Ragas In Indian Classical Music
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Ragas In Indian Classical Music
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Author : Anupam Mahajan
language : en
Publisher: New Delhi : Gian
Release Date : 1989
Ragas In Indian Classical Music written by Anupam Mahajan and has been published by New Delhi : Gian this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Music categories.
This is an advisable work of art and a real countributor to the movement towards greater understanding of Indian Classical Music. A Bible on Indian Music, a treasure of knowledge and ideas on the subject. Distils the essence of Indian Classical Music. This book deals with the communication of identical phrases and single notes projecting various shades within a particular raga or in different ragas. An admirable work of art and a real contribution to the know classical music movement.
Ragas In Indian Classical Music
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Author : Anupam Mahajan
language : en
Publisher:
Release Date : 1989
Ragas In Indian Classical Music written by Anupam Mahajan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with categories.
Indian Music
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Author : Raghava R. Menon
language : en
Publisher:
Release Date : 1998
Indian Music written by Raghava R. Menon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Hindustani music categories.
This Book Gives Exposition To The Wide And Varied Concept Of The Ragas, Which Are Timeless, Without History And Chronicle And Relate To Nothing Beyond The Moment. The Book Gives The Reader A Few Facts On Indian Music And Tries To Turn The Readers Attention To The Direction And Source From Which The True Enjoyment And Meaning Of The Fantastic Heritage Of Raga Music Emerges. It Maintains That The Best Training Method Is The Time-Honoured Guru-Shichya Parampara.
Ragas In Indian Music
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Author : V. K. Krishna Prasad
language : en
Publisher:
Release Date : 2008
Ragas In Indian Music written by V. K. Krishna Prasad and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Music categories.
101 Raga S For The 21st Century And Beyond
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Author : Haresh Bakshi
language : en
Publisher: Trafford Publishing
Release Date : 2006-09-26
101 Raga S For The 21st Century And Beyond written by Haresh Bakshi and has been published by Trafford Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-09-26 with Music categories.
Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
The R Gs Of North Indian Music
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Author : Nazir Ali Jairazbhoy
language : en
Publisher: Popular Prakashan
Release Date : 1995
The R Gs Of North Indian Music written by Nazir Ali Jairazbhoy and has been published by Popular Prakashan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.
Romance Of The Raga
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Author : Vijaya Moorthy
language : en
Publisher:
Release Date : 2001
Romance Of The Raga written by Vijaya Moorthy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
The Place Of The Raga In Indian Classical Music Is Indeed Unique.The Romance Of The Raga Is An Attempt To Outline The Evolution And Perspective, As Also The Sheer Variety And Distinct Styles, Of This Powerful And Enthralling Medium Of Spiritual And Aesthetic Form Of Musical Expressions.Based On The Belief That Sound Is God And Nada Brahma Or Intelligle Sound Is The Fusion Of The Physical Breath With The Fire Of The Intellect, The Book Proceeds To Unravel The Priceless Historical Traditions Of Indian Classical Music.It Provides A Glimpse Into The Variety Of Techniques And Styles That Are Employed For Presentation Of The Raga And Highlights The Significant Contribution Made By Some Of The Shapers Of India'S Musical Destiny Towards The Enrichment Of Both The Systems : Hindustani And Karnatak.The Work Also Portrays The Predominant Characteristics Of Inner Dynamism And Resilience, As Also The Unlimited Potential, Amazing Elasticity And The Power Of Assimilation Of The Raga, As A Medium Of Creative Musical Expression. Further, The Variety And Range Of Musical Instruments And Confluence Of Indian Classical Music And Miniature Painting Have Been Illustrated With A View To Enunciating The Raga.
The Dictionary Of Hindustani Classical Music
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Author : Vimalakānta Rôya Caudhurī
language : en
Publisher: Motilal Banarsidass Publ.
Release Date : 2000
The Dictionary Of Hindustani Classical Music written by Vimalakānta Rôya Caudhurī and has been published by Motilal Banarsidass Publ. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.
In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.
The Influence Of Hindustani Classical Music On Bollywood Songs A Statistical Outlook
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Author : Amrita Singh
language : en
Publisher:
Release Date : 2019-06-18
The Influence Of Hindustani Classical Music On Bollywood Songs A Statistical Outlook written by Amrita Singh and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-18 with categories.
Master's Thesis from the year 2019 in the subject Musicology, grade: 8.5, language: English, abstract: The present work attempts to study the impact of Hindustani Classical Music on Bollywood in a legitimate manner using a statistical approach emphasizing on statistical modeling of musical structure and performance and other statistical features such as note duration and inter onset interval with a case study in raga Yaman. Any music originates in the society and develops with the changing realities of it. It accepts new and modifies the existing cultural norms in different periods of time. This process of acceptance and rejection makes any form of art exist for long. Inspite of all this, in various phases, Hindustani classical music, being the base of many popular Bollywood songs has helped in their popularity and lifelong existence because of the strong focus on melody. A raga, which is the nucleus of Indian classical music, be it Hindustani or Carnatic, is a melodic structure with fixed notes and a set of rules which characterize a certain mood conveyed by erformance. Hindustani ragas have embraced the elements of several Bollywood songs, which has given these songs a strong impact despite the strong influence of western art music in Bollywood music industry. The present work attempts to study this impact in a legitimate manner using a statistical approach emphasizing on statistical modeling of musical structure and performance and other statistical features such as note duration and inter onset interval with a case study in raga Yaman. It turns out that the same statistical model for both the raga bandishand a song based on the same raga, i.e., Yaman, an evening raga of the Kalyan thaat.
Finding The Raga
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Author : Amit Chaudhuri
language : en
Publisher: New York Review of Books
Release Date : 2021-03-30
Finding The Raga written by Amit Chaudhuri and has been published by New York Review of Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-30 with Music categories.
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.