Poetry And The Thought Of Song In Nineteenth Century Britain


Poetry And The Thought Of Song In Nineteenth Century Britain
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Poetry And The Thought Of Song In Nineteenth Century Britain


Poetry And The Thought Of Song In Nineteenth Century Britain
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Author : Elizabeth K. Helsinger
language : en
Publisher: University of Virginia Press
Release Date : 2015-09-09

Poetry And The Thought Of Song In Nineteenth Century Britain written by Elizabeth K. Helsinger and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-09 with Literary Criticism categories.


In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"—Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne—Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song’s forms and sound textures through lyric’s rhythm, rhyme, and repetition, these poets were pursuing song’s "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.



The Figure Of Music In Nineteenth Century British Poetry


The Figure Of Music In Nineteenth Century British Poetry
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Author : Phyllis Weliver
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Figure Of Music In Nineteenth Century British Poetry written by Phyllis Weliver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.



The Figure Of Music In Nineteenth Century British Poetry


The Figure Of Music In Nineteenth Century British Poetry
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Author : Phyllis Weliver
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Figure Of Music In Nineteenth Century British Poetry written by Phyllis Weliver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.



The Figure Of Music In Nineteenth Century British Poetry


The Figure Of Music In Nineteenth Century British Poetry
DOWNLOAD eBooks

Author : Phyllis Weliver
language : en
Publisher:
Release Date : 2017

The Figure Of Music In Nineteenth Century British Poetry written by Phyllis Weliver and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with categories.


"How was music depicted in and mediated through Romantic and Victorian poetry' This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson."--Provided by publisher.



British Poetry Of The Long Nineteenth Century


British Poetry Of The Long Nineteenth Century
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Author : Beverley Park Rilett
language : en
Publisher: Lulu.com
Release Date : 2017-04-29

British Poetry Of The Long Nineteenth Century written by Beverley Park Rilett and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-29 with Education categories.


This anthology surveys Britain's golden years of poetry--the "long" nineteenth century. College students are introduced to the most frequently studied poems of eighteen poets, each afforded roughly equal space. Neither too condensed nor too comprehensive, this 436-page collection is designed specifically for six to eight weeks of poetry study in a British literature course.



The Idea Of Infancy In Nineteenth Century British Poetry


The Idea Of Infancy In Nineteenth Century British Poetry
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Author : D.B. Ruderman
language : en
Publisher: Routledge
Release Date : 2016-04-28

The Idea Of Infancy In Nineteenth Century British Poetry written by D.B. Ruderman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-28 with Literary Criticism categories.


This book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. ...a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)



The Idea Of Music In Victorian Fiction


The Idea Of Music In Victorian Fiction
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Author : Nicky Losseff
language : en
Publisher: Routledge
Release Date : 2016-03-03

The Idea Of Music In Victorian Fiction written by Nicky Losseff and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Music categories.


The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.



British Poetry Of The Nineteenth Century


British Poetry Of The Nineteenth Century
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Author : Stephen Gurney
language : en
Publisher: Macmillan Reference USA
Release Date : 1993

British Poetry Of The Nineteenth Century written by Stephen Gurney and has been published by Macmillan Reference USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with English poetry categories.


The critical assumption of British Poetry of the Nineteenth Century is that, while the history of English letters constantly expands and changes, the study of the past has an intrinsic value inasmuch as it enables us to rise above the often restrictive or reductive vantage point of our present moment. Gurney is articulate and convincing when, for example, he argues that Milton is not only of historical value insofar as some knowledge of his works is necessary to understand the reactions he engendered in romantic poets like Blake, Shelley, and the Brontes, but also for the foothold that he gives us outside the constricting circle of our age. For the themes he explores and the sensitivities he fosters are precisely those that our age may have forgotten - and that, therefore, we have the greatest need to hear and consider.



The Poets And Poetry Of England


The Poets And Poetry Of England
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Author : Rufus Wilmot Griswold
language : en
Publisher:
Release Date : 1875

The Poets And Poetry Of England written by Rufus Wilmot Griswold and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1875 with Authors, English categories.




Little Songs


Little Songs
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Author : Amy Christine Billone
language : en
Publisher: Ohio State University Press
Release Date : 2007

Little Songs written by Amy Christine Billone and has been published by Ohio State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.


Silence, gender, and the sonnet revival -- Breaking "the silent Sabbath of the grave" : romantic women's sonnets and the "mute arbitress" of grief -- "In silence like to death" : Elizabeth Barrett's sonnet turn -- Sing again : Christina Rossetti and the music of silence -- "Silence, 'tis more cruel than the grave!" : Isabella Southern and the turn to the twentieth century -- Women's renunciation of the sonnet form.