Performing The Curatorial
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Performing The Curatorial
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Author : Maria Lind
language : en
Publisher:
Release Date : 2012
Performing The Curatorial written by Maria Lind and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
The curatorial includes the post production artistic practices that bring together within a particular time and space related framework disparate images, objects, as well as other material and immaterial phenomena. In its performative aspects that seek to challenge the status quo, the curatorial also includes elements of choreography, orchestration and administrative logistics. Edited by director and writer Maria Lind, this book brings together a diverse group of curators, artists, art historians, educators and thinkers, all of whom reflect on the curatorial motives, tendencies and tactics, pitfalls and exegeses in translating and thus performing cultural heritage. Contributors include Doug Ashford, Beatrice von Bismarck and Eungie Joo.
Curating Live Arts
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Author : Dena Davida
language : en
Publisher: Berghahn Books
Release Date : 2018-11-29
Curating Live Arts written by Dena Davida and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-29 with Performing Arts categories.
Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.
Empty Stages Crowded Flats Performativity As Curatorial Strategy
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Author : Joanna Warsza
language : en
Publisher: Alexander Verlag Berlin
Release Date : 2017-07-24
Empty Stages Crowded Flats Performativity As Curatorial Strategy written by Joanna Warsza and has been published by Alexander Verlag Berlin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-24 with Performing Arts categories.
During its impressive career over the last decades the term 'performative' has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats additionally applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being 'theatre-like', believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how 'theatre-like' strategies and techniques can in fact enable 'reality making' situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed. With contributions by Frédérique Aït-Touati, Knut Ove Arntzen, Nedjma Hadj Benchelabi, Claire Bishop, Beatrice von Bismarck, Rui Catalão, Vanessa Desclaux, Tim Etchells, Galerie, Karin Harrasser, Shannon Jackson, Ana Janevski, Lina Majdalanie, Ewa Majewska, Florian Malzacher, Maayan Sheleff, Gerald Siegmund, Claire Tancons, Kasia Tórz, Rachida Triki, Jelena Vesić, Joanna Warsza, and Catherine Wood. A publication by House on Fire, Live Art Development Agency & Alexander Verlag Berlin. The book series Performing Urgency is supported by the Culture Programme of European Union.
Curating Dramaturgies
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Author : Peter Eckersall
language : en
Publisher: Routledge
Release Date : 2021-04-26
Curating Dramaturgies written by Peter Eckersall and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-26 with Art categories.
Curating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
Theatre Exhibition And Curation
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Author : Georgina Guy
language : en
Publisher: Routledge
Release Date : 2016-04-20
Theatre Exhibition And Curation written by Georgina Guy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-20 with Performing Arts categories.
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
Issues In Curating Contemporary Art And Performance
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Author : Judith Rugg
language : en
Publisher: Intellect (UK)
Release Date : 2007
Issues In Curating Contemporary Art And Performance written by Judith Rugg and has been published by Intellect (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. Issues in Curating Contemporary Art and Performance argues that, despite these daily pressures, good curating work also requires more theoretical attention. In four thematic sections, a distinguished group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation's potential to act as a reconsideration of conventional museum spaces. Against the backdrop of cutting-edge developments in electronic art, art/science collaboration, nongallery spaces, and virtual fields, contributors propose new approaches to curating and new ways of fostering critical inquiry. Now in paperback, this volume is an essential read for scholars, curators, and art enthusiasts alike.
Curating Performing Arts
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Author :
language : en
Publisher:
Release Date : 2010
Curating Performing Arts written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art museum curators categories.
The Curatorial
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Author : Jean-Paul Martinon
language : en
Publisher: A&C Black
Release Date : 2013-10-24
The Curatorial written by Jean-Paul Martinon and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-24 with Philosophy categories.
Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
Curating Contemporary Music Festivals
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Author : Brandon Farnsworth
language : en
Publisher: transcript Verlag
Release Date : 2020-07-31
Curating Contemporary Music Festivals written by Brandon Farnsworth and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-31 with Business & Economics categories.
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
On Curating Issue 15 Performing The Exhibition
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Author : Dorothee Richter
language : en
Publisher:
Release Date : 2013-02-05
On Curating Issue 15 Performing The Exhibition written by Dorothee Richter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-05 with Art categories.
Performing the Exhibition:On exhibition practices between performance and installation.This issue of the journal brings together contributions from an international group of art practitioners, curators and theorists exploring the relationship between performance and installation in the context of the contemporary art exhibition. Key amongst the concerns of the journal is the possibility for rethinking the static model of exhibition and exploring the way in which performative approaches, adopted by artists and curators alike, can reframe the exhibition as an environment undergoing formal or relational transformation.With reference to history, theory and examples of contemporary projects, these texts reflect upon the way that diverse artistic and curatorial practices can be seen addressing several linked questions: If allowed to transform and evolve its surroundings, how might performance re-program the exhibition format? To what extent do experiments between performance and installation describe a new role for exhibition publics? With a renewed focus on the participatory and process-based possibilities of the exhibition, to what extent has curating itself become a performative activity?This issue of the Journal relates to a three-day symposium produced by the ECAV - Ecole Cantonale d'Art du Valais, Sierre and staged at the Château Mercier, Sierre, Switzerland between the 8th and the 10th of April 2011.The background for the symposium was the touring exhibition project In the Belly of the Whale, curated by Sibylle Omlin.With contributions by:Katya Garcia Anton, Barnaby Drabble, Sally De Kunst, Federica Martini, Sibylle Omlin, Dorothee Richter and Gavin Wade.Edited byBarnaby Drabble, Federica Martini and Sibylle Omlin