Roger Smalley A Case Study Of Late Twentieth Century Composition


Roger Smalley A Case Study Of Late Twentieth Century Composition
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Roger Smalley A Case Study Of Late Twentieth Century Composition


Roger Smalley A Case Study Of Late Twentieth Century Composition
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Author : Christopher Mark
language : en
Publisher: Routledge
Release Date : 2016-04-08

Roger Smalley A Case Study Of Late Twentieth Century Composition written by Christopher Mark and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Music categories.


How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe



Roger Smalley A Case Study Of Late Twentieth Century Composition


Roger Smalley A Case Study Of Late Twentieth Century Composition
DOWNLOAD

Author : Christopher Mark
language : en
Publisher: Routledge
Release Date : 2016-04-08

Roger Smalley A Case Study Of Late Twentieth Century Composition written by Christopher Mark and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Music categories.


How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe



Contact


Contact
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Author :
language : en
Publisher:
Release Date : 1975

Contact written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.




The Cambridge Companion To Twentieth Century Opera


The Cambridge Companion To Twentieth Century Opera
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Author : Mervyn Cooke
language : en
Publisher: Cambridge University Press
Release Date : 2005-12-08

The Cambridge Companion To Twentieth Century Opera written by Mervyn Cooke and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-12-08 with Music categories.


This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.



How Music Works


How Music Works
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Author : Keith Spence
language : en
Publisher: MacMillan Publishing Company
Release Date : 1981

How Music Works written by Keith Spence and has been published by MacMillan Publishing Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.




Update


Update
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Author :
language : en
Publisher:
Release Date : 1999

Update written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Music categories.




Dissertation Abstracts International


Dissertation Abstracts International
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Author :
language : en
Publisher:
Release Date : 1985

Dissertation Abstracts International written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Dissertations, Academic categories.




No Documents No Escape


No Documents No Escape
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Author : Christophe Levaux
language : en
Publisher: University of California Press
Release Date : 2020-09-01

No Documents No Escape written by Christophe Levaux and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-01 with Music categories.


Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of these battles that—from pure fiction to proven truth—led to the triumph of minimalism. Christophe Levaux’s critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history.



Classical Rhetoric In The Middle Ages


Classical Rhetoric In The Middle Ages
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Author : John O. Ward
language : en
Publisher: BRILL
Release Date : 2018-12-24

Classical Rhetoric In The Middle Ages written by John O. Ward and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-24 with Literary Criticism categories.


Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture.



British Musical Modernism


British Musical Modernism
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Author : Philip Rupprecht
language : en
Publisher: Cambridge University Press
Release Date : 2015-07-09

British Musical Modernism written by Philip Rupprecht and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-09 with Art categories.


The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.