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Political Ideals In Medieval Italian Art


Political Ideals In Medieval Italian Art
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Political Ideals In Medieval Italian Art


Political Ideals In Medieval Italian Art
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Author : Jonathan B. Riess
language : en
Publisher:
Release Date : 1981

Political Ideals In Medieval Italian Art written by Jonathan B. Riess and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Art categories.




Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500


Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500
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Author : Charles M. Rosenberg
language : en
Publisher: University of Notre Dame Press
Release Date : 1990

Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500 written by Charles M. Rosenberg and has been published by University of Notre Dame Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Art categories.


A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.



Politics Civic Ideals And Sculpture In Italy C 1240 1400


Politics Civic Ideals And Sculpture In Italy C 1240 1400
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Author : Brendan Cassidy
language : en
Publisher:
Release Date : 2007

Politics Civic Ideals And Sculpture In Italy C 1240 1400 written by Brendan Cassidy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


"This book explores how the different forms of government and political factions of the Italian states in the thirteenth and fourteenth century used sculpture to express their authority and their achievements. It was a period of radical transformation both in politics and in art; and while paintings such as Lorenzetti's fresco of Good and Bad Government in Siena could convey the ideals and ideology of the political classes to a limited audience, it was rather the more public sculpted monuments - the tombs, fountains and portals by artists such as Giovanni Pisano, Arnolfo di Cambio or Tino di Camaino - that could speak directly to the man-in-the-street. The solid marble of monuments denoted strength and power and suggested permanence, the condition to which all regimes aspired." --Book Jacket.



Art And Political Thought In Medieval England C 1150 1350


Art And Political Thought In Medieval England C 1150 1350
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Author : Laura Slater
language : en
Publisher: Boydell & Brewer
Release Date : 2018

Art And Political Thought In Medieval England C 1150 1350 written by Laura Slater and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art categories.


An exploration of how power and political society were imagined, represented and reflected on in medieval English art



Art Politics And Civic Religion In Central Italy 1261 1352


Art Politics And Civic Religion In Central Italy 1261 1352
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Author : Beth Williamson
language : en
Publisher: Routledge
Release Date : 2017-09-29

Art Politics And Civic Religion In Central Italy 1261 1352 written by Beth Williamson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-29 with Art categories.


This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.



Art And Identity


Art And Identity
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Author : Emily Jane Anderson
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2012-01-17

Art And Identity written by Emily Jane Anderson and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-17 with Art categories.


This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.



Dante S Comedy And The Ethics Of Invective In Medieval Italy


Dante S Comedy And The Ethics Of Invective In Medieval Italy
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Author : Nicolino Applauso
language : en
Publisher: Rowman & Littlefield
Release Date : 2019-11-13

Dante S Comedy And The Ethics Of Invective In Medieval Italy written by Nicolino Applauso and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-13 with Literary Criticism categories.


Dante's Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante’s Comedy.



The Italian City State


The Italian City State
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Author : Philip Jones
language : en
Publisher: Clarendon Press
Release Date : 1997-05-22

The Italian City State written by Philip Jones and has been published by Clarendon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-05-22 with History categories.


Italy in the Middle Ages was unique among the countries of Europe in recreating, in a changed environment, the urban civilization of antiquity - the society, culture, and political formations of city-states. This book examines the origins and nature of this phenomenon from the fall of Rome to the eve of its consummation, the Italian Renaissance. The explanation is sought in Italy's singular `double existence' between two contrasted worlds - ancient and medieval. The ancient was characterised by the total predominance of the landed aristocracy in economy and society, enforced through a peculiar system of city states embracing town and country. The new medieval influences were marked by the separation of town, country and aristocracy, by the identification of towns with trade and a mercantile bourgeoisie, and by commercial and proto-industrial revolution. Italy shared in both worlds. It remained a land of cities and of an urbanized ruling class (except in the Norman South) and re-established territorial city states; but the staes were very different from those of antiquity, the city leaders in the commercial revolution, and Italy itself seen as a nation of shopkeepers, birthplace of capitalism. In this fascinating and ground-breaking study, Philip Jones traces in detail the tension and interaction between the two traditions, civic and patrician, mercantile and bourgeois, through all phases of Italian life to their culmination in two rival regimes of communes and despots.



The Struggle For Power In Medieval Italy


The Struggle For Power In Medieval Italy
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Author : Giovanni Tabacco
language : en
Publisher: CUP Archive
Release Date : 1989

The Struggle For Power In Medieval Italy written by Giovanni Tabacco and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with History categories.




Imagining The Human Condition In Medieval Rome


Imagining The Human Condition In Medieval Rome
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Author : KristinB. Aavitsland
language : en
Publisher: Routledge
Release Date : 2017-07-05

Imagining The Human Condition In Medieval Rome written by KristinB. Aavitsland and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programme of the cycle has remained mysterious, and an adequate analysis of the Vita Humana cycle as a whole has so far been lacking. Kristin B. Aavitsland covers this gap in the scholarship on Roman art circa 1300, and also presents the first interpretative discussion of the frescoes that is up-to-date with the architectural investigations undertaken in the monastery around 2000. Aavitsland proposes a rationale behind the conception of the fresco cycle, thereby providing a key for understanding its iconography and shedding new light on thirteenth-century Cistercian culture.