Owning Performance Performing Ownership
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Owning Performance Performing Ownership
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Author : Jane Wessel
language : en
Publisher: University of Michigan Press
Release Date : 2022-07-14
Owning Performance Performing Ownership written by Jane Wessel and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-14 with Law categories.
How playwrights, actors, and theater managers vied for control over the performance of popular plays after the passage of England's first copyright law
Owning Performance
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Author : Jane Wessel
language : en
Publisher:
Release Date : 2022
Owning Performance written by Jane Wessel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Copyright categories.
In 1710, England's first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century's most influential playwrights, actors, and theater managers as they vied for control over the period's most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama--quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period's most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Owning Performance Performing Ownership
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Author : Jane Wessel
language : en
Publisher: University of Michigan Press
Release Date : 2022-07-14
Owning Performance Performing Ownership written by Jane Wessel and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-14 with Performing Arts categories.
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Feminist Comedy
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Author : Willow White
language : en
Publisher: Rutgers University Press
Release Date : 2024-06-14
Feminist Comedy written by Willow White and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-06-14 with Literary Criticism categories.
Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
What Would Garrick Do Or Acting Lessons From The Eighteenth Century
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Author : James Harriman-Smith
language : en
Publisher: Bloomsbury Publishing
Release Date : 2023-12-14
What Would Garrick Do Or Acting Lessons From The Eighteenth Century written by James Harriman-Smith and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-14 with Performing Arts categories.
The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays – on emotions, cultivation, character, voice, action, company, audience, and reflection – provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material – and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.
Performing Copyright
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Author : Luke McDonagh
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-06-17
Performing Copyright written by Luke McDonagh and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-17 with Law categories.
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
Corporate Governance Regimes
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Author : Joseph McCahery
language : en
Publisher: Oxford University Press, USA
Release Date : 2002
Corporate Governance Regimes written by Joseph McCahery and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Business & Economics categories.
This volume provides an up-to-the-minute survey of the field of corporate governance, focusing particularly on issues of convergence and diversity. A number of topics are discussed including bankruptcy procedures, initial public offerings, the role of large stakes, comparative corporate governance, and institutional investors.
Owning A Body Moving A Body Me
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Author : Lorenzo Pia
language : en
Publisher: Frontiers Media SA
Release Date : 2019-05-16
Owning A Body Moving A Body Me written by Lorenzo Pia and has been published by Frontiers Media SA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-16 with categories.
The conscious experience of the bodily self is a cornerstone of human nature, which allows us to delineate the boundaries between the surrounding environment and us. A plethora of clinical and experimental investigations has clearly demonstrated that bodily self-consciousness draws on different neuro-cognitive mechanisms with distinct anatomo-functional underpinnings. Among these, the sense of body ownership (i.e., my body belongs to me), and the sense of agency (i.e., I am the author of my actions) have attracted increasing interest in recent years. The former seems to be strongly rooted in afferent sensory signals, whereas the latter appears to be rooted in efferent motor signals and/or the monitoring of their sensory consequences. Despite the consensus that the interplay between body ownership and the sense of agency contribute to the omnipresent conscious experience of the bodily self, the character and the form of this relationship remain unclear. Though research into the mechanisms underlying ownership (e.g., bodily illusions) or on agency (e.g., intentional binding) is blooming, very few studies have aimed to investigate both these processes at the same time. Therefore, many questions remain unresolved: for example, how do the experiences of ownership and agency influence each other? What are the anatomo-functional substrates of their interplay, and how does damage to these structures affect the experience of either ownership or agency (or both) in clinical populations? What is the specific role of efferent and afferent signals, and how may these be complimented by other inputs like emotional or interoceptive cues? And going beyond the mechanisms and anatomo-functional substrates, are there rational relations between the representations underlying body ownership and agency so that ownership can be a seen as a condition on intentional action and a sense of agency? Elucidating the complex relationship between ownership and agency is a crucial step in our understanding of bodily self-consciousness, and may help us to better understand the variety of neurological/psychiatric disorders affecting the perception of one’s own body and its movements. These insights can contribute to the development of future prosthetic devices or virtual-reality applications, which may in turn allow for new approaches in neuroscience, rehabilitative medicine, and therapeutic interventions.
Acquisition And Loss Of Ownership Of Goods Pel Acq Own
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Author : Study Group on a European Civil Code
language : en
Publisher: Oxford University Press, USA
Release Date : 2011
Acquisition And Loss Of Ownership Of Goods Pel Acq Own written by Study Group on a European Civil Code and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Law categories.
The Study Group on a European Civil Code has taken upon itself the task of drafting common European principles for the most important aspects of the law of obligations and for certain parts of the law of property in movables which are especially relevant for the functioning of the common market. The results of the research seek to advance the process of Europeanization of private law. Among other topics the series tackles sales and service contracts, distribution contracts and security rights, renting contracts and loan agreements, negotiorum gestio, delicts and unjustified enrichment law, transfer of property, and trust law.
Modern China S Copyright Law And Practice
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Author : Yimeei Guo
language : en
Publisher: Springer
Release Date : 2017-07-25
Modern China S Copyright Law And Practice written by Yimeei Guo and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-25 with Law categories.
This book presents selective case studies concerning China’s Copyright Law, especially the typical cases chosen by China’s Supreme People’s Court and the Beijing, Shanghai and Guangzhou IP courts in recent years as the local court’s guiding reference cases, the goal is to help readers familiarize themselves with China’s dispute and resolution system from a practical point of view. The major aspects covered include copyright object, copyright subject, copyright content, copyright limitations, neighboring rights, copyright infringement and enforcement, software copyright protection, collective management societies, and online copyright protection. Generally speaking, the book highlights selected typical cases involving various categories of current China’s Copyright Law. In addition, it introduces readers to relevant laws and regulations and discusses some hot issues in the academic field, including the extended collective license (ECL) implementation problem and the definition of “know” of Internet Service Providers (ISPs) in China. As such, the book successfully combines legal theory and realities, offering readers, especially graduate students and researchers, a clear and sensible overview of modern China’s Copyright Law and practice, as well as the chance to better understand China’s judicial and administrative efforts to protect copyright while also satisfying the requirement of transparency ever since China’s entry to the WTO in 2001.