Philosophy In Stan Brakhage S Dog Star Man


Philosophy In Stan Brakhage S Dog Star Man
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Philosophy In Stan Brakhage S Dog Star Man


Philosophy In Stan Brakhage S Dog Star Man
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Author : Alberto Baracco
language : en
Publisher:
Release Date : 2019

Philosophy In Stan Brakhage S Dog Star Man written by Alberto Baracco and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Hermeneutics categories.


This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.



Philosophy In Stan Brakhage S Dog Star Man


Philosophy In Stan Brakhage S Dog Star Man
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Author : Alberto Baracco
language : en
Publisher: Springer
Release Date : 2019-03-01

Philosophy In Stan Brakhage S Dog Star Man written by Alberto Baracco and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-01 with Philosophy categories.


This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.



American Avant Garde Cinema S Philosophy Of The In Between


American Avant Garde Cinema S Philosophy Of The In Between
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Author : Rebecca A. Sheehan
language : en
Publisher: Oxford University Press, USA
Release Date : 2020

American Avant Garde Cinema S Philosophy Of The In Between written by Rebecca A. Sheehan and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Performing Arts categories.


"Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this question crucial to the emergent field of film philosophy, this book argues that the films of the American avant-garde do "do" philosophy and illuminates the ethical and political stakes of their aesthetic interventions. The book traces the avant-garde's philosophy by developing a history and theory of its investment in dimensional, conceptual, and material in-betweens, clarifying how this cinema's reflections on the creation and reception of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. This entails the avant-garde's locating of cinema's-and thought's-ends or meanings in their means, and their advancement of an image of truth that is made rather than found that unites their films with the philosophies of Ludwig Wittgenstein and Ralph Waldo Emerson who believed the "journey's end is found in every step of the road" (Cavell). Rectifying film-philosophy's neglect of the American avant-garde, the book demonstrates how rather than showing their interest in the revelation of authoritative truths, the avant-garde's interest in the re-encounter and review of the seen and known emerges from an American Transcendentalist tradition that opposes such notions. Sheehan reads the avant-garde's interest in the contingencies of spectatorial experience as also an extension of Pragmatism's commitment to replacing the authority of a priori knowledge with that of individual experience. She also shows how Emerson's influence on Friedrich Nietzsche connects the American avant-garde's philosophies to Deleuze's time-image, premised largely upon Nietzsche's "powers of the false.""--



The Films Of Stan Brakhage In The American Tradition Of Ezra Pound Gertrude Stein And Charles Olson


The Films Of Stan Brakhage In The American Tradition Of Ezra Pound Gertrude Stein And Charles Olson
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Author : R. Bruce Elder
language : en
Publisher: Wilfrid Laurier Univ. Press
Release Date : 2011-08-26

The Films Of Stan Brakhage In The American Tradition Of Ezra Pound Gertrude Stein And Charles Olson written by R. Bruce Elder and has been published by Wilfrid Laurier Univ. Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-08-26 with Performing Arts categories.


Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.



Law Labour And The Humanities


Law Labour And The Humanities
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Author : Tiziano Toracca
language : en
Publisher: Routledge
Release Date : 2019-10-28

Law Labour And The Humanities written by Tiziano Toracca and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-28 with Law categories.


The ontology of work and the economics of value underpin the legal institution, with the existence of modern law predicated upon the subject as labourer. In contemporary Europe, labour is more than a mere economic relationship. Indeed, labour occupies a central position in human existence: since the industrial revolution, it has been the principal criterion of reciprocal recognition and of universal mobilization. This multi-disciplinary volume analyses labour and its depictions in their interaction with the latest legal, socio-economic, political and artistic tendencies. Addressing such issues as deregulation, flexibility, de-industrialization, the pervasive enlargement of markets, digitization and virtual relationships, social polarisation and migratory fluxes, this volume engages with the existential role played by labour in our lives at the conjunction of law and the humanities. This book will be of interest to law students, legal philosophers, theoretical philosophers, political philosophers, social and political theorists, labour studies scholars, and literature and film scholars.



Italy And The Ecological Imagination Ecocritical Theories And Practices


Italy And The Ecological Imagination Ecocritical Theories And Practices
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Author : Damiano Benvegnù
language : en
Publisher: Vernon Press
Release Date : 2022-10-04

Italy And The Ecological Imagination Ecocritical Theories And Practices written by Damiano Benvegnù and has been published by Vernon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-04 with Political Science categories.


