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Performance Practices In The Baroque Era As Related By Primary Sources


Performance Practices In The Baroque Era As Related By Primary Sources
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Performance Practices In The Baroque Era As Related By Primary Sources


Performance Practices In The Baroque Era As Related By Primary Sources
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Author : Dennis Shrock
language : en
Publisher:
Release Date : 1988

Performance Practices In The Baroque Era As Related By Primary Sources written by Dennis Shrock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Music categories.




Performance Practices In The Baroque Era


Performance Practices In The Baroque Era
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Author : Dennis Shrock
language : en
Publisher:
Release Date : 2013

Performance Practices In The Baroque Era written by Dennis Shrock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Music categories.


The Baroque Era, stretching from 1600 to the 1750s, is a truly beloved time in the history of classical music, featuring works of Bach, Vivaldi, Monteverdi, and many more. However, critical details about the performance of music during the extraordinary time have been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this book, a companion to Performance Practices in the Classical Era, noted scholar and choral conductor Dennis Shrock brings together in one place treatises, primers, tutorials, letters, prefaces, and essays from the period to paint a detailed and informative portrait of this wonderful music as it was originally intended and experienced. The primary sources represent the entire time period of the Baroque era spanning all across Europe. Dr. Shrock expertly organizes these writings and music examples according to musical context: sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression.



Historical Dictionary Of Baroque Music


Historical Dictionary Of Baroque Music
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Author : Joseph P. Swain
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 2023-05-08

Historical Dictionary Of Baroque Music written by Joseph P. Swain and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-08 with Music categories.


Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.



Performance Practices In The Classical Era


Performance Practices In The Classical Era
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Author : Dennis Shrock
language : en
Publisher: G I A Publications
Release Date : 2011

Performance Practices In The Classical Era written by Dennis Shrock and has been published by G I A Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.


The Classical era, from 1751 to the 1830s and beyond, is one of the most revolutionary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor, Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time. These primary sources represent the entire time span of the Classical era, writings from throughout Europe and the United States, and details on virtually every type of performing medium and genre of composition common in the era. Dr. Shrock quotes from diaries, instruction books, dictionaries, letters, biographies, and essays all written during the eighteenth and early nineteenth centuries. Dr. Shrock organizes all of these comments - complete with detailed music examples - in sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression. What emerges is an insightful and colorful portrait certain to assist anyone who seeks to better understand the music of Mozart, Haydn, and other noted composers. Performance Practices in the Classical Era is a vital resource for any conductor, performer, or aficionado of classical music.



Sourcebook For Research In Music Third Edition


Sourcebook For Research In Music Third Edition
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Author : Allen Scott
language : en
Publisher: Indiana University Press
Release Date : 2015-06-01

Sourcebook For Research In Music Third Edition written by Allen Scott and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-01 with Music categories.


Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.



Choral Monuments


Choral Monuments
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Author : Dennis Shrock
language : en
Publisher: Oxford University Press
Release Date : 2017

Choral Monuments written by Dennis Shrock and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.


Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer's total choral output, the work's place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work's public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text's usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work's artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.



Music Education And The Art Of Performance In The German Baroque


Music Education And The Art Of Performance In The German Baroque
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Author : John Butt
language : en
Publisher: Cambridge University Press
Release Date : 1994-05-26

Music Education And The Art Of Performance In The German Baroque written by John Butt and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-05-26 with Music categories.


In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.



The Historical Performance Of Music


The Historical Performance Of Music
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Author : Colin Lawson
language : en
Publisher: Cambridge University Press
Release Date : 1999-11-11

The Historical Performance Of Music written by Colin Lawson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-11-11 with Music categories.


A 1999 overview of historical performance, surveying issues and suggesting future developments.



A Performer S Guide To Seventeenth Century Music


A Performer S Guide To Seventeenth Century Music
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Author : Stewart Carter
language : en
Publisher: Indiana University Press
Release Date : 2012-03-21

A Performer S Guide To Seventeenth Century Music written by Stewart Carter and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-21 with Music categories.


Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.