, que renasce após um período de decadência. Demonstra a multiplicidade de gêneros surgidos, levando em conta as condições sociais do país e a questão da identidade nacional.
The Cinema Of Sensations
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Author : Ágnes Pethő
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-01-12
The Cinema Of Sensations written by Ágnes Pethő and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-12 with Performing Arts categories.
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
Experimental Latin American Cinema
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Author : Cynthia Tompkins
language : en
Publisher: University of Texas Press
Release Date : 2013-02-15
Experimental Latin American Cinema written by Cynthia Tompkins and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-15 with Performing Arts categories.
Includes a filmography with the bibliography.
Brazilian National Cinema
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Author : Lisa Shaw
language : en
Publisher: Routledge
Release Date : 2014-05-01
Brazilian National Cinema written by Lisa Shaw and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-01 with Performing Arts categories.
Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.