Philosophical Perspectives On Depiction


Philosophical Perspectives On Depiction
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Philosophical Perspectives On Depiction


Philosophical Perspectives On Depiction
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Author : Catharine Abell
language : en
Publisher: OUP Oxford
Release Date : 2010-07-08

Philosophical Perspectives On Depiction written by Catharine Abell and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-08 with Philosophy categories.


Pictures are representations that depict their objects. Although depiction plays as important a role as language in contemporary culture and communication, its function is relatively poorly understood. This volume of specially written essays by leading philosophers offers to set the agenda for the philosophy of depiction. It addresses a wide range of philosophical issues, concerning the nature and value of depiction, the role of our perceptual processes in interpreting pictures, and the role of depiction in everyday communication.



Philosophical Perspectives On Depiction


Philosophical Perspectives On Depiction
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Author : Catharine Abell
language : en
Publisher: Oxford University Press
Release Date : 2010-07-08

Philosophical Perspectives On Depiction written by Catharine Abell and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-08 with Philosophy categories.


Depiction plays as important a role as language in our culture and communication, but its function is still not well understood. This volume of specially written essays by leading philosophers investigate the nature and value of depiction and its role in our understanding of the world. They set the agenda for the philosophy of depiction.



Scientific Representation


Scientific Representation
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Author : Bas C. van Fraassen
language : en
Publisher: OUP Oxford
Release Date : 2010-07-22

Scientific Representation written by Bas C. van Fraassen and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-22 with Philosophy categories.


Bas C. van Fraassen presents an original exploration of how we represent the world. Science represents natural phenomena by means of theories, as well as in many concrete ways by such means as pictures, graphs, table-top models, and computer simulations. Scientific Representation begins with an inquiry into the nature of representation in general, drawing on such diverse sources as Plato's dialogues, the development of perspectival drawing in the Renaissance, and the geometric styles of modelling in modern physics. Starting with Mach's and Poincaré's analyses of measurement and the 'problem of coordination', van Fraassen then presents a view of measurement outcomes as representations. With respect to the theories of contemporary science he defends an empiricist structuralist version of the 'picture theory' of science, through an inquiry into the paradoxes that came to light in twentieth-century philosophies of science. Van Fraassen concludes with an analysis of the complex relationship between appearance and reality in the scientific world-picture.



Resemblance And Representation


Resemblance And Representation
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Author : Ben Blumson
language : en
Publisher: Open Book Publishers
Release Date : 2014-09-21

Resemblance And Representation written by Ben Blumson and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-21 with Philosophy categories.


It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.



The Senses


The Senses
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Author : Fiona Macpherson
language : en
Publisher: Oxford University Press
Release Date : 2011-05-09

The Senses written by Fiona Macpherson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-09 with Philosophy categories.


The senses, or sensory modalities, constitute the different ways we have of perceiving the world, such as seeing, hearing, touching, tasting and smelling. But how many senses are there? How many could there be? What makes the senses different? What interaction takes place between the senses? This book is a guide to thinking about these questions. Together with an extensive introduction to the topic, the book contains the key classic papers on this subject together with nine newly commissioned essays. One reason that these questions are important is that we are receiving a huge influx of new information from the sciences that challenges some traditional philosophical views about the senses. This information needs to be incorporated into our view of the senses and perception. Can we do this whilst retaining our pre-existing concepts of the senses and of perception or do we need to revise our concepts? If they need to be revised, then in what way should that be done? Research in diverse areas, such as the nature of human perception, varieties of non-human animal perception, the interaction between different sensory modalities, perceptual disorders, and possible treatments for them, calls into question the platitude that there are five senses, as well as the pre-supposition that we know what we are counting when we count them as five (or more). This book will serve as an inspiring introduction to the topic and as a basis from which further new research will grow.



The Ground Of The Image


The Ground Of The Image
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Author : Jean-Luc Nancy
language : en
Publisher: Fordham Univ Press
Release Date : 2009-08-25

The Ground Of The Image written by Jean-Luc Nancy and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-08-25 with Art categories.


The renowned philosopher provides “noteworthy contributions to themes connected with images, imagination, representation, aesthetics, and . . . religion.” —Journal of American Academy of Religion What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.



Philosophical Perspectives On Art


Philosophical Perspectives On Art
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Author : Stephen Davies
language : en
Publisher: Clarendon Press
Release Date : 2007-07-05

Philosophical Perspectives On Art written by Stephen Davies and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-07-05 with Philosophy categories.


Philosophical Perspectives on Art presents a series of essays devoted to two of the most fundamental topics in the philosophy of art: the distinctive character of artworks and what is involved in understanding them as art. In Part I, Stephen Davies considers a wide range of questions about the nature and definition of art. Can art be defined, and if so, which definitions are the most plausible? Do we make and consume art because there are evolutionary advantages to doing so? Has art completed the mission that guided its earlier historical development, and if so, what is to become of it now? Should architecture be classified as an art form? Part II turns to the interpretation and appreciation of art. What is the target and purpose of the critic's interpretation? Is interpretation primarily directed at uncovering artists' intended meanings? Can apparently contradictory interpretations of a given piece both be true? Are interpretative evaluations entailed by descriptions of a work's aesthetic and artistic characteristics? In addition to providing fresh answers to these and other central questions in aesthetics, Davies considers the nature and content of metaphor, and the relation between the expressive qualities of a work of art and the emotions of its creator.



Explanation Beyond Causation


Explanation Beyond Causation
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Author : Alexander Reutlinger
language : en
Publisher: Oxford University Press
Release Date : 2018

Explanation Beyond Causation written by Alexander Reutlinger and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Philosophy categories.


What forms does explanation take if it is not based on causation? Fifteen leading philosophers explore this hot topic, arising from a shift in philosophical understanding of the nature of explanation which reflects actual explanatory practices in science, mathematics, and philosophy.



A Syncretistic Theory Of Depiction


A Syncretistic Theory Of Depiction
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Author : A. Voltolini
language : en
Publisher: Springer
Release Date : 2015-05-28

A Syncretistic Theory Of Depiction written by A. Voltolini and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-28 with Philosophy categories.


What is depiction? A new answer is given to this venerable question by providing a syncretistic theory of depiction that tries to combine the merits of the previous theories on the matter while dropping their defects. Thus, not only perceptual, but also both conventional and causal factors contribute in making something a picture of something else.



Abstraction In Science And Art


Abstraction In Science And Art
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Author : Chiara Ambrosio
language : en
Publisher:
Release Date : 2024

Abstraction In Science And Art written by Chiara Ambrosio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Abstraction categories.


"This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation. When scientists attempt to make sense of complex natural phenomena, they often produce highly abstract models of them. In the history and philosophy of art, there is a long tradition of debate on the function of abstraction, and - more recently - its relation with theories of depiction. Adopting a process-oriented perspective, the chapters in this volume explore the epistemic potential of a diversity of practices of abstracting. The systematic analysis of a wide range of historical cases, from early twentieth-century abstractionist painting to contemporary abstract photography, and from nineteenth-century physics to recent research in biology and neurosciences, invites the reader to reflect on the material lives of abstraction through concrete artefacts, experimental practices and theoretical and aesthetic achievements. Abstraction in Science and Art: Philosophical Perspectives will be of interest to scholars and advanced students working in aesthetics, philosophy of science, and epistemology, as well as to historians of science and art, and to practicing artists and scientists interested in exploring foundational questions at the heart of the creative practice of abstracting"--