Performance Practice
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Performance Practice
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Author : Roland Jackson
language : en
Publisher: Routledge
Release Date : 2013-10-23
Performance Practice written by Roland Jackson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-23 with Music categories.
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
Performance Practice Music Before 1600
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Author : Howard Mayer Brown
language : en
Publisher: W. W. Norton
Release Date : 1990
Performance Practice Music Before 1600 written by Howard Mayer Brown and has been published by W. W. Norton this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Music categories.
This handbook, an entirely new work, is not simply another guide to the performance of music of the past; it is, rather, a book about the study of past performance. Each main section - Medieval, Renaissance, Baroque, Classical, Romantic, and Twentieth Century - contains an introduction dealing with contexts of performance as well as sources and theory. This is followed by detailed discussions of vocal and instrumental performance.
Performance Practices In Classic Piano Music
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Author : Sandra P. Rosenblum
language : en
Publisher: Indiana University Press
Release Date : 1988-11-22
Performance Practices In Classic Piano Music written by Sandra P. Rosenblum and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-11-22 with Music categories.
Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources.
Performance Practice
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Author : Roland Jackson
language : en
Publisher: Routledge
Release Date : 2013-10-23
Performance Practice written by Roland Jackson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-23 with Music categories.
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
The Cambridge Companion To Mozart
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Author : Simon P. Keefe
language : en
Publisher: Cambridge University Press
Release Date : 2003-05-22
The Cambridge Companion To Mozart written by Simon P. Keefe and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-05-22 with Music categories.
The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.
Bach Performance Practice 1945 1975
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Author : Dorottya Fabian
language : en
Publisher: Routledge
Release Date : 2017-07-05
Bach Performance Practice 1945 1975 written by Dorottya Fabian and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
The Musician S Way
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Author : Gerald Klickstein
language : en
Publisher: Oxford University Press
Release Date : 2009-09-17
The Musician S Way written by Gerald Klickstein and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-17 with Music categories.
Veteran performer & educator Gerald Klickstein draws on the latest research & his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. The text articulates landmark strategies that equip readers to advance their musical abilities & succeed as performing artists.
Classical And Romantic Performing Practice 1750 1900
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Author : Clive Brown
language : en
Publisher:
Release Date : 1999
Classical And Romantic Performing Practice 1750 1900 written by Clive Brown and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Language Arts & Disciplines categories.
"This is for all performers and students of Classical and Romantic music. It provides a textbook for the teaching of late eighteenth- and nineteenth-century performing practice in universities and colleges. It will also be a guide for the enquiring listener."--Jacket.
Collaboration In Performance Practice
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Author : Noyale Colin
language : en
Publisher: Springer
Release Date : 2016-04-29
Collaboration In Performance Practice written by Noyale Colin and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Performing Arts categories.
Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.
European Theatre Performance Practice 1580 1750
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Author : Robert Henke
language : en
Publisher: Routledge
Release Date : 2016-12-05
European Theatre Performance Practice 1580 1750 written by Robert Henke and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Performing Arts categories.
This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.