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Radicalism And Music


Radicalism And Music
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Radicalism And Music


Radicalism And Music
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Author : Jonathan Pieslak
language : en
Publisher: Wesleyan University Press
Release Date : 2015-11-03

Radicalism And Music written by Jonathan Pieslak and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-03 with Political Science categories.


Radicalism and Music offers a convincing argument for music's transformational impact on the radicalization, reinforcement, and motivational techniques of violent political activists. It makes a case for the careful examination of music's roles in radical cultures, roles that have serious impacts, as evidenced by the actions of the Frankfurt Airport shooter Arid Uka, Sikh Temple murderer Wade Page, white supremacist Matthew Hale, and animal-rights activist Walter Bond, among others. Such cases bring up difficult questions about how those involved in radical groups can be stirred to feel or act under the influence of music. Radicalism and Music is based on interviews, email correspondence, concerts, and videos. As a "sound strategy," music is exploited to its fullest potential as a tool for recruiting and retaining members by members of al-Qa'ida, the Hammerskin Nation, Christian Identity, Kids in Ministry International, Earth First!, and Vegan Straight Edge. But, as the book points out, the coercive use of music is not isolated to radical cultures, but in political propaganda, sporting events, and popular music as well. Ultimately, Radicalism and Music shows how music affects us through our emotions, and how it triggers violence and enables hateful ideology.



Sounds Of Liberty


Sounds Of Liberty
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Author : Paul Pickering
language : en
Publisher: Studies in Imperialism Mup
Release Date : 2019-03

Sounds Of Liberty written by Paul Pickering and has been published by Studies in Imperialism Mup this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03 with History categories.


Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened.



The Counter Narratives Of Radical Theology And Popular Music


The Counter Narratives Of Radical Theology And Popular Music
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Author : M. Grimshaw
language : en
Publisher: Springer
Release Date : 2014-05-21

The Counter Narratives Of Radical Theology And Popular Music written by M. Grimshaw and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-21 with Religion categories.


In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.



White Power Music


White Power Music
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Author : Anton Shekhovtsov
language : en
Publisher:
Release Date : 2012

White Power Music written by Anton Shekhovtsov and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Music and race categories.




Tear Down The Walls


Tear Down The Walls
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Author : Patrick Burke
language : en
Publisher: University of Chicago Press
Release Date : 2021-05-10

Tear Down The Walls written by Patrick Burke and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-10 with History categories.


"Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--



Woody Guthrie American Radical


Woody Guthrie American Radical
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Author : Will Kaufman
language : en
Publisher: University of Illinois Press
Release Date : 2011

Woody Guthrie American Radical written by Will Kaufman and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Biography & Autobiography categories.


Although Joe Klein's Woody Guthrie and Ed Cray's Ramblin' Man capture Woody Guthrie's freewheeling personality and his empathy for the poor and downtrodden, Kaufman is the first to portray in detail Guthrie's commitment to political radicalism, especially communism. Drawing on previously unseen letters, song lyrics, essays, and interviews with family and friends, Kaufman traces Guthrie's involvement in the workers' movement and his development of protest songs. He portrays Guthrie as a committed and flawed human immersed in political complexity and harrowing personal struggle. Since most of the stories in Kaufman's appreciative portrait will be familiar to readers interested in Guthrie, it is best for those who know little about the singer to read first his autobiography, Bound for Glory, or as a next read after American Radical.



In The Break The Aesthetics Of The Black Radical Tradition


In The Break The Aesthetics Of The Black Radical Tradition
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Author : Fred Moten
language : en
Publisher:
Release Date : 2003

In The Break The Aesthetics Of The Black Radical Tradition written by Fred Moten and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with African American aesthetics categories.


In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on The Burton Greene Affair, exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance culture, politics, sexuality, identity, and blackness itself is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten s wide-ranging discussion embraces a variety of disciplines semiotics, deconstruction, genre theory, social history, and psychoanalysis to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition. "



Red Song


Red Song
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Author : Richard Bodek
language : en
Publisher:
Release Date :

Red Song written by Richard Bodek and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Radical Religious Thought In Black Popular Music Five Percenters And Bobo Shanti In Rap And Reggae


Radical Religious Thought In Black Popular Music Five Percenters And Bobo Shanti In Rap And Reggae
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Author : MARTIN A M. GANSINGER
language : en
Publisher: Anchor Academic Publishing
Release Date : 2017-12

Radical Religious Thought In Black Popular Music Five Percenters And Bobo Shanti In Rap And Reggae written by MARTIN A M. GANSINGER and has been published by Anchor Academic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12 with Music categories.


This book is discussing patterns of radical religious thought in popular forms of Black music. The consistent influence of the Five Percent Nation on Rap music as one of the most esoteric groups among the manifold Black Muslim movements has already gained scholarly attention. However, it shares more than a strong pattern of reversed racism with the Bobo Shanti Order, the most rigid branch of the Rastafarian faith, globally popularized by Dancehall-Reggae artists like Sizzla or Capleton. Authentic devotion or calculated marketing? Apart from providing a possible answer to this question, the historical shift of Bobo adherents from shunned extremists to firmly anchored personifications of authenticity in mainstream Rastafarian culture is being emphasized. A multi-layered comparative case study attempts to shed light on the re-contextualization of language as well as expressed dogmatic perceptions and symbolism, attitude towards other religious groups and aspects of ethnic discrimination. Further analysis includes the visibility of artists and their references to practical and moral issues directly derived from two obscure ideologies that managed to conquer airwaves and concert halls.



The Radical Impulse


The Radical Impulse
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Author : Sumangala Damodaran
language : en
Publisher:
Release Date : 2017

The Radical Impulse written by Sumangala Damodaran and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.


The period from the mid-1930s to the end of the 1950s in India saw the cultural expression of a wide range of political sentiments and positions around imperialism, fascism, nationalism, and social transformation. It was a period that covered a crucial transitional phase: from colonialism to a postcolonial context. This transitional period in India coincided with a vibrant radical ethos in many other parts of the world where, among numerous political issues, the aesthetics-politics relationship came to be articulated and debated in unprecedented ways. No history of this period can be written without giving an account of the departures, inventions, and reinventions made by the Indian People's Theatre Association (IPTA) in the fields of drama, music, and dance. Yet music, a very important part of the IPTA's creations as well as the connecting link between the various artistic forms, has not been studied as part of the history of the IPTA movement. This book attempts to fill this gap in knowledge about the vast musical repertoire of the IPTA. It is about the IPTA tradition's music in a national as well as specifically regional contexts (Bengali, Malayalam, Telugu, Assamese, and Hindu/Urdu in particular), situated within the overall cultural and political context of the transitional period in India, and in the context of a radical impulse emergent in many parts of the world from the beginning of the twentieth century. The book is the culmination of an archiving-cum-documentation project of music in the IPTA tradition undertaken by the author. It can also be read as a songbook, including lyrics and musical scores, revivifying the songs and music of a radical impulse in South Asia.