Rap And Politics


Rap And Politics
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Word


Word
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Author : Adrienne Anderson
language : en
Publisher: iUniverse
Release Date : 2003

Word written by Adrienne Anderson and has been published by iUniverse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Music categories.


Word reintroduces you to the "golden age" of rap, when the burgeoning music movement was factioning into camps and stockpiling beats to become the best of the land. Author and journalist Adrienne Anderson personally experiences rap's political movement and takes you to the first signs of "bling-bling" rap's rise to the forefront. Word explores the strengths and weaknesses of hip-hop through interviews with such artists as the controversial rap group The Coup, alternative rappers Arrested Development, and commentaries on the self-destruction of hip-hop culture through in-fighting and the bi-coastal wars.



Pulse Of The People


Pulse Of The People
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Author : Lakeyta M. Bonnette
language : en
Publisher: University of Pennsylvania Press
Release Date : 2015-04-15

Pulse Of The People written by Lakeyta M. Bonnette and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-15 with Music categories.


Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of the urban Black community, a population frequently marginalized within American society and alienated from electoral politics. Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles within Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics--including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin--Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.



Musical Violence Gangsta Rap And Politics In Sierra Leone


Musical Violence Gangsta Rap And Politics In Sierra Leone
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Author : Boima Tucker
language : en
Publisher: Nordic Africa Institute
Release Date : 2013-04

Musical Violence Gangsta Rap And Politics In Sierra Leone written by Boima Tucker and has been published by Nordic Africa Institute this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with Political Science categories.


Hip Hop has become a global force in recent years. However, when taken up by youth outside its American birthplace, it is often dismissed as a shallow adaptation or imitation of American popular culture. However, its global popularity cannot be questioned, and its proliferation is aided by its adaptability to local contexts. It has become associated with an emergent youth political identity in many parts of the world, a result of its ability to embody rebellious youth energy. Hip Hop is a new global lingua franca for youth rebellion that exists beyond the boundaries of the state, and is aided by the emergence of the internet and accompanying communications technologies. Analysis of the political ramifications of Hip Hop in West African societies is vital to gaining a true sense of what democracy means in the local context. This paper focuses on the West African country of Sierra Leone, and explores how youth participation in Hip Hop there is a radical political project.



Hip Hop Matters


Hip Hop Matters
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Author : Samuel Craig Watkins
language : en
Publisher: Beacon Press
Release Date : 2005

Hip Hop Matters written by Samuel Craig Watkins and has been published by Beacon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


Avoiding the easy definitions and caricatures that tend to celebrate or condemn the hip hop generation, Hip Hop Matters focuses on the fierce and far-reaching battles being waged in politics, pop culture, and academe to assert greater control over the movement. At stake, Watkins argues, is the impact hip hop will have in the lives of the young people who live and breathe the culture. The story unfolds through revealing profiles, looking at such players as Detroit mayor Kwame Kilpatrick, widely recognized as Americas first hip-hop mayor; Chuck D, the self-described -rebel without a pause- who championed the Internet as a way to keep socially relevant rap music alive; and young activists who represent hip hops insurgent voice. Watkins also presents incisive analysis of the corporate takeover of hip hop; the cultures march into Americas colleges and universities; and the rampant misogyny that undermines the movements progressive claims.Ultimately, we see how the struggle for hip hop reverberates with a larger world: global media consolidation and conglomeration; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.



Hip Hop Revolution


Hip Hop Revolution
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Author : Jeffrey O. G. Ogbar
language : en
Publisher: University Press of Kansas
Release Date : 2007-11-19

Hip Hop Revolution written by Jeffrey O. G. Ogbar and has been published by University Press of Kansas this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-19 with Music categories.


In the world of hip-hop, "keeping it real" has always been a primary goal-and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character-that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous-to black youths in particular-by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before.



Hip Hop Versus Rap


Hip Hop Versus Rap
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Author : Patrick Turner
language : en
Publisher: Taylor & Francis
Release Date : 2017-05-25

Hip Hop Versus Rap written by Patrick Turner and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-25 with Social Science categories.


