Perspectives On Contemporary Music Theory
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Perspectives On Contemporary Music Theory
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Author : Benjamin Boretz
language : en
Publisher:
Release Date : 1972
Perspectives On Contemporary Music Theory written by Benjamin Boretz and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Music categories.
Perspectives On Contemporary Music Theory
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Author : Bryan Parkhurst
language : en
Publisher: Taylor & Francis
Release Date : 2023-07-31
Perspectives On Contemporary Music Theory written by Bryan Parkhurst and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-31 with Music categories.
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.
Contemporary Music
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Author : Irène Deliège
language : en
Publisher: Routledge
Release Date : 2016-05-13
Contemporary Music written by Irène Deliège and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-13 with Music categories.
This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have mad
Reconceiving Structure In Contemporary Music
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Author : Judy Lochhead
language : en
Publisher: Routledge
Release Date : 2015-06-19
Reconceiving Structure In Contemporary Music written by Judy Lochhead and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-19 with Music categories.
This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
Reconceiving Structure In Contemporary Music
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Author : Judith Irene Lochhead
language : en
Publisher:
Release Date : 2016
Reconceiving Structure In Contemporary Music written by Judith Irene Lochhead and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Choke categories.
This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. It addresses the fringe status of recent music and demonstrates that existing descriptive languages and analytical approaches don't provide adequate tools to address it in productive terms. Lochhead offers new ways to conceive works, their structurings of musical experience and time, and the procedures and goals of analytic close reading, defining tools that engage the perspectives of composers, performers, and listeners. This book will be of interest to scholars of classical music, and music theory, musicology, and aural culture.
Perspectives For Contemporary Music In The 21st Century
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Author : Dániel Péter Biró
language : de
Publisher:
Release Date : 2016-10-14
Perspectives For Contemporary Music In The 21st Century written by Dániel Péter Biró and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-14 with categories.
Contemporary Music
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Author : Max Paddison
language : en
Publisher:
Release Date : 2010
Contemporary Music written by Max Paddison and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
Decentering Music
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Author : Kevin Korsyn
language : en
Publisher: Oxford University Press
Release Date : 2004-12-02
Decentering Music written by Kevin Korsyn and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-12-02 with Music categories.
As a work of cultural criticism that recalls the concerns of Foucault, Hayden White, Zizek, and others Decentering Music examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, Korsyn undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of disciplinary structures that goes beyond the limits of any single field. In asking a number of fundamental questions about the models through which disciplinary objects in music are constructed, Korsyn suggests unexpected relationships between works of musical scholarship and the cultural networks in which they participate. Thus David Lewin's theory of musical perceptions is compared to Richard Rorty's concept of the "liberal ironist," Susan McClary's feminist narrative of music history is juxtaposed with T.S. Eliot's "dissociation of sensibility," and Steven Feld's work in recording the music of the Kaluli people is compared to the treatment of ambient sound in contemporary cinema. Developing a framework for interpretation in dialogue with a number of poststructuralist writers, Korsyn goes far beyond applying their thought to the analysis of music; by showing the cultural dilemmas to which their work responds, Korsyn suggests how musical research already participates in these ideas. Rather than impose any single method, Decentering Music empowers readers to choose for themselves by interrogating their own values and ideological commitments, exploring the enabling conditions for statements about music. By demonstrating the complicity of opposing positions and challenging readers to reexamine their own values, Decentering Music will surely provoke debate, while appealing to readers in a variety of fields, and to anyone concerned about the crisis in the humanities.
Keeping Score
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Author : David Schwarz
language : en
Publisher: University of Virginia Press
Release Date : 1997
Keeping Score written by David Schwarz and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Education categories.
Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and "new" musicology, music and psychoanalysis, music and film, popular music studies, and gay and lesbian studies. These essays speak to music study from within its own language and enter into important conversations already taking place across disciplinary boundaries throughout the academy.
Companion To Contemporary Musical Thought
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Author : John Paynter
language : en
Publisher: Psychology Press
Release Date : 1992
Companion To Contemporary Musical Thought written by John Paynter and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Music categories.