Pop Rock L Histoire De La Musique Pop Et Rock
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Pop Rock L Histoire De La Musique Pop Et Rock
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Author : Jürgen Seifert
language : fr
Publisher: BoD – Books on Demand
Release Date : 2015-09-17
Pop Rock L Histoire De La Musique Pop Et Rock written by Jürgen Seifert and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-17 with Music categories.
Il y a presque soixante ans, le 19 mars 1955, le film « Blackboard Jungle » sortait dans les salles de cinéma américaines, dans le générique duquel se cachait la chanson « Rock around the Clock » qui ébranla la société aux mœurs respectables jusque dans ses fondements. Le Rock‘n‘Roll d‘Elvis, Chuck Berry et Little Richard annonça un vent nouveau de désobéissance et d‘authenticité, symbole du fossé culturel sans précédent qui séparait les générations. Si la musique Rock fut jadis le symbole et la force motrice en première ligne de la rébellion des jeunes envers toutes sortes de conventions, ainsi que le catalyseur d‘un conflit grandissant entre les générations, l‘énergie explosive subculturelle de la musique n‘a plus aujourd‘hui sa place que dans les musées. Les sonorités synthétiques de boîtes de conserve, téléchargées du Net à des prix dérisoires par les « digital natives », ne servent plus qu‘à satisfaire une clientèle avide de restauration rapide à faible teneur en protéines. « Pop&Rock » retrace en détail l‘histoire mouvementée de soixante années de culture Pop. Un voyage dans le temps, remontant l‘histoire jusque dans les débuts du Rhythm & Blues, parcourant les Swinging Sixties et la culture protestataire de 1968. Les différentes stations s‘étendent de la décadence des rockeurs Glam, de l‘attitude «No Future » de la génération Punk, en passant par l‘hédonisme de l‘ère Disco, jusqu‘à la société Rave sans parole des années quatre-vingt-dix. Truffé de déclarations de musiciens, journalistes et experts médiatiques, l‘ouvrage met autant en présence les icônes telles que Dylan, Hendrix ou The Who que les personnages secondaires, ces marginaux qui se distinguèrent, contre vents et marées, par leur audace musicale. Le récit de l‘histoire est complété par des informations concernant les plus grands tubes et d’une critique partielle des disques majeurs enregistrés à ce jour.
Histoire De La Musique Pop Rock
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Author : Franz Bourlet
language : fr
Publisher: Bebooks
Release Date : 2014-07-31
Histoire De La Musique Pop Rock written by Franz Bourlet and has been published by Bebooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-31 with Biography & Autobiography categories.
Troisième Tome de cette collection de 6 ouvrages. Encore une histoire de la musique rock ? Une de plus ??? Oui. Et bien faite, érudite, sans sectarisme. Son originalité ? : l’auteur joue pleinement des possibilités qu’offre le livre électronique. Franz Bourlet ne se contente pas d’un simple « copier-coller » du support papier à la tablette. Il propose un « tout en un » qui se lit, s’écoute et se regarde – bien vu (hum!), car « the great rock’n’roll circus » a toujours été autant affaire d’image que de son – la mise en scène des concerts, les looks et postures, les clips, les pochettes de disques... D’un clic, on passe du texte au lien qui mène au son et à l’image. Grande magie pour le béotien que je suis ! (Il faut se souvenir qu’au siècle dernier, l’amateur devait interrompre sa lecture pour écouter un disque ou regarder une cassette(encore fallait-il les posséder) ; plus récemment, ouvrir l’ordi et accéder à un moteur de recherche. Pour tout dire, c’était lourd, lent, fastidieux et frustrant.) La chronologie classique (rigoureuse!) se mixe à de multiples sources sonores et visuelles : des secrets de fabrication du « Because » des Beatles au concert de Pink Floyd à Pompéi, le choix est vaste et pertinent. Et l’étonnement est souvent au rendez-vous - se rappeler vaguement que « A Whiter Shade of Pale » (Procol Harum) dérive de Bach, ou que Eagles a « pompé » Jethro Tull, c’est une chose, avoir droit à des écoutes comparées en est une autre ! Aussi, le rock, témoin et parfois co-acteur des soubresauts du monde, est situé dans son contexte historique, année après année - actualité politique, culturelle et musicale (chanson française comprise - on pouvait écouter à la fois Aznavour et Presley en 1960, par exemple!)... et, hop !, re-clic à volonté ! Mais l’objet ne se contente pas d’offrir un agencement linéaire enrichi : il le combine ingénieusement à diverses approches transversales. Chaque chapitre contient des «portes d’entrée» vers des « sections parallèles » (le lecteur de science-fiction, qui sait que chaque pièce d’une maison peut se situer dans un univers différent, ne sera pas dépaysé). En clair : certains liens débouchent sur des parcours thématiques qui peuvent se suivre indépendamment du fil principal, tels des sauts de puces sur la ligne du temps – Dylan, Beatles, Rolling Stones, Clash, le hard rock, le rock progressif... Ainsi, au gré des occurrences offertes, la navigation permet aisément des déambulations multiples. Addictif ! Autant la lecture d’un roman via « E Book » ne remplacera pas le plaisir que procure le livre « papier », autant, pour le coup, l’imprimé traditionnel semble bien caduc... Jacques "Ponpon" De Pierpont Classic 21
Aesthetic Cosmopolitanism And Global Culture
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Author :
language : en
Publisher: BRILL
Release Date : 2019-11-11
Aesthetic Cosmopolitanism And Global Culture written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-11 with Family & Relationships categories.
