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Recording Industry In Numbers


Recording Industry In Numbers
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Recording Industry In Numbers


Recording Industry In Numbers
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Author :
language : en
Publisher:
Release Date : 2013

Recording Industry In Numbers written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Sound recording industry categories.




The Recording Industry In Numbers


The Recording Industry In Numbers
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Author :
language : en
Publisher:
Release Date : 2002

The Recording Industry In Numbers written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Sound recording industry categories.




Global Recording Industry In Numbers


Global Recording Industry In Numbers
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Author :
language : en
Publisher:
Release Date : 2006

Global Recording Industry In Numbers written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Sound recording industry categories.




Recording Industry In Numbers


Recording Industry In Numbers
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Author :
language : en
Publisher:
Release Date : 2007

Recording Industry In Numbers written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Sound recording industry categories.




The International Recording Industries


The International Recording Industries
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Author : Lee Marshall
language : en
Publisher: Routledge
Release Date : 2013

The International Recording Industries written by Lee Marshall and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.


The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry’s content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the ‘the recording industry’ to be a relatively static, homogeneous, entity. This book attempts to offer a broader, less Anglocentric and more dynamic understanding of the recording industry. It starting premise is the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry. Seven detailed case studies of different national recording industries illustrate this fact, each of them specifically chosen to provide a distinctive insight into the workings of the recording industry. The expert contributions to this book provide the reader with a sense of the history, structure and contemporary dynamics of the recording industry in these specific territories, and counteract the Anglo-American bias of coverage of the music industry. The International Recording Industrieswill be valuable to students and scholars of sociology, cultural studies, media studies, cultural economics and popular music studies.



Itake Over


Itake Over
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Author : David Arditi
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-06-23

Itake Over written by David Arditi and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-23 with Music categories.


The second edition of iTake-Over: The Recording Industry in the Streaming Era sheds light on the way large corporations appropriate new technology to maintain their market dominance in a capitalist system. To date, scholars have erroneously argued that digital music has diminished the power of major record labels. In iTake-Over, sociologist David Arditi suggests otherwise, adopting a broader perspective on the entire issue by examining how the recording industry strengthened copyright laws for their private ends at the expense of the broader public good. Arditi also challenges the dominant discourse on digital music distribution, which assumes that the recording industry has a legitimate claim to profitability at the expense of a shared culture. Arditi specifically surveys the actual material effects that digital distribution has had on the industry. Most notable among these is how major record labels find themselves in a stronger financial position today in the music industry than they were before the launch of Napster, largely because of reduced production and distribution costs and the steady gain in digital music sales. Moreover, instead of merely trying to counteract the phenomenon of digital distribution, the RIAA and the major record labels embraced and then altered the distribution system.



Music By Numbers


Music By Numbers
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Author : Richard Osborne
language : en
Publisher: Contemporary Music Making and Learning
Release Date : 2021

Music By Numbers written by Richard Osborne and has been published by Contemporary Music Making and Learning this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Music trade categories.


The music industries are fuelled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. This original new book sets out to explore this shadowy terrain. While there are books that offer guidelines about how the music industries work, as well as critiques from academics about the policies of music companies, this is the first book that takes a sustained look at these subjects from a statistical angle. This is particularly significant as statistics have not just been used to explain the music industries, they are also essential to the ways that the industries work: they drive signing policy, contractual policy, copyright policy, economic policy and understandings of consumer behaviour. This edited collection provides the first in-depth examination of the use and abuse of statistics in the music industries. The international group of contributors are noted music business scholars and practitioners in the field. The book addresses five key areas in which numbers are employed: sales and awards; royalties and distribution; music piracy; music policy; and audiences and their uses of music. The authors address these subjects from a range of perspectives. Some of them test the veracity of this data and explore its tactical use by music businesses. Others are helping to generate these numbers: they are developing surveys and online projects and offer candid self-observations in this volume. There are also authors who have been subject to statistics; they deliver first-hand accounts of music industry reporting. The digital age is inherently numerical. Within the music industries this has prompted new ways of tracking the usage and recompense of music. In addition, it has generated new means of monitoring and engaging audience behaviour. It has also led to increased documentation of the trade. There is more reporting of the overall revenues of music industry sectors. There is also more engagement between industry and academia when it comes to conducting analyses and offering numerical recommendations to politicians. The aim of this collection is to expose the culture and politics of data. Music industry statistics are all-pervasive, yet because of this ubiquity they have been under-explored. This book provides new ways by which to learn music by numbers. A timely examination of how data and statistics are key to the music industries. Widely held industry assumptions are challenged with data from a variety of sources and in an engaging, lucid manner. Highly recommended for anyone with an interest in how the music business uses and manipulates the data that digital technologies have made available. Primary readership will be among popular music academics, undergraduate and postgraduate students working in the fields of popular music studies, music business, media studies, cultural studies, sociology and creative industries. The book will also be of interest to people working within the music industries and to those whose work encounters industry statistics.



Music By Numbers


Music By Numbers
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Author : Richard Osborne
language : en
Publisher: Intellect (UK)
Release Date : 2023-03-24

Music By Numbers written by Richard Osborne and has been published by Intellect (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-24 with categories.


An edited volume that examines the data and statistics that are key to the music industry. The music industries are fueled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses, and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain. This edited collection provides the first in-depth examination of the use and abuse of statistics in the music industry. Written by noted music business scholars and practitioners in the field, the book addresses five key areas in which numbers are employed: sales and awards; music industry policy; live music; music piracy; and digital solutions. The authors address these subjects from a range of perspectives: some of them test the veracity of this data and explore its tactical use by music businesses; others help to generate these numbers by developing surveys and online projects and offering candid observations. The aim of this collection is to expose the culture and politics of data. Music industry statistics are pervasive, but despite this ubiquity they are underexplored. This book offers a corrective by providing new ways by which to learn music by numbers.



Recording Industry Sourcebook


Recording Industry Sourcebook
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Author : Barry Cleveland
language : en
Publisher: EMBooks
Release Date : 1999-12

Recording Industry Sourcebook written by Barry Cleveland and has been published by EMBooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-12 with Music trade categories.


For 11 years the Recording Industry Sourcebook has served as the music industry insider's one-stop buyer's guide and a must have for building business relationships. With over 9,000 updated professional listings in more than 60 categories, the latest edition of the Sourcebook offers comprehensive directories of record labels, producers, managers, distributors, attorneys, equipment suppliers, music video companies, media contacts and much more. Entries list contact names, titles, addresses, phone and fax numbers, e-mail and web addresses, styles of music preferred, information on whether or not they'll accept unsolicited demos, and more. High-quality packaging, featuring laminated dividers and sturdy spiral binding, makes this annual a good investment.



The Recording Industry


The Recording Industry
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Author : Geoffrey P. Hull
language : en
Publisher: Psychology Press
Release Date : 2004

The Recording Industry written by Geoffrey P. Hull and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music trade categories.


The Recording Industry presents a brief but comprehensive overview of how records are made, marketed, and sold. Designed for an introductory survey course, but also applicable to the amateur musician, the book opens with an overview of popular music and its place in American society, along with the key players in the recording industry: record companies; music publishers; and performance venues. In the book's second part, the making of a recording is traced from production through marketing and then retail sales. Finally, in part 3, legal issues, including copyright and problems of piracy, are addressed. - BOOK JACKET.