Poet Public And Performance In Ancient Greece
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Poet Public And Performance In Ancient Greece
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Author : Lowell Edmunds
language : en
Publisher: Taylor & Francis
Release Date : 1997
Poet Public And Performance In Ancient Greece written by Lowell Edmunds and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with History categories.
Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb. Analyzing the passage in the Odyssey in which a collective delirium comes over the suitors, Giulio Guidorizzi reveals how the poet describes a scene that lies outside the narrative themes and diction of epic. Antonio Aloni offers a reading of Simonides' elegy for the Greeks who fell at Plataea. Lowell Edmunds interprets the so-called seal of Theognis as lying on a borderline between the performed and the textual. Taking up proverbs, maxims, and apothegms, Joseph Russo examines "the performance of wisdom." Charles Segal focuses on the unusual role played by the chorus in Euripides' Bacchae. Reading the plot of Euripides' Ion, Thomas Cole concludes that the task of constructing the meaning of the play is to some extent delegated to the public. Robert Wallace describes the "performance" of the Athenian audience and provides a catalog of good and bad behavior: whistling, shouting, and throwing objects of every kind. Finally, Maria Grazia Bonanno stresses the importance of performance in lyric poetry.
Poetry And Its Public In Ancient Greece
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Author : Bruno Gentili
language : en
Publisher:
Release Date : 1990-02
Poetry And Its Public In Ancient Greece written by Bruno Gentili and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-02 with History categories.
Brilliantly applying insights and methodologies from anthropology, literary theory, and the social sciences to the historical study of archaic lyric, Poetry and Its Public in Ancient Greece, winner of Italy's prestigious Viareggio Prize, develops a new Picture of the literary history of Greece. An essentially practical art, ancient Greek poetry was clocely linked to the realities of social and political life and to the actual behavior of individuals within a community. Its mythological content was didactic and pedagogical. But Greek poetry differs radically from modern forms in its mode of communication: it was designed not for reading but for performance, with musical accompaniment, before an audience. In analyzing the formal and social aspects of this performance context, Gentili illuminates such topics as oral composition and improvisation, oral transmission and memory, the connections betweek poetry and music, the changing socioeconomic situation of the artist, and the relations among poets, patrons, and the public.
Performance And Gender In Ancient Greece
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Author : Eva Stehle
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14
Performance And Gender In Ancient Greece written by Eva Stehle and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Performing Arts categories.
"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Craft Of Poetic Speech In Ancient Greece
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Author : Claude Calame
language : en
Publisher: Cornell University Press
Release Date : 1995
The Craft Of Poetic Speech In Ancient Greece written by Claude Calame and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with History categories.
In this subtle, learned, and daring book, Claude Calame subverts common assumptions about the relationships between poet and audience, challenging his readers to rethink the very principles of mythmaking in the poetry and art of the ancient Greeks.
Authorship And Greek Song Authority Authenticity And Performance
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Author :
language : en
Publisher: BRILL
Release Date : 2017-02-20
Authorship And Greek Song Authority Authenticity And Performance written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-20 with Literary Criticism categories.
Authorship and Greek Song offers critical discussions of the concept of authorship in archaic Greek poetry. Its chapters explore the issue of authority (of poet-author and/or performer) and the transition from song (performed) to poem (read).
Intertextuality And The Reading Of Roman Poetry
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Author : Lowell Edmunds
language : en
Publisher: JHU Press
Release Date : 2003-05-01
Intertextuality And The Reading Of Roman Poetry written by Lowell Edmunds and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-05-01 with Literary Criticism categories.
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.
Poetry As Performance
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Author : Gregory Nagy
language : en
Publisher: Cambridge University Press
Release Date : 1996-01-26
Poetry As Performance written by Gregory Nagy and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-01-26 with History categories.
To understand the emergence of Homeric poetry as an actual written text, it is essential to trace the history of Homeric performance, from the very beginnings of literacy to the critical era of textual canonisations in the Hellenistic and Roman periods. Professor Nagy applies the comparative evidence of oral poetic traditions, including those that survived in literate societies, such as the Provençal troubadour tradition. It appears that a song cannot be fixed as a final written text so long as the oral poetic tradition in which it was created stays alive. So also with Homeric poetry, it is argued that no single definitive text could evolve until the oral traditions in which the epic was grounded became obsolete. In the time of Aristarchus, the gradual movement from relatively fluid to more rigid stages of Homeric transmission reached a near-final point of textualisation.
Poet And Orator
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Author : Andreas Markantonatos
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2019-04-01
Poet And Orator written by Andreas Markantonatos and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-01 with Literary Criticism categories.
This multiauthored volume, as well as bringing into clearer focus the notion of drama and oratory as important media of public inquiry and critique, aims to generate significant attention to the unified intentions of the dramatist and the orator to establish favourable conditions of internal stability in democratic Athens. We hope that readers both enjoy and find valuable their engagement with these ideas and beliefs regarding the indissoluble bond between oratorical expertise and dramatic artistry. This exciting collection of studies by worldwide acclaimed classicists and acute younger Hellenists is envisaged as part of the general effort, almost unanimously acknowledged as valid and productive, to explore the impact of formalized speech in particular and craftsmanship rhetoric in general upon Attic drama as a moral and educational force in the Athenian city-state. Both poet and orator seek to deepen the central tensions of their work and to enlarge the main themes of their texts to even broader terms by investing in the art of rhetoric, whilst at the same time, through a skillful handling of events, evaluating the past and establishing standards or ideology.
Poetry And Its Public An Ancient Greece
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Author :
language : en
Publisher:
Release Date : 1988
Poetry And Its Public An Ancient Greece written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
Pindar Song And Space
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Author : Richard Neer
language : en
Publisher: JHU Press
Release Date : 2019-11-05
Pindar Song And Space written by Richard Neer and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-05 with Literary Criticism categories.
A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.