'What is the real hip hop?' 'To whom does hip hop belong?' 'For what constructive purposes can hip hop be put to use?' These are three key questions posed by hip hop activists in Hip Hop Versus Rap, which explores the politics of cultural authenticity, ownership, and uplift in London’s post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this ‘conscious’ hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop ‘off-street’ in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills. Hip Hop Versus Rap seeks to portray how cultural activism, which styles itself grassroots and mature, is framed around a discursive opposition between what is authentic and ethical in hip hop culture and what is counterfeit and corrupt. Turner identifies that this play of difference, framed as an ethical schism, also presents hip hop’s organic intellectuals with a narrative that enables them to align their insurgent values with those of policy and to thereby receive institutional support. This enlightening volume will be of interest to post-graduates and scholars interested in hip hop studies; youth work; critical pedagogy; young people and crime/justice; the politics of race/racism; the politics of youth/education; urban governance; social movement studies; street culture studies; and vernacular studies.



Stare In The Darkness


Stare In The Darkness
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Author : Lester K. Spence
language : en
Publisher: U of Minnesota Press
Release Date : 2011

Stare In The Darkness written by Lester K. Spence and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Social Science categories.


Critiquing the true impact of hip-hop culture on politics.



Hip Hop Revolution


Hip Hop Revolution
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Author : Jeffrey Ogbonna Green Ogbar
language : en
Publisher:
Release Date : 2007

Hip Hop Revolution written by Jeffrey Ogbonna Green Ogbar and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.


As hip-hop artists constantly struggle to "keep it real," this fascinating study examines the debates over the core codes of hip-hop authenticity--as it reflects and reacts to problematic black images in popular culture--placing hip-hop in its proper cultural, political, and social contexts.



Rap And Politics


Rap And Politics
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Author : Lavar Pope
language : en
Publisher: Springer Nature
Release Date : 2020-10-19

Rap And Politics written by Lavar Pope and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-19 with Political Science categories.


Rap and Politics maps out fifty years of political and musical development by exploring three specific moments of local discourse, each a response to failures by local, state, and national governments to address police brutality, violence, poverty, and poor social conditions in Oakland, California and the surrounding Bay Area. First, in the mid-1960s, Black youth responded to repressive political and socioeconomic factors in West Oakland by founding the Black Panther Party for Self Defense, whose representation of violence and community aid, as well as its radical and militant approach to Black Nationalism, became a foundational discourse that shaped the development of rap music in the region. Second, from the collapse of the Party in the early 1980s through the 1990s, gangster rap emerged as a form of political expression among local youth, who drew heavily on radical and militant elements of Panther discourse in their lyrics and artwork. Third, hyphy music in the mid-1990s to early 2000s continued these radical discourses and also incorporated coordinated, subversive public behavior to the mix. The result was a critique of endemic problems facing the local Black community, but also an infectious subgenre of party music that gained mainstream popularity. Overall, this study shows that the specific types of representation created to resist problems of racism and poverty in Oakland is actually key to understanding other rap undergrounds, grassroots subcultures, and social movements elsewhere. In the process, Rap and Politics offers readers a new model focused on the development of settings, representation, movements, discourse banks, and impact within underground rap scenes.



Brothers Gonna Work It Out


Brothers Gonna Work It Out
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Author : Charise Cheney
language : en
Publisher: NYU Press
Release Date : 2005-08

Brothers Gonna Work It Out written by Charise Cheney and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08 with Social Science categories.


Cheney (ethnic studies, California Polytechnic State U.) considers the political expression of rap artists within the historical tradition of black nationalism. Interweaving songs and interviews with hip-hop artists and activists including Chuck D of Public Enemy and Rosa Clemente, manager of dead prez, Cheney links late 20th- century hip-hop nationalists with their 19th-century spiritual forebears and challenges the perception of hip-hop as simply sexist or misogynistic.