Rhythm And Race In Modernist Poetry And Science
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Rhythm And Race In Modernist Poetry And Science
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Author : Michael Golston
language : en
Publisher: Columbia University Press
Release Date : 2007-12-21
Rhythm And Race In Modernist Poetry And Science written by Michael Golston and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-21 with Literary Criticism categories.
In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.
Rhythm And Race In Modernist Poetry And Science
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Author :
language : en
Publisher:
Release Date : 2008
Rhythm And Race In Modernist Poetry And Science written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with American poetry categories.
Science In Modern Poetry
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Author : John Holmes
language : en
Publisher: Liverpool University Press
Release Date : 2012-03-31
Science In Modern Poetry written by John Holmes and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-31 with Literary Criticism categories.
Leading experts on modern poetry and on literature and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the 'Two Cultures' can and have come together in the work of poets from Britain and Ireland, America and Australia.
Rhythmic Modernism
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Author : Helen Rydstrand
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2019-01-24
Rhythmic Modernism written by Helen Rydstrand and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-24 with Literary Criticism categories.
Contrary to the common view that cultural modernism is a broadly anti-mimetic movement, one which turned away from traditional artistic goals of representing the world, Rhythmic Modernism argues that rhythm and mimesis are central to modernist aesthetics. Through detailed close readings of non-fiction and short stories, Helen Rydstrand shows that textual rhythms comprised the substance of modernist mimesis. Rhythmic Modernism demonstrates how many modernist writers, such as D. H. Lawrence, Katherine Mansfield and Virginia Woolf, were profoundly invested in mimicking a substratum of existence that was conceived as rhythmic, each displaying a fascination with rhythm, both as a formal device and as a vital, protean concept that helped to make sense of the complex modern world.
E M Forster And Music
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Author : Tsung-Han Tsai
language : en
Publisher: Cambridge University Press
Release Date : 2021-05-27
E M Forster And Music written by Tsung-Han Tsai and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-27 with Literary Criticism categories.
The first book focused on the political resonances of E. M. Forster's engagement with and representations of music.
Critical Rhythm
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Author : Ben Glaser
language : en
Publisher: Fordham Univ Press
Release Date : 2019-01-08
Critical Rhythm written by Ben Glaser and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-08 with Literary Criticism categories.
This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy
Nineteenth Century Poetry And The Physical Sciences
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Author : Gregory Tate
language : en
Publisher: Springer Nature
Release Date : 2020-06-17
Nineteenth Century Poetry And The Physical Sciences written by Gregory Tate and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-17 with Literary Criticism categories.
Poetical Matter examines the two-way exchange of language and methods between nineteenth-century poetry and the physical sciences. The book argues that poets such as William Wordsworth, Mathilde Blind, and Thomas Hardy identified poetry as an experimental investigation of nature’s materiality. It also explores how science writers such as Humphry Davy, Mary Somerville, and John Tyndall used poetry to formulate their theories, to bestow cultural legitimacy on the emerging disciplines of chemistry and physics, and to communicate technical knowledge to non-specialist audiences. The book’s chapters show how poets and science writers relied on a set of shared terms (“form,” “experiment,” “rhythm,” “sound,” “measure”) and how the meaning of those terms was debated and reimagined in a range of different texts. “A stimulating analysis of nineteenth-century poetry and physics. In this groundbreaking study, Tate turns to sound to tease out fascinating continuities across scientific inquiry and verse. Reflecting that ‘the processes of the universe’ were themselves ‘rhythmic,’ he shows that a wide range of poets and scientists were thinking through undulatory motion as a space where the material and the immaterial met. ‘The motion of waves,’ Tate demonstrates, was ‘the exemplary form in the physical sciences.’ Sound waves, light, energy, and poetic meter were each characterized by a ‘process of undulation,’ that could be understood as both a physical and a formal property. Drawing on work in new materialism and new formalism, Tate illuminates a nineteenth-century preoccupation with dynamic patterning that characterizes the undulatory as (in John Herschel’s words) not ‘things, but forms.’” —Anna Henchman, Associate Professor of English at Boston University, USA “This impressive study consolidates and considerably advances the field of physics and poetry studies. Moving easily and authoritatively between canonical and scientist poets, Nineteenth-Century Poetry and the Physical Sciences draws scientific thought and poetic form into telling relation, disclosing how they were understood variously across the nineteenth century as both comparable and competing ways of knowing the physical world. Clearly written and beautifully structured, Nineteenth-Century Poetry and the Physical Sciences is both scholarly and accessible, a fascinating and indispensable contribution to its field.” —Daniel Brown, Professor of English at the University of Southampton, UK “Essential reading for Victorianists. Tate’s study of nineteenth-century poetry and science reconfi gures debate by insisting on the equivalence of accounts of empirical fact and speculative theory rather than their antagonism. The undulatory rhythms of the universe and of poetry, the language of science and of verse, come into new relations. Tate brilliantly re-reads Coleridge, Tennyson, Mathilde Blind and Hardy through their explorations of matter and ontological reality. He also addresses contemporary theory from Latour to Jane Bennett.” — Isobel Armstrong, Emeritus Professor of English at Birkbeck, University of London, UK
Rethinking Empathy Through Literature
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Author : Meghan Marie Hammond
language : en
Publisher: Routledge
Release Date : 2014-07-11
Rethinking Empathy Through Literature written by Meghan Marie Hammond and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-11 with Psychology categories.
In recent years, a growing field of empathy studies has started to emerge from several academic disciplines, including neuroscience, social psychology, and philosophy. Because literature plays a central role in discussions of empathy across disciplines, reconsidering how literature relates to "feeling with" others is key to rethinking empathy conceptually. This collection challenges common understandings of empathy, asking readers to question what it is, how it works, and who is capable of performing it. The authors reveal the exciting research on empathy that is currently emerging from literary studies while also making productive connections to other areas of study such as psychology and neurobiology. While literature has been central to discussions of empathy in divergent disciplines, the ways in which literature is often thought to relate to empathy can be simplistic and/or problematic. The basic yet popular postulation that reading literature necessarily produces empathy and pro-social moral behavior greatly underestimates the complexity of reading, literature, empathy, morality, and society. Even if empathy were a simple neurological process, we would still have to differentiate the many possible kinds of empathy in relation to different forms of art. All the complexities of literary and cultural studies have still to be brought to bear to truly understand the dynamics of literature and empathy.
Beyond The Victorian Modernist Divide
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Author : Anne-Florence Gillard-Estrada
language : en
Publisher: Routledge
Release Date : 2018-03-08
Beyond The Victorian Modernist Divide written by Anne-Florence Gillard-Estrada and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-08 with Literary Criticism categories.
Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.
Improvisation And The Making Of American Literary Modernism
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Author : Rob Wallace
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2010-10-14
Improvisation And The Making Of American Literary Modernism written by Rob Wallace and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-14 with Literary Criticism categories.
Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.