What can Italy teach us about our relationships with the nonhuman world in the current socio-environmental crisis? 'Italy and the Ecological Imagination: Ecocritical Theories and Practices' focuses on how Italian writers, activists, visual artists, and philosophers engage with real and fictional environments and how their engagements reflect, critique, and animate the approach that Italian culture has had toward the physical environment and its ecology since late antiquity. Through a comparative and interdisciplinary approach, the essays collected in this volume explore topics including climate change, environmental justice, animal ethics, and socio-environmental degradation to provide a cogent analysis of how Italian ecological narratives fit within the current transnational debate occurring in the Environmental Humanities. The aim of 'Italy and the Ecological Imagination' is thus to explore non-anthropocentric modes of thinking and interacting with the nonhuman world. The goal is to provide accounts of how Italian historical records have potentially shaped our environmental imagination and how contemporary Italian authors are developing approaches beyond humanism in order to raise questions about the role of humans in a possible (or potentially) post-natural world. Ultimately, the volume will offer a critical map of Italian contributions to our contemporary investigation of the relationships between human and nonhuman habitats and communities.



Italian Experiences Of Trauma Through Film And Media


Italian Experiences Of Trauma Through Film And Media
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Author : Alberto Baracco
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2022-03-17

Italian Experiences Of Trauma Through Film And Media written by Alberto Baracco and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-17 with Social Science categories.


This volume offers new approaches to considering Italy’s traumatic experiences through a wide array of media, including film, documentaries, docufiction, websites, YouTube videos, advertisements, newspapers, and literature, that have not yet been fully analyzed. It looks at the trauma inflicted on Italians not, simply, as national or cultural traumas but, rather, as the creation/identification of subnational and transnational communities shaped by these trauma cases. The term “subnational”, or “transnational”, community is used mostly in reference to human beings, as they form those communities; however, they are also connected to a specific place, namely Italy. In addition, whereas “things” cannot become traumatized, this book also considers “living things,” such as the environment and the nature, which may create further trauma(s) for people.



Basilicata And Southern Italy Between Film And Ecology


Basilicata And Southern Italy Between Film And Ecology
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Author : Alberto Baracco
language : en
Publisher: Springer Nature
Release Date : 2023-01-01

Basilicata And Southern Italy Between Film And Ecology written by Alberto Baracco and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-01 with Performing Arts categories.


This volume offers an open, transdisciplinary living space (also green) through which to explore the different connections between Basilicata and Southern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives that may all be grouped under the key term film ecocriticism, offering the reader a thorough analysis not only of the different ways of representing reality but also of the processes of signification through which reality itself can be understood, rethought, and transformed. This is the general framework within which the authors consider film as a proper, effective medium for ecocritical and ecophilosophical reflections concerning not only Basilicata (to which the greater part of the volume is dedicated) but also Southern Italy and, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths, to which this volume is dedicated.



Trees In Literatures And The Arts


Trees In Literatures And The Arts
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Author : Carmen Concilio
language : en
Publisher: Rowman & Littlefield
Release Date : 2021-04-21

Trees In Literatures And The Arts written by Carmen Concilio and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-21 with Art categories.


This edited collection examines the ecological and cultural dynamics of humanarboreal kinship in environmental literature and art.



What Philosophy Wants From Images


What Philosophy Wants From Images
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Author : D. N. Rodowick
language : en
Publisher: University of Chicago Press
Release Date : 2018-01-08

What Philosophy Wants From Images written by D. N. Rodowick and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-08 with Performing Arts categories.


In recent decades, contemporary art has displayed an ever increasing and complicated fascination with the cinema—or, perhaps more accurately, as D. N. Rodowick shows, a certain memory of cinema. Contemporary works of film, video, and moving image installation mine a vast and virtual archive of cultural experience through elliptical and discontinuous fragments of remembered images, even as the lived experience of film and photography recedes into the past, supplanted by the digital. Rodowick here explores work by artists such as Ken Jacobs, Ernie Gehr, Victor Burgin, Harun Farocki, and others—artists who are creating forms that express a new historical consciousness of images. These forms acknowledge a complex relationship to the disappearing past even as they point toward new media that will challenge viewers’ confidence in what the images they see are or are becoming. What philosophy wants from images, Rodowick shows, is to renew itself conceptually through deep engagement with new forms of aesthetic experience.