Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions


Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions
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Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions


Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions
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Author : Margaret Choi Kwan Lam
language : en
Publisher: Anchor Academic Publishing (aap_verlag)
Release Date : 2014-12

Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions written by Margaret Choi Kwan Lam and has been published by Anchor Academic Publishing (aap_verlag) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12 with Art categories.


Scenography has been acting as a transformative force to reform the traditionalexhibitionary complex. This has led to an unprecedented intersection wherescenography meets contemporary curating, which further informs a radical ideologicalshift in the frontier of the exhibition scene. This book aims to exploit a new land ofdiscussion to look into this intersection between scenographic practice andcontemporary curating, its mergence and the subsequent revolution it has caused. Byseeing museums and exhibition spaces as metaphorical stages, it fundamentallyreconfigures the infrastructure of curating practices, in terms of a shift in authorship,architectural embodiment of ideas, field of experience, layered narrative, dramaturgy andthe hybrid expressions of new media. Three case studies will demonstrate scenography’swide-ranged methodologies in dealing with contemporary issues. Cases include: BMWMuseum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo’sLast Supper: A Vision by Peter Greenaway (2008, 2010). The discussion cuts throughmajor discourses, both responding to the rise of the experience economy and theexpanding notion of curating, in parallel.



Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions


Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions
DOWNLOAD

Author : Margaret Choi Kwan Lam
language : en
Publisher:
Release Date : 2013-12

Scenography As New Ideology In Contemporary Curating And The Notion Of Staging In Exhibitions written by Margaret Choi Kwan Lam and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12 with categories.


Master's Thesis from the year 2013 in the subject Art - Miscellaneous, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: In the frontier of the exhibition scene, a significant phenomenon is observed that a contemporary artistic staging practice, called scenography, has grew out from the theatre context and keeps expanding its influence in the exhibition context in recent time. Scenography has been acting as a transformative force to reform the traditional exhibitionary complex, and consequently, this has led to an unprecedented intersection where scenography meets contemporary curating, which further informs a radical ideological shift. This paper aims to exploit a new land of discussion to look into this intersection between scenographic practice and contemporary curating, its mergence and the subsequent revolution it has caused. By seeing museums and exhibition spaces as metaphorical stages, it fundamentally reconfigures the infrastructure of curating practices, in terms of a shift in authorship, architectural embodiment of ideas, field of experience, layered narrative, dramaturgy and the hybrid expressions of new media. Three case studies will demonstrate scenography's wide-ranged capacities and various methodologies in dealing with contemporary issues. Cases include: BMW Museum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo's Last Supper: A Vision by Peter Greenaway (2008, 2010). Respectively, they prove scenography's overarching influence of acting as a brandscape, as a site of cultural mediation and as interference and discourse. The whole discussion cuts through major discourses in the field, both responding to the increasing awareness of the notion of staging experiences in the rise of experience economy, and the expanding notion of curating, in parallel.



Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions


Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions
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Author : Margaret Choi Kwan Lam
language : en
Publisher: diplom.de
Release Date : 2014-09-01

Scenography As New Ideology In Contemporary Curating The Notion Of Staging In Exhibitions written by Margaret Choi Kwan Lam and has been published by diplom.de this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-01 with Performing Arts categories.


Scenography has been acting as a transformative force to reform the traditionalexhibitionary complex. This has led to an unprecedented intersection wherescenography meets contemporary curating, which further informs a radical ideologicalshift in the frontier of the exhibition scene. This book aims to exploit a new land ofdiscussion to look into this intersection between scenographic practice andcontemporary curating, its mergence and the subsequent revolution it has caused. Byseeing museums and exhibition spaces as metaphorical stages, it fundamentallyreconfigures the infrastructure of curating practices, in terms of a shift in authorship,architectural embodiment of ideas, field of experience, layered narrative, dramaturgy andthe hybrid expressions of new media. Three case studies will demonstrate scenography’swide-ranged methodologies in dealing with contemporary issues. Cases include: BMWMuseum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo’sLast Supper: A Vision by Peter Greenaway (2008, 2010). The discussion cuts throughmajor discourses, both responding to the rise of the experience economy and theexpanding notion of curating, in parallel.



Contemporary Curating Artistic Reference And Public Reception


Contemporary Curating Artistic Reference And Public Reception
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Author : Stéphanie Bertrand
language : en
Publisher: Routledge
Release Date : 2021-07-31

Contemporary Curating Artistic Reference And Public Reception written by Stéphanie Bertrand and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-31 with Art categories.


Contemporary Curating, Artistic Reference and Public Reception undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context. Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book.



Contemporary Curating And Museum Education


Contemporary Curating And Museum Education
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Author : Carmen Mörsch
language : en
Publisher: transcript Verlag
Release Date : 2016-11-30

Contemporary Curating And Museum Education written by Carmen Mörsch and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-30 with Art categories.


