Printing Images In Antwerp
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Printing Images In Antwerp
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Author : Jan van der Stock
language : en
Publisher:
Release Date : 1998
Printing Images In Antwerp written by Jan van der Stock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Printers categories.
Printing Images In Antwerp
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Author : Jan van der Stock
language : en
Publisher:
Release Date : 1998
Printing Images In Antwerp written by Jan van der Stock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Prints categories.
Painted Prints
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Author : Susan Dackerman
language : en
Publisher: Penn State Press
Release Date : 2002
Painted Prints written by Susan Dackerman and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Art categories.
Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
The Viewer And The Printed Image In Late Medieval Europe
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Author : DavidS. Areford
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Viewer And The Printed Image In Late Medieval Europe written by DavidS. Areford and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Printing Images In Antwerp
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Author :
language : en
Publisher:
Release Date : 1998
Printing Images In Antwerp written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with categories.
The Small Landscape Prints In Early Modern Netherlands
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Author : Alexandra Onuf
language : en
Publisher: Routledge
Release Date : 2017-01-02
The Small Landscape Prints In Early Modern Netherlands written by Alexandra Onuf and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-02 with Art categories.
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
Placing Prints New Developments In The Study Of Print 1400 1800
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Author : Bryony Bartlett-Rawlings
language : en
Publisher: BRILL
Release Date : 2025-01-15
Placing Prints New Developments In The Study Of Print 1400 1800 written by Bryony Bartlett-Rawlings and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-15 with Art categories.
This volume presents a broad spectrum of essays exemplifying current advances in print scholarship. It aims to focus attention on the medium of print. While the essays reflect the varied production and role of print, central themes explored here include the making of prints and their perceived ‘place’ within a printmaker’s practice or the circulation, reception and use of prints in the hands of diverse publishers and audiences. The volume highlights the importance of the print medium as an art historical topic.
Printing Colour 1400 1700
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Author :
language : en
Publisher: BRILL
Release Date : 2015-08-24
Printing Colour 1400 1700 written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-24 with Art categories.
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
Excavating The Medieval Image
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Author : David S. Areford
language : en
Publisher: Routledge
Release Date : 2017-11-30
Excavating The Medieval Image written by David S. Areford and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-30 with Art categories.
Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to artistic working methods, audience and the status of the visual in the Middle Ages and the modern era. Excavating the Medieval Image argues that the illuminated image is best understood as thoroughly integrated in the material context of the manuscript - and thus, integrated in a cultural context of production and reception. Seen in this way, the illuminated manuscript becomes a kind of archaeological site, which must be carefully unearthed layer by layer. The fourteen essays gathered here are written by scholars of both medieval and Renaissance art history, and demonstrate varied methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. In addition, the authors contribute more broadly to important interdisciplinary issues such as the study of gender, text and image, and the history of literacy and the book.