Print Manuscript Performance


Print Manuscript Performance
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Print Manuscript Performance


Print Manuscript Performance
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Author : Arthur F. Marotti
language : en
Publisher: Ohio State University Press
Release Date : 2000

Print Manuscript Performance written by Arthur F. Marotti and has been published by Ohio State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with History categories.


The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.



Manuscript To Print Print To Digital Editions In Performance And Performance In Editions In Late Medieval And Renaissance France 1400 1550


Manuscript To Print Print To Digital Editions In Performance And Performance In Editions In Late Medieval And Renaissance France 1400 1550
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Author : Cynthia J. Brown
language : en
Publisher:
Release Date : 2018

Manuscript To Print Print To Digital Editions In Performance And Performance In Editions In Late Medieval And Renaissance France 1400 1550 written by Cynthia J. Brown and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Manuscripts categories.




Print Manuscript And The Search For Order 1450 1830


Print Manuscript And The Search For Order 1450 1830
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Author : David McKitterick
language : en
Publisher: Cambridge University Press
Release Date : 2003-07-10

Print Manuscript And The Search For Order 1450 1830 written by David McKitterick and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-10 with Design categories.


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Studies In The Printing Publishing And Performance Of Music In The 16th Century


Studies In The Printing Publishing And Performance Of Music In The 16th Century
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Author : Stanley Boorman
language : en
Publisher: Taylor & Francis
Release Date : 2023-07-28

Studies In The Printing Publishing And Performance Of Music In The 16th Century written by Stanley Boorman and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-28 with History categories.


The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.



Jonathan Swift In Print And Manuscript


Jonathan Swift In Print And Manuscript
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Author : Stephen Karian
language : en
Publisher: Cambridge University Press
Release Date : 2010-04-29

Jonathan Swift In Print And Manuscript written by Stephen Karian and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-29 with Literary Criticism categories.


An important study of how Swift's texts were circulated, and the different meanings of print and manuscript in his career.



Studies In The Printing Publishing And Performance Of Music In The 16th Century


Studies In The Printing Publishing And Performance Of Music In The 16th Century
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Author : Stanley Boorman
language : en
Publisher: Routledge
Release Date : 2019-06-10

Studies In The Printing Publishing And Performance Of Music In The 16th Century written by Stanley Boorman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-10 with categories.


The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.



Beyond Boundaries


Beyond Boundaries
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Author : Linda Phyllis Austern
language : en
Publisher: Indiana University Press
Release Date : 2017-02-13

Beyond Boundaries written by Linda Phyllis Austern and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-13 with Music categories.


English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.



Typographies Of Performance In Early Modern England


Typographies Of Performance In Early Modern England
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Author : Claire M. L. Bourne
language : en
Publisher: Oxford University Press
Release Date : 2020-06-05

Typographies Of Performance In Early Modern England written by Claire M. L. Bourne and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-05 with Literary Criticism categories.


Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.



Dramatic Extracts In Seventeenth Century English Manuscripts


Dramatic Extracts In Seventeenth Century English Manuscripts
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Author : Laura Estill
language : en
Publisher: Rutgers University Press
Release Date : 2015-01-21

Dramatic Extracts In Seventeenth Century English Manuscripts written by Laura Estill and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-21 with Literary Criticism categories.


Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.



Loss And The Literary Culture Of Shakespeare S Time


Loss And The Literary Culture Of Shakespeare S Time
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Author : Roslyn L. Knutson
language : en
Publisher: Springer Nature
Release Date : 2020-03-26

Loss And The Literary Culture Of Shakespeare S Time written by Roslyn L. Knutson and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-26 with Literary Criticism categories.


As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.