Poetic Remaking
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Poetic Remaking
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Author : George Bornstein
language : en
Publisher: Penn State Press
Release Date : 1990-09-24
Poetic Remaking written by George Bornstein and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-09-24 with Poetry categories.
This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordsworth, Coleridge, Keats, Shelley, Arnold, Tennyson, and Eliot. The introductory manifesto, "Four Gaps in Postromantic Influence Study," posits four new orientations for such work: taking the volume (rather than the individual poem) as a unit; stressing more centrally the Victorian mediation between Romantic and Modern; allowing for national differences among English, Irish, and American traditions; and basing influence studies as much on manuscript materials as on finished products. Each of the following chapters follows one or more of those orientations. The initial four chapters, "Remaking Poetry," focus on readings of specific poetic texts. The first treats Browning's first major volume as a unit; the second reads his dramatic monologue "Pictor Ignotus" against Romantic acts of mind; the third maps distinctively Victorian variations in the major form known as Greater Romantic Lyric; and the fourth explores Yeats's mature revision of that form. The second group of four chapters, "Remaking Poets," stresses the dynamics of literary influence by which poets turn their forerunners into figures helpful to their own development. The first three examine Yeats's encounter with Dante, Spenser, Browning, and Tennyson, respectively; the fourth treats Pound's remaking of the poet he called his poetic "father," Browning, in a way that suggests the limits of anxiety models of poetic influence. For this volume Professor Bornstein has revised and expanded a select group of his recent essays and added a new one, on the Greater Victorian Lyric.
Redcrosse Remaking Religious Poetry For Today S World
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Author : Ewan Fernie
language : en
Publisher: A&C Black
Release Date : 2012-11-22
Redcrosse Remaking Religious Poetry For Today S World written by Ewan Fernie and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-22 with Literary Criticism categories.
Do poetry and criticism matter in today's world? How can the poetry of the past help us tackle the changing nature of religious faith and national identity? This book explores the creation of Redcrosse, a new poetic liturgy for St George's Day and a unique collaborative work written by the critic Ewan Fernie, the theologian Andrew Shanks and the major contemporary poets Jo Shapcott, Michael Symmons Roberts and Andrew Motion. Leading writers - including John Milbank, Salley Vickers and Sarah Apetrei, together with authors of Redcrosse itself - reflect on the creation of the liturgy and its central inspiration, Edmund Spenser's epic Renaissance poem, The Faerie Queene, as well as on its two premieres in St George's Chapel, Windsor and Manchester Cathedral, and its sometimes controversial public reception. Including the full text of Redcrosse, the volume triumphantly shows that a new poetic work really can address some of the most pressing concerns of our time.
Abc Of Influence
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Author : Christopher Beach
language : en
Publisher:
Release Date : 1992
Abc Of Influence written by Christopher Beach and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Literary Criticism categories.
"This brilliantly particularizing work maps more usefully than any other I know the locating tradition of postmodern "New American Poetry" in all its persistent energies and relationships. Christopher Beach reads with exceptional clarity the multivalent track of Pound's influence, from Charles Olson to Edward Dorn, from Robert Duncan to Charles Bernstein. His is the first guide of such authority."--Robert Creeley "An American Pound tradition? Yes. And as Christopher Beach shows, it's most manifest in poets whose superficial resemblance to Pound (or to one another) can seem slight: the Zukofsky of "Anew," the Ed Dorn of "Slinger." That tradition is not imitation is only the most salient of the lessons offered by Beach's remarkable book."--Hugh Kenner
Redcrosse Remaking Religious Poetry For Today S World
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Author : Ewan Fernie
language : en
Publisher: A&C Black
Release Date : 2012-12-27
Redcrosse Remaking Religious Poetry For Today S World written by Ewan Fernie and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-27 with Literary Criticism categories.
Leading poets, critics and theologians explore the writing of a new poetic liturgy and how a creative work can confront issues of faith and ‘Englishness'.
