Orlando Di Lasso S Imitation Magnificats For Counter Reformation Munich


Orlando Di Lasso S Imitation Magnificats For Counter Reformation Munich
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Orlando Di Lasso S Imitation Magnificats For Counter Reformation Munich


Orlando Di Lasso S Imitation Magnificats For Counter Reformation Munich
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Author : David Crook
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Orlando Di Lasso S Imitation Magnificats For Counter Reformation Munich written by David Crook and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Music categories.


After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music. Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats, and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure, Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats, considers the new ways he found to represent the tones, and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique, Crook, in his final chapter, reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



Reader S Guide To Music


Reader S Guide To Music
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Author : Murray Steib
language : en
Publisher: Routledge
Release Date : 2013-12-02

Reader S Guide To Music written by Murray Steib and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-02 with Music categories.


The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).



Latin And Music In The Early Modern Era


Latin And Music In The Early Modern Era
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Author : Robert Forgács
language : en
Publisher: BRILL
Release Date : 2021-05-31

Latin And Music In The Early Modern Era written by Robert Forgács and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-31 with History categories.


Exploring the relationship between Latin and music during the early modern era, this volume focuses on the link between Latin and music in the educational system of the time, and the development and influence of musical humanism, especially in settings of classical and Neo-Latin texts.



Music And Religious Identity In Counter Reformation Augsburg 1580 1630


Music And Religious Identity In Counter Reformation Augsburg 1580 1630
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Author : Alexander J. Fisher
language : en
Publisher: Routledge
Release Date : 2017-05-15

Music And Religious Identity In Counter Reformation Augsburg 1580 1630 written by Alexander J. Fisher and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-15 with History categories.


By the late-sixteenth century, Augsburg was one of the largest cities of the Holy Roman Empire, boasting an active musical life involving the contributions of musicians like Jacobus de Kerle, Hans Leo Hassler, and Gregor Aichinger. This musical culture, however, unfolded against a backdrop of looming religious schism. From the mid-sixteenth century onward, Augsburg was the largest 'biconfessional' city in the Empire, housing a Protestant majority and a Catholic minority, ruled by a city government divided between the two faiths. The period 1580-1630 saw a gradual widening of the divide between these groups. The arrival of the Jesuits in the 1580s polarized the religious atmosphere and fueled the assertion of a Catholic identity, expressed in public devotional services, spectacular processions, and pilgrimages to local shrines. The Catholic music produced for these occasions both reflected and contributed to the religious divide. This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning.



A Cultural Study Of Mary And The Annunciation


A Cultural Study Of Mary And The Annunciation
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Author : Gary Waller
language : en
Publisher: Routledge
Release Date : 2015-10-06

A Cultural Study Of Mary And The Annunciation written by Gary Waller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-06 with Religion categories.


This book traces the history of the Annunciation, exploring the deep and lasting impact of the event on the Western imagination. Waller explores the Annunciation from its appearance in Luke’s Gospel, to its rise to prominence in religious doctrine and popular culture, and its gradual decline in importance during the Enlightenment.



A Musical Offering


A Musical Offering
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Author : Martin Bernstein
language : en
Publisher: Pendragon Press
Release Date : 1977

A Musical Offering written by Martin Bernstein and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Music categories.


In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.



Tonus Peregrinus The History Of A Psalm Tone And Its Use In Polyphonic Music


Tonus Peregrinus The History Of A Psalm Tone And Its Use In Polyphonic Music
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Author : Mattias Lundberg
language : en
Publisher: Routledge
Release Date : 2016-03-03

Tonus Peregrinus The History Of A Psalm Tone And Its Use In Polyphonic Music written by Mattias Lundberg and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Music categories.


Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.



The Complete Motets


The Complete Motets
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Author : Peter Bergquist
language : en
Publisher: A-R Editions, Inc.
Release Date : 2007-01-01

The Complete Motets written by Peter Bergquist and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Music categories.


Pagination: vii + 106 pp.



Early Music History Volume 21


Early Music History Volume 21
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 2002-11-21

Early Music History Volume 21 written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-21 with Music categories.


Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.



Mapping The Motet In The Post Tridentine Era


Mapping The Motet In The Post Tridentine Era
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Author : Esperanza Rodríguez-García
language : en
Publisher: Routledge
Release Date : 2018-09-03

Mapping The Motet In The Post Tridentine Era written by Esperanza Rodríguez-García and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-03 with Music categories.


Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).