Based on the discussion of theoretical perspectives and empirically grounded research, this volume unveils insights on tourism and food, architecture and museums, TV series and movies, rock, K-pop and samba, by making sense of aesthetic preferences in a global perspective.
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Author :
language : en
Publisher: Soffer Publishing
Release Date :
written by and has been published by Soffer Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Sounds French
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Author : Jonathyne Briggs
language : en
Publisher: Oxford University Press
Release Date : 2015-01-29
Sounds French written by Jonathyne Briggs and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-29 with Music categories.
Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, author Jonathyne Briggs reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture. Popular music, at once individual and communal, fixed and plastic, offers an illuminating window into such transformations in social structures through the ways in which musicians, musical consumers, and critical intermediaries re-imagined themselves as part of novel cultural communities, whether local, national, or supranational in nature. Briggs argues that national identity was but one of a panoply of identities in flux during the postwar period in France, demonstrating that the development of hybridized forms of popular music provided the French with a method for expressing and understanding that flux. Drawing upon an array of printed and aural sources, including music publications, sound recordings, record sleeves, biographies, and cultural criticism, Sounds French is an essential new look at popular music in postwar France.
States Of Decadence
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Author : Guri Barstad
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2016-12-14
States Of Decadence written by Guri Barstad and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-14 with Social Science categories.
States of Decadence is a two volume anthology that focuses on the literary and cultural phenomenon of decadence. Particular attention is given to literature from the end of the 1800s, the fin de siècle; however, the essays presented here are not restricted to this historical period, but draw lines both back in time and forward to our day to illuminate the contradictory multiplicity inherent in decadence. Furthermore, the essays go beyond literary studies, drawing on a number of the tropes and themes of decadence manifested in the arts and culture, such as in music, opera, film, history, and even jewelry design. Volume 2 comprises essays on the following thematic areas: “Images of Decadent Women”, “Transmedia Decadence”, “Contemporary Decadence”, and “Poetic Decadence”. The contributors are part of an active network of international scholars from many different countries. As the expansive title of the volume suggests, they explore the decadent aesthetic approach to the arts, to culture, and to a worldview that juxtaposes a strange mixture of conservatism and rebellion, ambivalence and deep convictions.
Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain
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Author : Philippe Le Guern
language : en
Publisher: Routledge
Release Date : 2016-04-01
Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain written by Philippe Le Guern and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Music categories.
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Popular Music In France From Chanson To Techno
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Author : Hugh Dauncey
language : en
Publisher: Routledge
Release Date : 2017-07-05
Popular Music In France From Chanson To Techno written by Hugh Dauncey and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.
Les Cadiens Et Leurs Anc Tres Acadiens
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Author : Shane K. Bernard
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2013-04-15
Les Cadiens Et Leurs Anc Tres Acadiens written by Shane K. Bernard and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-15 with Foreign Language Study categories.