Myself Must I Remake
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Author : Gayatri Chakravorty Spivak
language : en
Publisher:
Release Date : 1974
Myself Must I Remake written by Gayatri Chakravorty Spivak and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Biography & Autobiography categories.
A biography of the Irish poet, dramatist, and essayist generally considered the most important poet in English of his time.
Remaking Literary History
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Author : Helen Groth
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-10-02
Remaking Literary History written by Helen Groth and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-02 with Literary Criticism categories.
“History is always written wrong, and so always needs to be rewritten.” (George Santayana) Enquiries into the relationship between literature and history continue to stir up intense critical and scholarly debate. Alongside the new hybrid categories that have emerged out of this ferment―life-writing, ficto-criticism, “history from below”, and so on―there has been a welter of new literary histories, new ways of tracking the connections between the written word and the historically bound world. This has resulted in renewed discussion about distinguishing the literary from the non-literary, about dialogues taking place between different national literatures, and about ascertaining the relative status of the literary text in relation to other cultural forms. Remaking Literary History seeks to clarify the diversity of issues and positions that have arisen from these debates. Central to the book’s approach is a rigorous and constructive questioning of the past, across disciplinary boundaries. This is carried out through four detailed and engrossing sections that explore the relationship between memory and forgetting; what it means to be ‘subject’ to history; the upsurge of interest in trauma and redemption; and the question of historical reinvention, which demonstrates how the overwriting of history continues to reinvigorate the literary imagination. As well as readers of literature and history, Remaking Literary History will be of interest to students of literary theory, legal studies and cultural and media studies.
Forms Of A World
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Author : Walt Hunter
language : en
Publisher: Fordham Univ Press
Release Date : 2019-01-08
Forms Of A World written by Walt Hunter and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-08 with Literary Criticism categories.
What happens when we think of poetry as a global literary form, while also thinking the global in poetic terms? Forms of a World shows how the innovations of contemporary poetics have been forged through the transformations of globalization across five decades. Sensing the changes wrought by neoliberalism before they are made fully present, poets from around the world have creatively intervened in global processes by remaking poetry’s formal repertoire. In experimental reinventions of the ballad, the prospect poem, and the ode, Hunter excavates a new, globalized interpretation of the ethical and political relevance of forms. Forms of a World contends that poetry’s role is not only to make visible thematically the violence of global dispossessions, but to renew performatively the missing conditions for intervening within these processes. Poetic acts—the rhetoric of possessing, belonging, exhorting, and prospecting—address contemporary conditions that render social life ever more precarious. Examining an eclectic group of Anglophone poets, from Seamus Heaney and Claudia Rankine to Natasha Trethewey and Kofi Awoonor, Hunter elaborates the range of ways that contemporary poets exhort us to imagine forms of social life and enable political intervention unique to but beyond the horizon of the contemporary global situation.
Poetic Acts New Media
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Author : Tom O'Connor
language : en
Publisher: University Press of America
Release Date : 2006
Poetic Acts New Media written by Tom O'Connor and has been published by University Press of America this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Literary Criticism categories.
Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: -Langston Hughes -Tony Medina -David Wojahn -John Kinsella -David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: -David Lynch's Mullholland Drive -Cameron Crowe's Vanilla Sky -Spike Jonze's Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.
Poetic Modernism In The Culture Of Mass Print
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Author : Bartholomew Brinkman
language : en
Publisher: JHU Press
Release Date : 2017
Poetic Modernism In The Culture Of Mass Print written by Bartholomew Brinkman and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Antiques & Collectibles categories.
Coda: Remaking Poetic Modernism after a Culture of Mass Print -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y
Songs Of Ourselves
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Author : Joan Shelley Rubin
language : en
Publisher: Harvard University Press
Release Date : 2007
Songs Of Ourselves written by Joan Shelley Rubin and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.
Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.