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Plays In One Act


Plays In One Act
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One Act


One Act
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Author : Samuel Moon
language : en
Publisher: Grove Press
Release Date : 1965

One Act written by Samuel Moon and has been published by Grove Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Drama categories.


A collection of eleven one-act plays by the major writers of modern drama.



Plays In One Act


Plays In One Act
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Author : Elias
language : en
Publisher: Orient Blackswan
Release Date : 1985

Plays In One Act written by Elias and has been published by Orient Blackswan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with categories.


Beginning with Synge s Riders to the Sea, generally considered the best one-act play ever written, this volume contains some of the masterpieces of world literature in this shorter genre. Among others, plays from the pens of Chekov, Tennessee Williams and Conan Doyle are included.



The Clod


The Clod
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Author : Lewis Beach
language : en
Publisher: CreateSpace
Release Date : 2013-12

The Clod written by Lewis Beach and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12 with Performing Arts categories.


This one act play is made available to all. It may be used freely to perform in any environment. No Royalties owed. You do not have to buy multiple copies to perform, copy this book. You may change lines and scenes. Please give credit to the original author as inspiration of the work.The elder Dumas, who wrote many successful plays, as well as the famous romances, said that all he needed for constructing a drama was "four boards, two actors, and a passion." What he meant by passion has been defined by a later French writer, Ferdinand Brunetière, as a conflict of wills. When two strong desires conflict and we wonder which is coming out ahead, we say that the situation is dramatic. This clash is clearly defined in any effective play, from the crude melodrama in which the forces are hero and villain with pistols, to such subtle conflicts, based on a man's misunderstanding of even his own motives and purposes.In comedy, and even in farce, struggle is clearly present. Here our sympathy is with people who engage in a not impossible combat—against rather obvious villains who can be unmasked, or against such public opinion or popular conventions as can be overset. The hold of an absurd bit of gossip upon stupid people is firm enough in "Spreading the News"; but fortunately it must yield to facts at last. The Queen and the Knave of Hearts are sufficiently clever, with the aid of the superb cookery of the Knave's wife, to do away with an ancient and solemnly reverenced law of Pompdebile's court.Again, in comedies as in mathematics, the problem is often solved by substitution. The soldier in Mr. Galsworthy's "The Sun" is able to find a satisfactory and apparently happy ending without achieving what he originally set out to gain. Or the play which does not end as the chief character wishes may still prove not too serious because, as in "Fame and the Poet," the situation is merely inconvenient and absurd rather than tragic. Now and then it is next to impossible to tell whether the ending is tragic or not. It is natural for us to desire a happy ending in stories, as we desire satisfying solutions of the problems in our own lives. And whenever the forces at work are such as make it true and possible, naturally this is the best ending for a story or a play. Where powerful and terrible influences have to be combated, only a poor dramatist will make use of mere chance, or compel his characters to do what such people really would not do, to bring about a factitious "happy ending." One of the best ways to understand these as real stage plays is through some sort of dramatization. This does not mean, however, that they need be produced with elaborate scenery and costumes, memorizing, and rehearsal; often the best understanding may be secured by quite informal reading in the class, with perhaps a hat and cloak and a lath sword or two for properties. With simply a clear space in the classroom for a stage, you and your imaginations can give all the performance necessary for realizing these plays very well indeed. Of course, you must clearly understand the lines and the play as a whole before you try to take a part, so that you can read simply and naturally, as you think the people in the story probably spoke. Some questions for discussion in the appendix may help you in talking the plays over in class or in reading them for yourself before you try to take a part. You will find it sometimes helps, also, to make a diagram or a colored sketch of the scene as the author describes it, or even a small model of the stage for a "dramatic museum" for your school. If you have not tried this, you do not know how much it helps in seeing plays of other times, like Shakespeare's or Molière's; and it is useful also for modern dramas. Such small stages can be used for puppet theatres as well. "The Knave of Hearts" is intended as a marionette play, and other dramas—Maeterlinck's and even Shakespeare's—have been given in this way with very interesting effects.



The Technique Of The One Act Play


The Technique Of The One Act Play
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Author : Benjamin Roland Lewis
language : en
Publisher:
Release Date : 1918

The Technique Of The One Act Play written by Benjamin Roland Lewis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1918 with Drama categories.




The Best Of One Act Play Depot


The Best Of One Act Play Depot
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Author : Fraser MacFarlane
language : en
Publisher:
Release Date : 2017-08

The Best Of One Act Play Depot written by Fraser MacFarlane and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08 with American drama categories.




The Complete Works Of Terence Illustrated


The Complete Works Of Terence Illustrated
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Author : Terence
language : en
Publisher:
Release Date : 2021

The Complete Works Of Terence Illustrated written by Terence and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with categories.




Fifty Contemporary One Act Plays


Fifty Contemporary One Act Plays
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Author : Frank Shay
language : en
Publisher:
Release Date : 1946

Fifty Contemporary One Act Plays written by Frank Shay and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1946 with Drama categories.




24 Favorite One Act Plays


24 Favorite One Act Plays
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Author : Bennett Cerf
language : en
Publisher: Broadway Books
Release Date : 1958

24 Favorite One Act Plays written by Bennett Cerf and has been published by Broadway Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1958 with Drama categories.


Originally published: [New York]: Doubleday, 1958.



Contemporary One Act Plays


Contemporary One Act Plays
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Author : Various Authors
language : en
Publisher: Library of Alexandria
Release Date :

Contemporary One Act Plays written by Various Authors and has been published by Library of Alexandria this book supported file pdf, txt, epub, kindle and other format this book has been release on with Fiction categories.




Audience


Audience
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Author : Michael Frayn
language : en
Publisher: Samuel French, Inc.
Release Date : 1991

Audience written by Michael Frayn and has been published by Samuel French, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Drama categories.


This amusing satire about audiences by the author of Noises Off, Copenhagen and other acclaimed plays takes place in the stalls (orchestra) of a West End theatre. The cast includes an usherette, audience members and a playwright in agony over crinkling candy wrappers, talking out loud, and inattention to his play. The characters in Michael Frayns metatheatrical comedy are actually watching the audience, expecting them to perform, and comedy ensues as Frayn holds a mirror up to the audience and they see their our own foibles as audience members.