Pulp Fiction To Film Noir
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Pulp Fiction To Film Noir
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Author : William Hare
language : en
Publisher: McFarland
Release Date : 2014-01-10
Pulp Fiction To Film Noir written by William Hare and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-10 with Performing Arts categories.
During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened "film noir." Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep. This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century.
Pulp Fiction An Analysis Of Storyline And Characters
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Author : Sandra Radtke
language : en
Publisher: GRIN Verlag
Release Date : 2007-09-26
Pulp Fiction An Analysis Of Storyline And Characters written by Sandra Radtke and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-26 with categories.
Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1,0, Dresden Technical University, course: The American Noir, 6 entries in the bibliography, language: English, abstract: In this paper for the seminar "American Noir" I want to analyze Quentin Tarantino's 1994 movie Pulp Fiction. Since he does not make use of computer based scenes or sumptuous tricks in any of his films, it is only the storyline as well as the characters and the actors respectively that bear the responsibility of entertaining and fascinating the audience. The success of Tarantino's works leads me to the conclusion that the aforementioned features have certainly been effective; therefore, I am going to concentrate on them in my seminar paper. A special focus will be laid on the relationships between the protagonists because their way of interacting is essential for the plot. Additionally, the stylistic devices will be looked upon with a special attention for the ones that make Pulp Fiction a film noir. Furthermore, the relevance of mis -en-scene, especially the setting, of camera work, and of time is to be discussed.
Life Film Noir
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Author : THE EDITORS OF LIFE.
language : en
Publisher:
Release Date :
Life Film Noir written by THE EDITORS OF LIFE. and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with PERFORMING ARTS categories.
By incorporating and transforming foreign influences, film noir became a uniquely American art form. Though it was overlooked at first, this powerful genre would give Humphrey Bogart and Robert Mitchum career-defining roles, fuel Joan Crawford's middle-age comeback, and set the stage for the work of Martin Scorsese and Quentin Tarantino. Noir illuminated the dark side of the American dream, but despite its characteristic bleakness, these films are somehow always fun.Film Noir: 75 Years of the Greatest Crime Films revisits 20 of the genre's best, from the first noir The Maltese Falcon to L.A. Confidential. We commence by delving into "Classic Noir," films released between 1941 and 1958 with their angular chiaroscuro and Teutonic angst combined with the influence of pup and hard-boiled crime fiction. Stunning photography walks us through Shadow of a Doubt, Double Indemnity, Laura, Mildred Pierce, Out of the Past, The Third Man, In a Lonely Place, Niagara, The Night of the Hunter, Touch of Evil and more. Next in our "Neo Noir" section, you will see the transformation of noir from 1967 onward with films like Bonnie and Clyde, Dirty Harry, Chinatown, Taxi Driver, Body Heat, Blood Simple, Blue Velvet, Pulp Fiction and more. Articles about how the genre was born, tabloids and film noir, offscreen noir, and what factors lead film back to black punctuate these spreads. Enter the cinematic world of "doom, fate, fear, and betrayal," as beloved film critic Roger Ebert said, with Film Noir: 75 Years of the Greatest Crime Films.
More Than Night
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Author : James Naremore
language : en
Publisher: Univ of California Press
Release Date : 2008-01-14
More Than Night written by James Naremore and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-01-14 with Performing Arts categories.
"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s—melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market strategy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than Night contains an additional chapter on film noir in the twenty-first century.
Black White Noir
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Author : Paula Rabinowitz
language : en
Publisher: Columbia University Press
Release Date : 2002-06-20
Black White Noir written by Paula Rabinowitz and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-06-20 with Performing Arts categories.
Black & White & Noir explores America's pulp modernism through penetrating readings of the noir sensibility lurking in an eclectic array of media: Office of War Information photography, women's experimental films, and African-American novels, among others. It traces the dark edges of cultural detritus blowing across the postwar landscape, finding in pulp a political theory that helps explain America's fascination with lurid spectacles of crime. We are accustomed to thinking of noir as a film form popularized in movies like The Maltese Falcon, The Big Sleep, and, more recently, Quentin Tarantino's Pulp Fiction. But it is also, Paula Rabinowitz argues, an avenue of social and political expression. This book offers an unparalleled historical and theoretical overview of the noir shadows cast when the media's glare is focused on the unseen and the unseemly in our culture. Through far-ranging discussions of the Starr Report, movies such as Double Indemnity and The Big Heat, and figures as various as Barbara Stanwyck, Kenneth Fearing, and Richard Wright, Rabinowitz finds in film noir the representation of modern America's attempt to submerge and mask its violent history of racial and class anatagonisms. Black & White & Noir also explores the theory and practice of stilettos, the ways in which girls in the 1950s viewed film noir as a secret language about their mothers' pasts, the extraordinary tone-setting photographs of Esther Bubley, and the smutty aspect of social workers' case studies, among other unexpected twists and provocative turns.
Pulp Fiction
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Author : Dana Polan
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
Pulp Fiction written by Dana Polan and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
Dana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.
Film Noir
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Author : Andrew Spicer
language : en
Publisher: Routledge
Release Date : 2018-10-08
Film Noir written by Andrew Spicer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-08 with Performing Arts categories.
Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
Los Angeles S Bunker Hill
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Author : Jim Dawson
language : en
Publisher: Arcadia Publishing
Release Date : 2012-06-22
Los Angeles S Bunker Hill written by Jim Dawson and has been published by Arcadia Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-22 with Performing Arts categories.
An illustrated history of the iconic Hollywood neighborhood featured in numerous film noir classics—and the shadowy story of how it disappeared. When postwar movie directors went looking for a gritty location to shoot their psychological crime thrillers, they found Bunker Hill, a neighborhood of fading Victorians, flophouses, tough bars, stairways, and dark alleys in downtown Los Angeles. Novelist Raymond Chandler had already used its real-life mean streets to lend authenticity to his hardboiled detective stories featuring Philip Marlowe. But the biggest crime of all was going on behind the scenes, run by the city’s power elite. And Hollywood just happened to capture it on film. Using nearly eighty photos, writer Jim Dawson sheds new light on Los Angeles history with this grassroots investigation of a vanished place.
The Philosophy Of Film Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2007-08-17
The Philosophy Of Film Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-17 with Performing Arts categories.
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
The Philosophy Of Neo Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2007-01-05
The Philosophy Of Neo Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-05 with Performing Arts categories.
Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.