Performing National Identities
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Performing National Identity
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Author :
language : en
Publisher: BRILL
Release Date : 2008-01-01
Performing National Identity written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-01-01 with Literary Criticism categories.
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances—ranging from the scenarios of everyday interactions to ‘cultural performances’ such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media—that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but something acquired in and through performances. Particularly important here are intercultural performances and transactions, and that not only in a colonial and postcolonial dimension, where such performative aspects have already been considered, but also in inner-European transactions. ‘Englishness’ or ‘Britishness’ and Italianità, the subject of this anthology, are staged both within each culture and, more importantly, in joint performances of difference across cultural borders. Performing difference highlights differences that ‘make a difference’; it ‘draws a line’ between self and other—boundary lines that are, however, constantly being redrawn and renegotiated, and remain instable and shifting.
Performing National Identity
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Author : Manfred Pfister
language : en
Publisher: Rodopi
Release Date : 2008
Performing National Identity written by Manfred Pfister and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with History categories.
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but something acquired in and through performances.Particularly important here are intercultural performances and transactions, and that not only in a colonial and postcolonial dimension, where such performative aspects have already been considered, but also in inner-European transactions. `Englishness? or `Britishness? and Italianita, the subject of this anthology, are staged both within each culture and, more importantly, in joint performances of difference across cultural borders. Performing difference highlights differences that `make a difference?; it `draws a line? between self and other'boundary lines that are, however, constantly being redrawn and renegotiated, and remain instable and shifting.ContentsManfred PFISTER: Introduction: Performing National Identity1. Early Modern Literary ExchangesWerner VON KOPPENFELS: `Stripping up his sleeves like some juggler?: Giordano Brunoin England, or, The Philosopher as Stylistic Mountebank Ralf HERTEL: `Mine Italian brain ?gan in your duller Britain operate most vilely?: Cymbeline and the Deconstruction of Anglo-Italian Differences 2. Italian and English Art in DialogueJohn PEACOCK: Inigo Jones and the Reform of Italian Art Alison YARRINGTON: `Made in Italy?: Sculpture and the Staging of National Identities at the International Exhibition of 1862 3. Travelling ImagesBarbara SCHAFF: Italianised Byron ? Byronised Italy Fabienne MOINE: Elizabeth Barrett Browning's Italian Poetry: Constructing National Identity and Shaping the Poetic Self Stephen GUNDLE: The `Bella Italiana? and the `English Rose?: Reflections on Two National Typologies of Feminine Beauty 4. Political NegotiationsPamela NEVILLE-SINGTON: Sex, Lies, and Celluloid: That Hamilton Woman and British Attitudes towards the Italians from the Risorgimento to the Second World War Peter VASSALLO: Italian Culture versus British Pragmatics: The Maltese Scenario David FORGACS: Gramsci's Notion of the `Popular? in Italy and Britain: A Tale of Two Cultures 179Carla DENTE: Personal Memory / Cultural Memory: Identity and Difference in Scottish-Italian Migrant Theatre5. Contemporary MediationsClaudio VISENTIN: The Theatre of the World: British-Italian Identities on the Tourism Stage Judith MUNAT: Bias and Stereotypes in the Media: The Performance of British and Italian National Identities Sara SONCINI: Re-locating Shakespeare: Cultural Negotiations in Italian Dubbed Versions of Romeo and JulietMariangela TEMPERA: Something to Declare: Italian Avengers and British Culture in La ragazza con la pistola and Appuntamento a Liverpool Anthony KING: English Fans and Italian Football: Towards a Transnational Relationship Greg WALKER: Selling England (and Italy) by the Pound: Performing National Identity in the First Phase of Progressive Rock: Jethro Tull, King Crimson, and PFM Gisela ECKER: Zuppa Inglese and Eating up Italy: Intercultural Feasts and Fantasies Notes on Contributors
Theatre History And National Identities
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Author : Helka Mäkinen
language : en
Publisher:
Release Date : 2001
Theatre History And National Identities written by Helka Mäkinen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Finns categories.
Theatre And National Identity
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Author : Nadine Holdsworth
language : en
Publisher: Routledge
Release Date : 2014-06-27
Theatre And National Identity written by Nadine Holdsworth and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-27 with Performing Arts categories.
This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.
Performing Scottishness
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Author : Ian Brown
language : en
Publisher: Springer Nature
Release Date : 2020-02-13
Performing Scottishness written by Ian Brown and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-13 with Performing Arts categories.
This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
Cultivating National Identity Through Performance
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Author : N. Stubbs
language : en
Publisher: Springer
Release Date : 2013-09-18
Cultivating National Identity Through Performance written by N. Stubbs and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-18 with History categories.
As outdoor entertainment venues in American cities, pleasure gardens were public spaces where people could explore what it meant to be American. Stubbs examines how these venues helped form American identity and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
Performing National Identities
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Author : Sherrill Grace
language : en
Publisher:
Release Date : 2003
Performing National Identities written by Sherrill Grace and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Performing Arts categories.
A collection of 18 original essays on contemporary Canadian theatre by drama specialists in Belgium, Finland, Germany, Hungary and elsewhere.
National Identity Popular Culture And Everyday Life
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Author : Tim Edensor
language : en
Publisher: Routledge
Release Date : 2020-06-15
National Identity Popular Culture And Everyday Life written by Tim Edensor and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-15 with Social Science categories.
The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture?This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted - from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between ‘high' and ‘low' culture.
Staging England In The Elizabethan History Play
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Author : Ralf Hertel
language : en
Publisher: Routledge
Release Date : 2016-04-01
Staging England In The Elizabethan History Play written by Ralf Hertel and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Performing Arts categories.
Applying current political theory on nationhood as well as methods established by recent performance studies, this study sheds new light on the role the public theatre played in the rise of English national identity around 1600. It situates selected history plays by Shakespeare and Marlowe in the context of non-fictional texts (such as historiographies, chorographies, political treatises, or dictionary entries) and cultural artefacts (such as maps or portraits), and thus highlights the circulation, and mutation, of national thought in late sixteenth-century culture. At the same time, it goes beyond a New Historicist approach by foregrounding the performative surplus of the theatre event that is so essential for the shaping of collective identity. How, this study crucially asks, does the performative art of theatre contribute to the dynamics of the formation of national identity? Although theories about the nature of nationalism vary, a majority of theorists agree that notions of a shared territory and history, as well as questions of religion, class and gender play crucial roles in the shaping of national identity. These factors inform the structure of this book, and each is examined individually. In contrast to existing publications, this inquiry does not take for granted a pre-existing national identity that simply manifested itself in the literary works of the period; nor does it proceed from preconceived notions of the playwrights’ political views. Instead, it understands the early modern stage as an essentially contested space in which conflicting political positions are played off against each other, and it inquires into how the imaginative work of negotiating these stances eventually contributed to a rising national self-awareness in the spectators.
Theatre And National Identity In Colonial India
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Author : Sharmistha Saha
language : en
Publisher: Springer
Release Date : 2018-11-03
Theatre And National Identity In Colonial India written by Sharmistha Saha and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-03 with Performing Arts categories.
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.