Cajuns and Their Acadian Ancestors: A Young Reader's History traces the four-hundred-year history of this distinct American ethnic group. In its original English, the book proved a perfect package, comprehensible to junior-high and high-school students, while appealing to and informing adult readers seeking a one-volume exploration of these remarkable people and their predecessors. It is now available for the first time translated into French. The narrative follows the Cajuns' early ancestors, the Acadians, from seventeenth-century France to Nova Scotia, where they flourished until British soldiers expelled them in a tragic event called Le Grand Dérangement (The Great Upheaval)—an episode regarded by many historians as an instance of ethnic cleansing or genocide. Up to one-half of the Acadian population died from disease, starvation, exposure, or outright violence in the expulsion. Nearly three thousand survivors journeyed through the thirteen American colonies to Spanish-controlled Louisiana. There they resettled, intermarried with members of the local population, and evolved into the Cajun people, who today number over a half-million. Since their arrival in Louisiana, the Cajuns have developed an unmistakable identity and a strong sense of ethnic pride. In recent decades they have contributed their lively cuisine and accordion-and-fiddle dance music to American popular culture. Les Cadiens et leurs ancêtres acadiens: l'histoire racontée aux jeunes includes numerous images and over a dozen sidebars on topics ranging from Cajun music and horse racing heroes to Mardi Gras. Shane K. Bernard's welcomed and cherished history of the Cajun people is translated into French by Faustine Hillard. The book offers a long-sought immersion text, ideal for the young learner and adult alike. Intended to appeal to both native French-speakers as well as to English-speaking students who are learning French, this French translation of Shane K. Bernard's Cajuns and Their Acadian Ancestors: A Young Reader's History is perfect for middle-school and high-school readers enrolled in conversational and French Immersion classes. Adult readers of French will also find it a useful primer of Acadian and Cajun history. Les Cadiens et leurs ancêtres acadiens : l'histoire racontée aux jeunes retrace le périple de quatre siècles de ce groupe ethnique nord-américain distinct des autres. Accessible aux adolescents, ce volume s'avérera également utile et pratique pour le lecteur adulte qui cherche à connaître à la fois ce peuple remarquable et ses ancêtres. Le récit suit la trace des Acadiens, les premiers ancêtres des Cadiens, de la France du dix-septième siècle à la Nouvelle-Écosse, là où ils se sont épanouis jusqu'à ce que des soldats britanniques les expulsent lors de cet évènement tragique que fut Le grand dérangement—un triste épisode qui a débuté en 1755 et que nombre d'historiens modernes considèrent comme un parfait exemple de nettoyage ethnique, voire de génocide. Près de trois mille survivants ont (péniblement) traversé les treize colonies américaines pour se rendre jusqu'en Louisiane, alors sous le régime espagnol. Là, ils s'installent à nouveau, s'intègrent à la population locale par le biais du mariage et forment peu à peu ce qu'il est aujourd'hui convenu d'appeler le peuple cadien. Aujourd'hui, on compte plus d'un demi-million d'habitants d'origine cadienne en Louisiane.
Dialectic Of Pop
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Author : Agnes Gayraud
language : en
Publisher: MIT Press
Release Date : 2020-01-28
Dialectic Of Pop written by Agnes Gayraud and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-28 with Philosophy categories.
A philosophical exploration of pop music that reveals a rich, self-reflexive art form with unsuspected depths. In the first major philosophical treatise on the subject, Agnès Gayraud explores all the paradoxes of pop—its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction—and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognized as a modern, technologically mediated art form to rank alongside cinema and photography. In a thoroughgoing engagement with Adorno's fierce critique of "standardized light popular music," Dialectic of Pop tracks the transformations of the pop form and its audience over the course of the twentieth century, from Hillbilly to Beyoncé, from Lead Belly to Drake. Inseparable from the materiality of its technical media, indifferent and intractable to the perspectives of high culture, pop subverts notions of authenticity and inauthenticity, original and copy, aura and commodity, medium and message. Gayraud demonstrates that, far from being the artless and trivial mass-produced pabulum denigrated by Adorno, pop is a rich, self-reflexive artform that recognises its own contradictions, incorporates its own productive negativity, and often flourishes by thinking "against itself." Dialectic of Pop sings the praises of pop as a constitutively impure form resulting from the encounter between industrial production and the human predilection for song, and diagnoses the prospects for twenty-first century pop as it continues to adapt to ever-changing technological mediations.