Recording Culture
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Recording Culture
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Author : Daniel Makagon
language : en
Publisher: SAGE
Release Date : 2009
Recording Culture written by Daniel Makagon and has been published by SAGE this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Education categories.
Recording Culture: Audio Documentary and the Ethnographic Experience is the first book to explore audio documentary as a research method. Authors Daniel Makagon and Mark Neumann demonstrate that audio documentary based in the practices of fieldwork increases the potential for researchers to reach academic and popular audiences and work collaboratively with people in the pursuit and representation of knowledge and experience. Key Features Encourages readers to critically listen to their sites of analysis and the people they study Offers an ethnographic alternative that moves beyond the written form Provides researchers with a broader historical context for recording culture projects Offers students a better sense of ethnography's relationship to popular documentary fieldwork Includes creative sonic fieldwork projects Demonstrates how audio documentary as a qualitative fieldwork practice can be connected to public life and community-building as citizen storytelling Offers a practical guide to getting started in the Appendix Recording Culture: Audio Documentary and the Ethnographic Experience is paired with a companion Web site at www.recordingculture.org that contains links to exemplary audio ethnographies.
Recording Culture
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Author : Christopher A. Scales
language : en
Publisher: Duke University Press
Release Date : 2012-11-12
Recording Culture written by Christopher A. Scales and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-12 with Business & Economics categories.
Drawing on his ethnographic research at powwow grounds and in recording studios, Christopher A. Scales examines the ways that powwow drum groups have utilized recording technology in the late twentieth and early twenty-first centuries, the unique aesthetic principles of recorded powwow music, and the relationships between drum groups and the Native music labels and recording studios.
Record Cultures
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Author : Kyle Barnett
language : en
Publisher: University of Michigan Press
Release Date : 2021-07-26
Record Cultures written by Kyle Barnett and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-26 with Music categories.
Tracing the cultural, technological, and economic shifts that shaped the transformation of the recording industry
Off The Record
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Author : David Morton
language : en
Publisher: Rutgers University Press
Release Date : 2000
Off The Record written by David Morton and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Business & Economics categories.
A cultural and economic history of sound recording technology.
Inventing The Recording
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Author : Eva Moreda Rodríguez
language : en
Publisher: Oxford University Press
Release Date : 2021-05-24
Inventing The Recording written by Eva Moreda Rodríguez and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-24 with Music categories.
Inventing the Recording focuses on the decades in which recorded sound went from a technological possibility to a commercial and cultural artefact. Through the analysis of a specific and unique national context, author Eva Moreda Rodríguez tells the stories of institutions and individuals in Spain and discusses the development of discourses and ideas in close connection with national concerns and debates, all while paying close attention to original recordings from this era. The book starts with the arrival in Spain of notices about Edison's invention of the phonograph in 1877, followed by the first demonstrations of the invention (1878-1882) by scientists and showmen. These demonstrations greatly stimulated the imagination of scientists, journalists and playwrights, who spent the rest of the 1880s speculating about the phonograph and its potential to revolutionize society once it was properly developed and marketed. The book then moves on to analyse the 'traveling phonographs' and salones fonográficos of the 1890s and early 1900s, with phonographs being paraded around Spain and exhibited in group listening sessions in theatres, private homes and social spaces pertaining to different social classes. Finally, the book covers the development of an indigenous recording industry dominated by the so-called gabinetes fonográficos, small businesses that sold imported phonographs, produced their own recordings, and shaped early discourses about commercial phonography and the record as a commodity between 1896 and 1905.
Making Easy Listening
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Author : Tim J. Anderson
language : en
Publisher: U of Minnesota Press
Release Date : 2006
Making Easy Listening written by Tim J. Anderson and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
Studie over hoe de moderne opname- en geluidstechnieken van na de oorlog in de Verenigde Staten het idioom van de populaire muziek, inclusief beeldvorming en appreciatie, ingrijpend hebben gewijzigd.
Cultural Production In And Beyond The Recording Studio
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Author : Allan Watson
language : en
Publisher: Routledge
Release Date : 2014-09-19
Cultural Production In And Beyond The Recording Studio written by Allan Watson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-19 with Social Science categories.
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialties of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production. This unique text adopts a social-geographical perspective to capture the multiple spatial scales of music production: from opening the "black-box" of the insulated space of the recording studio; through the wider contexts in which music production is situated; to the far-flung global production networks of which recording studios are part. Drawing on original research, recent writing on cultural production across a variety of academic disciplines, secondary sources such as popular music biographies, and including a wide range of case studies, this lively and accessible text covers a range of issues including the role of technology in musical creativity; creative collaboration and emotional labour; networking and reputation; and contemporary economic challenges to studios. As a contribution to contemporary debates on creativity, cultural production and creative labour, Cultural Production in and Beyond the Recording Studio will appeal to academic students and researchers working across the social sciences, including human geography, cultural studies, media and communication studies, sociology, as well as those studying music production courses.
Chasing Sound
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Author : Susan Schmidt Horning
language : en
Publisher: JHU Press
Release Date : 2013-12-15
Chasing Sound written by Susan Schmidt Horning and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-15 with Music categories.
How technically enhanced studio recordings revolutionized music and the music industry. In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound. Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.
The International Recording Industries
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Author : Lee Marshall
language : en
Publisher: Routledge
Release Date : 2013
The International Recording Industries written by Lee Marshall and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry’s content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the ‘the recording industry’ to be a relatively static, homogeneous, entity. This book attempts to offer a broader, less Anglocentric and more dynamic understanding of the recording industry. It starting premise is the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry. Seven detailed case studies of different national recording industries illustrate this fact, each of them specifically chosen to provide a distinctive insight into the workings of the recording industry. The expert contributions to this book provide the reader with a sense of the history, structure and contemporary dynamics of the recording industry in these specific territories, and counteract the Anglo-American bias of coverage of the music industry. The International Recording Industrieswill be valuable to students and scholars of sociology, cultural studies, media studies, cultural economics and popular music studies.
Repeated Takes
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Author : Michael Chanan
language : en
Publisher: Verso Books
Release Date : 2020-05-05
Repeated Takes written by Michael Chanan and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Music categories.
Repeated Takes is the first general book on the history of the recording industry, covering the entire field from Edison's talking tin foil of 1877 to the age of the compact disc. Michael Chanan considers the record as a radically new type of commodity which turned the intangible performance of music into a saleable object, and describes the upset which this caused in musical culture. He asks: What goes on in a recording studio? How does it affect the music? Do we listen to music differently because of reproduction? Repeated Takes relates the growth and development of the industry, both technically and economically; the effects of the microphone on interpretation in both classical and popular music; and the impact of all these factors on musical styles and taste. This highly readable book also traces the connections between the development of recording and the rise of new forms of popular music, and discusses arguments among classical musicians about microphone technique and studio practice.