Rembrandt Reputation And The Practice Of Connoisseurship
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Rembrandt Reputation And The Practice Of Connoisseurship
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Author : Catherine B. Scallen
language : en
Publisher: Amsterdam University Press
Release Date : 2004
Rembrandt Reputation And The Practice Of Connoisseurship written by Catherine B. Scallen and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Art Market And Connoisseurship
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Author : Anna Tummers
language : en
Publisher: Amsterdam University Press
Release Date : 2008
Art Market And Connoisseurship written by Anna Tummers and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
The Eye Of The Connoisseur
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Author : Anna Tummers
language : en
Publisher: J Paul Getty Museum Publications
Release Date : 2011
The Eye Of The Connoisseur written by Anna Tummers and has been published by J Paul Getty Museum Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art categories.
Attributing old master paintings is one of the most difficult tasks of the art historian. While authorship has important implications for the field of art history and for valuation, little has been written on the theory and techniques of the connoisseur's work. This volume analyzes the role of the expert's intuition along with efforts to develop scientific techniques. The author focuses on the challenges of attributing seventeenth-century Dutch and Flemish art, then turns to investigating connoisseurship, arguing that to evaluate authenticity, it is necessary to understand what it meant when the paintings were created. Further discussions probe the understanding of an “original” versus a “copy” at a time when painters routinely produced multiple versions of a work; the meaning of “by the master's hand” when paintings were often produced with the help of assistants; and the significance of style when artists intentionally varied theirs depending on the subject matter or the audience.
Art Market And Connoisseurship A Closer Look At Paintings By Rembrandt Rubens And Their Contemporaries
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Author : Anna Tummers
language : en
Publisher:
Release Date : 2008
Art Market And Connoisseurship A Closer Look At Paintings By Rembrandt Rubens And Their Contemporaries written by Anna Tummers and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
This essential volume traces the evolution of connoisseurship in the booming art market of the seventeenth- and eighteenth centuries. Not to be missed by anyone with an interest in the Old Masters and the early modern art market.
Rembrandt
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Author : Metropolitan Museum of Art (New York, N.Y.)
language : en
Publisher:
Release Date : 1995
Rembrandt written by Metropolitan Museum of Art (New York, N.Y.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.
A Corpus Of Rembrandt Paintings Vi
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Author : Ernst van de Wetering
language : en
Publisher: Springer
Release Date : 2014-11-11
A Corpus Of Rembrandt Paintings Vi written by Ernst van de Wetering and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-11 with Art categories.
A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art
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Author : Hubert Von Sonnenburg
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1995
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art written by Hubert Von Sonnenburg and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.
A two-volume catalogue of the museum's paintings by Rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator.
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art Paintings Drawings And Prints Art Historical Perspectives
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Author : Hubertus von Sonnenburg
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1995
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art Paintings Drawings And Prints Art Historical Perspectives written by Hubertus von Sonnenburg and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art
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Author : Metropolitan Museum of Art (New York, N.Y.)
language : en
Publisher:
Release Date : 1995
Rembrandt Not Rembrandt In The Metropolitan Museum Of Art written by Metropolitan Museum of Art (New York, N.Y.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Painting, Modern categories.
Spaces Of Connoisseurship
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Author : Alison Clarke
language : en
Publisher: BRILL
Release Date : 2022-07-18
Spaces Of Connoisseurship written by Alison Clarke and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-18 with Art categories.
Spaces of Connoisseurship explores the ‘who’, ‘where’ and ‘how’ of judging Old Master paintings in the nineteenth-century British art trade, via a comparison of family art dealers Thomas Agnew & Sons (“Agnew’s) and London’s National Gallery.