Pier Leone Ghezzi Pittore
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Pier Leone Ghezzi Pittore
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Author : Anna Lo Bianco
language : it
Publisher: Ila-Palma
Release Date : 1985
Pier Leone Ghezzi Pittore written by Anna Lo Bianco and has been published by Ila-Palma this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Art categories.
Giuseppe E Pier Leone Ghezzi
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Author : Giuseppe Ghezzi
language : it
Publisher: Palombi Editori
Release Date : 1990
Giuseppe E Pier Leone Ghezzi written by Giuseppe Ghezzi and has been published by Palombi Editori this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Art categories.
Pier Leone Ghezzi
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Author : Pier Leone Ghezzi
language : it
Publisher: Marsilio Editori
Release Date : 1999
Pier Leone Ghezzi written by Pier Leone Ghezzi and has been published by Marsilio Editori this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Crafts & Hobbies categories.
Pier Leone Ghezzi
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Author : Maria Cristina Dorati da Empoli
language : it
Publisher:
Release Date : 2008
Pier Leone Ghezzi written by Maria Cristina Dorati da Empoli and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
Pier Leone Ghezzi E Il Contesto Artistico Della Prima Met Del Settecento
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Author : Maria Cristina Dorati da Empoli
language : it
Publisher: Fuori Collana
Release Date : 2017
Pier Leone Ghezzi E Il Contesto Artistico Della Prima Met Del Settecento written by Maria Cristina Dorati da Empoli and has been published by Fuori Collana this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art categories.
Questo studio si basa su fonti documentarie dell'Archivio di Stato di Roma e in parte anche dell'Archivio Segreto Vaticano. Protagonista è Pier Leone Ghezzi nella sua veste di pittore camerale e in virtù degli altri incarichi ottenuti dalla Camera Apostolica, nel corso della sua lunga vita. Al fine di ricomporre il contesto artistico e culturale romano della prima metà del Settecento si pubblicano anche documenti riguardanti artisti, lavori e personaggi dell'epoca. Nonostante la grave crisi finanziaria che colpì lo Stato Pontificio, con Clemente XI, Clemente XII e Benedetto XIV proseguirono i lavori di abbellimento artistico della città di Roma, che riuscì così a mantenere fino alla metà del secolo un ruolo predominante in Europa, attirando artisti, archeologi, musicisti e letterati.
Il Mondo Novo Musicale Di Pier Leone Ghezzi
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Author : Giancarlo Rostirolla
language : it
Publisher:
Release Date : 2001
Il Mondo Novo Musicale Di Pier Leone Ghezzi written by Giancarlo Rostirolla and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.
I Ghezzi Nelle Marche
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Author : Costanza Costanzi
language : it
Publisher:
Release Date : 1999
I Ghezzi Nelle Marche written by Costanza Costanzi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Marche (Italy) categories.
The Artist As Reader
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Author : Heiko Damm
language : en
Publisher: BRILL
Release Date : 2012-12-07
The Artist As Reader written by Heiko Damm and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-07 with History categories.
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Galleria Nazionale D Arte Antica
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Author : Lorenza Mochi Onori
language : it
Publisher: L'ERMA di BRETSCHNEIDER
Release Date : 2008
Galleria Nazionale D Arte Antica written by Lorenza Mochi Onori and has been published by L'ERMA di BRETSCHNEIDER this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
Prefazioni: Francesco Rutelli; Emmanuele Francesco Maria Emanuele; Presentazione, Claudio Strianti;La Galleria Nazionale d'Arte Antica di Palazzo Barberini, Lorenza Mochi Onori e Rossella Vodret; Le principali collezioni confluite nella Galleria Nazionale d'Arte Antica di Palazzo Barberini, Lorenza Mochi Onori e Rossella Vodret; Catalogo, Lorenza Mochi Onori e Rosella Vodret; Mostre; Indice per autori; Indice per sogetto; Indice per provenienza; Bibliografia.
Papi In Posa
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Author : Aa.Vv.
language : en
Publisher: Gangemi Editore Spa
Release Date : 2013-09-21T00:00:00+02:00
Papi In Posa written by Aa.Vv. and has been published by Gangemi Editore Spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-21T00:00:00+02:00 with Art categories.
The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the great spiritual and social significance of the personages portrayed: the greatest Pontiffs who from the 16th century to the present have sat in the Chair of Saint Peter. It is suggestive to observe, as we scan the unique artistic itinerary offered by the curators of the exhibition, how through the succession of historical periods and particularly by virtue of the esthetic verve and inner sensitivity of the artists, the description of the human person was oriented, with extreme plastic ductility and acuity in their perception of their subjects' physiognomy, to represent not only the body lines of the subject being depicted but, in particular, the most intimate traits of the heart, the lively mobility of their thought, the innermost lines of the subject's character, in an intense dialogue of chiaroscuro observations from which the characterizing notes of complex personages are evinced – persons who appear completely clear and evident only to those who are capable of sublimating their outward appearance into an acute observation. From this prestigious gallery of portraits it emerges unmistakably how the anthropocentric path of human thought has manifestly reverberated within the bounds of the figurative arts through a progressive contextualization, which sees the subject represented unbound through a metatemporal aura of rarefied abstraction and placed, naturalistically, in a precise and well defined spatiotemporal sphere. At the same time, we witness a gradual definition of the personage portrayed as the bearer of a clear personal connotation – the self and the identity, which seem to be invisible and thus impossible to represent – no longer, hortatively, as an idealized and metaphoric emblem of absolute values in deference to a markedly ethical and pedagogical conception. The exhibited works, which rightfully range themselves among the most outstanding expressions of portraiture, reveal a deep spiritual harmony evocative of beauty and unleash a lively dialogue with the onlooker based on a real and inherent economy of the act of viewing, albeit freed from the exercise of a psychologism oriented toward uncontrollable wanderings. The reception of the meaning of the formal systems – thoughtful poses and attitudes – involves, to be sure, the active presence of the spectator in a sort of visual dialogue with the portrait that is not considered exclusively as a fixed commemorative system but rather as an interactive structure. In the perspective of the reception, the observer becomes a fundamental element for the construction of the meaning of the image that, from this very private perspective, undergoes obvious momentous transformations. Observer and image thus become integral parts of a fascinating system of visual exchange not unlike the mechanisms of verbal dialogue: both members of the “pair” take on contemporaneously the dual role of subject/object, restructuring the complex relational web established in a rapport between an “I” and a “you.” Beyond the temporal contingencies, each portrait is recounted and seduces us through the universal language of fame: this incarnates, deeply, the artist's attempt to describe the personality of the subjects portrayed, consigning the multiform essence of their nature to one attitude or to a single expression by resorting to a refined psychological introspection in an attempt to render visually the subject's inner world. It is owing to the above considerations that, while I applaud the felicitous initiative of giving life to such a culturally transcendent exhibition, I would wish that all those who will have the pleasure of visiting it or at least of perusing the pages of this catalogue will be able to perceive the portraits of the individual popes not as so many freestanding elements, but rather as integrated parts of a related set of men who, albeit struggling with the many and varied anxieties of everyday life, endeavored to serve Christ among their brothers, each one with a clear perception of himself as servo servorum Dei – the servant of God's servants! Through looks, attitudes and symbols committed by the artist in a well-constructed iconographic code to the pictorial or sculptural page, the discerning observer cannot help but grasp a veiled spiritual harmony that reflects the profound mystery of faith and propagates an echo of the ineffable beauty of God, revealing how, through art, man – pulled between the eternal and the transient – strives to draw close to his Creator. Francesco Cardinal Marchisano Vicar General of the Pope for the State of Vatican City