Russian Critics On The Cinema Of Glasnost


Russian Critics On The Cinema Of Glasnost
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Russian Critics On The Cinema Of Glasnost


Russian Critics On The Cinema Of Glasnost
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Author : Michael Brashinsky
language : en
Publisher: Cambridge University Press
Release Date : 1994-09-30

Russian Critics On The Cinema Of Glasnost written by Michael Brashinsky and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-09-30 with Performing Arts categories.


Russian Critics on the Cinema of Glasnost gathers together 23 essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as importantly, they capture a sense of a society in flux during the waning years of Communism, as well as the larger context within which Glasnost cinema and culture developed. This collection provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.



Before The Fall


Before The Fall
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Author : Anna Lawton
language : en
Publisher: New Acdemia+ORM
Release Date : 2010-09-09

Before The Fall written by Anna Lawton and has been published by New Acdemia+ORM this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-09 with Performing Arts categories.


An expanded edition of Kinoglasnost that examines the fascinating world of Soviet cinema during the yeas of glasnost and perestroika in the 1980s. In Before the Fall, Anna Lawton shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry. A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. Soviet cinema has always been closely connected with national political reality, challenging the conventions of bourgeois society and educating the people. In this pioneering study, Lawton discusses the restructuring of the main institutions governing the industry; the abolition of censorship; the emergence of independent production and distribution systems; the dismantling of the old bureaucratic structures and the implementation of new initiatives. She also surveys the films that remained unscreened for decades for political reasons, films of the new wave that look at the past to search out the truth, and those that record current social ills or conjure up a disquieting image of the future. “What makes Kinoglasnost pre-eminent among current studies of the subject is that sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry.” —Julian Graffy, Sight and Sound “The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia.” —Ludmila Z. Pruner, Slavic and East European Journal



Ruptures And Continuities In Soviet Russian Cinema


Ruptures And Continuities In Soviet Russian Cinema
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Author : Birgit Beumers
language : en
Publisher: Routledge
Release Date : 2017-11-22

Ruptures And Continuities In Soviet Russian Cinema written by Birgit Beumers and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-22 with Social Science categories.


This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.



Kinoglasnost


Kinoglasnost
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Author : Anna Lawton
language : en
Publisher: CUP Archive
Release Date : 1992-11-26

Kinoglasnost written by Anna Lawton and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-11-26 with Business & Economics categories.


An examination of soviet cinema under Glasnost and Perestrokïa.



The Zero Hour


The Zero Hour
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Author : Andrew Horton
language : en
Publisher: Princeton University Press
Release Date : 2021-03-09

The Zero Hour written by Andrew Horton and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-09 with Performing Arts categories.


Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid changes in Soviet cinema that have been taking place since 1985. What emerges from their collaborative dialogue is not only a valuable work of film criticism but also a fascinating study of contemporary Soviet culture in general. Horton and Brashinsky examine a wide variety of films from BOMZH (initials standing for homeless drifter) through Taxi Blues and the glasnost blockbuster Little Vera to the Latvian documentary Is It Easy to Be Young? and the "new wave" productions of the "Wild Kazakh boys." The authors argue that the medium that once served the Party became a major catalyst for the deconstruction of socialism, especially through documentary filmmaking. Special attention is paid to how filmmakers from 1985 through 1990 represent the newly "discovered" past of the pre-glasnost era and how they depict troubled youth and conflicts over the role of women in society. The book also emphasizes the evolving uses of comedy and satire and the incorporation of "genre film" techniques into a new popular cinema. An intriguing discussion of films of Georgia, Estonia, Latvia, Lithuania, and Kazakhstan ends the work.



Moscow Believes In Tears


Moscow Believes In Tears
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Author : Louis Menashe
language : en
Publisher: New Academia Publishing, LLC
Release Date : 2014-09-16

Moscow Believes In Tears written by Louis Menashe and has been published by New Academia Publishing, LLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-16 with Art categories.


This unique collection of writings and interviews highlights the important role that cinema can play for understanding Russian history, politics, culture and society in all phases-Tsarist, Soviet and post-Soviet. "This is the book for the Russian movie aficionado - personal, pointed, funny, frank and full of all kinds of inside stories and political folk tales. It is a fascinating window on Soviet/Russian pop culture that only a cultural Marco Polo and fanatical movie-goer like Louis Menashe would even dare attempt."-Hedrick Smith, Pulitzer Prize-winning author of The Russians and The New Russians"Menashe combines an encyclopedic knowledge of Russian history and society of the past 50 years with a broad-ranging and sensitive eye for cinematic meaning and detail."-Anthony Anemone, The New School University"This sparkling collection of film reviews, essays and interviews with filmmakers is a cultural history of Russia over the past 25 years. Highly recommended to everyone interested in Russia and the movies."-Denise J. Youngblood, University of Vermont, and author of Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds."A great national cinema is explored in its myriad colors and textures. Not a traditional history, the book is an archive of insights captured across years of passionate viewing."-Jerry W. Carlson, The City College and Graduate Center CUNY, host of the popular program, "City Cinematheque.""Menashe allows us to see both Russia's present and her past through his crisp, clear and fresh lens of a true expert who loves the country and its films, but always remains critical enough to see their flaws and merits."-Birgit Beumers, University of Bristol



Inside The Film Factory


Inside The Film Factory
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Author : Ian Christie
language : en
Publisher: Routledge
Release Date : 2005-08-19

Inside The Film Factory written by Ian Christie and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-19 with Performing Arts categories.


This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.



The Cinema Of Russia And The Former Soviet Union


The Cinema Of Russia And The Former Soviet Union
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Author : Birgit Beumers
language : en
Publisher:
Release Date : 2007

The Cinema Of Russia And The Former Soviet Union written by Birgit Beumers and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Motion pictures categories.


This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).



Historical Dictionary Of Russian And Soviet Cinema


Historical Dictionary Of Russian And Soviet Cinema
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Author : Peter Rollberg
language : en
Publisher: Scarecrow Press
Release Date : 2008-11-07

Historical Dictionary Of Russian And Soviet Cinema written by Peter Rollberg and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-07 with History categories.


Film lovers all over the world are familiar with the masterpieces of Eisenstein and Tarkovsky. These directors' unique achievements were embedded in a powerful process that began under Russia's last tsar and underwent several periods of blossoming: the bourgeois cinema in the 1910s, the revolutionary avant-garde in the 1920s, the Thaw in the 1950s, and the awakening of national cinemas in the 1960s and 1970s. The Historical Dictionary of Russian and Soviet Cinema is the first reference work of its kind in the English language devoted entirely to the cinema of the Russian Empire, the Soviet Union, and the post-Soviet period, including both the cinematic highlights and the mainstream. The cinemas of the former Soviet republics, including Ukraine, Belarus, Armenia, Georgia, Lithuania, and Latvia, are also represented with their most influential artists. Through a chronology, an introduction essay, a bibliography, and over 500 cross-referenced dictionary entries on filmmakers, performers, cinematographers, composers, producers, studios, genres, and outstanding films, this reference work covers the history of Russian and Soviet filmmaking from 1896 to 2007.



The Cambridge Companion To Modern Russian Culture


The Cambridge Companion To Modern Russian Culture
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Author : Nicholas Rzhevsky
language : en
Publisher: Cambridge University Press
Release Date : 2012-04-05

The Cambridge Companion To Modern Russian Culture written by Nicholas Rzhevsky and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-05 with History categories.


A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.