In the context of critical museology, museums are questioning their social role, defining the museum as a site for knowledge exchange and participation in creating links between past and present. Museum education has evolved as a practice in its own right, questioning, expanding and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as an integrated practice? This question is addressed by international contributors from different types of museums. For anyone interested in the future of museums, it offers insights into the diversity of positions and experiences of translating the »grand designs« of museology into practice.



The Routledge Handbook Of Museums Media And Communication


The Routledge Handbook Of Museums Media And Communication
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Author : Kirsten Drotner
language : en
Publisher: Routledge
Release Date : 2018-12-07

The Routledge Handbook Of Museums Media And Communication written by Kirsten Drotner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-07 with Business & Economics categories.


Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground. Including contributions from experts around the world, this original and innovative Handbook shares a nuanced and precise understanding of media, media concepts and media terminology, rehearsing new locations for writing on museum media and giving voice to new subject alignments. As a whole, the volume breaks new ground by reframing mediated museum communication as a resource for an inclusive understanding of current museum developments. The Routledge Handbook of Museums, Media and Communication will appeal to both students and scholars, as well as to practitioners involved in the visioning, design and delivery of mediated communication in the museum. It teaches us not just how to study museums, but how to go about being a museum in today’s world. The book is available for free in PDF format as Open Access at www.taylorfrancis.com. It has been made available under a a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license



Die Zukunft Der Literaturmuseen


Die Zukunft Der Literaturmuseen
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Author : Vanessa Zeissig
language : de
Publisher: transcript Verlag
Release Date : 2022-11-30

Die Zukunft Der Literaturmuseen written by Vanessa Zeissig and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-11-30 with Art categories.


Literaturmuseen basieren auf der Heroisierung von Einzelpersonen und repräsentieren dadurch ein ›weiߋ und ›männlich‹ geprägtes Bild des literarischen Kulturerbes. Mit dem Fokus auf die Ausstellbarkeit von Literatur stellt sich das Literaturmuseumswesen jedoch nicht gegen das patriarchale und nationale Fundament, sondern trägt vielmehr zur Aufrechterhaltung des Systems bei. Vanessa Zeissig untersucht die Debattengeschichte und formuliert eine progressive Institutionskritik. Sie setzt sich mit institutionellen Machtstrukturen, Ökonomisierung und anderen Missständen auseinander, analysiert die Verantwortung von Gestaltung und fordert schließlich eine politisierte Transformation von Literaturmuseen.



Scenographic Fashion Design Zur Inszenierung Von Mode Und Marken


Scenographic Fashion Design Zur Inszenierung Von Mode Und Marken
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Author : Pamela C. Scorzin
language : de
Publisher: transcript Verlag
Release Date : 2016-01-31

Scenographic Fashion Design Zur Inszenierung Von Mode Und Marken written by Pamela C. Scorzin and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-31 with Social Science categories.


Die Inszenierung von Mode und Marken ist seit einigen Jahrzehnten ein wachsendes und florierendes Aufgabenfeld für die Disziplin Szenographie geworden. Die in diesem Band versammelten Essays sind kulturwissenschaftliche Studien und theoretische Untersuchungen zu einer neuen Form des Branding mittels ganzheitlicher und synästhetischer Übersetzungs- und Vermittlungsformen in einem weiten Netzwerk von Mode-Akteuren. Unter dem Neologismus »Scenographic Fashion Design« stellt Pamela C. Scorzin erstmals ausführlich anhand prägnanter Fallbeispiele ein zentrales und höchst innovatives Feld einer holistischen und trans-medialen Inszenierungspraxis in der nachmodernen Konvergenzkultur vor.



Empty Stages Crowded Flats Performativity As Curatorial Strategy


Empty Stages Crowded Flats Performativity As Curatorial Strategy
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Author : Joanna Warsza
language : en
Publisher: Alexander Verlag Berlin
Release Date : 2017-07-24

Empty Stages Crowded Flats Performativity As Curatorial Strategy written by Joanna Warsza and has been published by Alexander Verlag Berlin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-24 with Performing Arts categories.


During its impressive career over the last decades the term 'performative' has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats additionally applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being 'theatre-like', believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how 'theatre-like' strategies and techniques can in fact enable 'reality making' situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed. With contributions by Frédérique Aït-Touati, Knut Ove Arntzen, Nedjma Hadj Benchelabi, Claire Bishop, Beatrice von Bismarck, Rui Catalão, Vanessa Desclaux, Tim Etchells, Galerie, Karin Harrasser, Shannon Jackson, Ana Janevski, Lina Majdalanie, Ewa Majewska, Florian Malzacher, Maayan Sheleff, Gerald Siegmund, Claire Tancons, Kasia Tórz, Rachida Triki, Jelena Vesić, Joanna Warsza, and Catherine Wood. A publication by House on Fire, Live Art Development Agency & Alexander Verlag Berlin. The book series Performing Urgency is supported by the Culture Programme of European Union.



Beyond Scenography


Beyond Scenography
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Author : Rachel Hann
language : en
Publisher: Routledge
Release Date : 2018-08-06

Beyond Scenography written by Rachel Hann and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-06 with Performing Arts categories.


Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of 'the scenic' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice.