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Schubert S Instrumental Music And Poetics Of Interpretation

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Schubert S Instrumental Music And Poetics Of Interpretation

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Author : René Rusch
language : en
Publisher: Indiana University Press
Release Date : 2023-09-12

Schubert S Instrumental Music And Poetics Of Interpretation written by René Rusch and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-09-12 with Biography & Autobiography categories.

Music scholarship's views of Franz Schubert's instrumental works continue to evolve. How might aesthetic values, historiographies, revisions to the composer's biography, and disciplinary commitments affect how we interpret his music? Schubert's Instrumental Music and Poetics of Interpretation explores the aesthetic positions and operations that underlie critical assessments of Schubert's instrumental works. In six chapters, each devoted to one or two of Schubert's pieces, René Rusch examines the conditions that have prompted scholarship to reevaluate the composer's music and legacy, considers how different conclusions about his music may be reflective of certain aesthetic values, investigates the role of narrative in both music analysis and constructions of history, and explores alternative forms of coherence through updated analyses of the composer's instrumental works. Rusch's observations and comparative analyses address four significant areas of scholarly focus in Schubert studies, including his approach to chromaticism, his unique musical forms, the relationship between his music and biography, and the influence of Beethoven. Drawing from a range of philosophical, hermeneutic, historical, biographical, theoretical, and analytical sources, Schubert's Instrumental Music and Poetics of Interpretation offers readers a unique and innovative foray into the poetics of contemporary analyses of Schubert's instrumental music and develops new ways to engage with his repertoire.

Schubert S Instrumental Music And Poetics Of Interpretation

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Author : René Rusch
language : en
Publisher: Indiana University Press
Release Date : 2023-09-12

Allusion As Narrative Premise In Brahms S Instrumental Music

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Author : Jacquelyn Sholes
language : en
Publisher: Indiana University Press
Release Date : 2018-05-24

Allusion As Narrative Premise In Brahms S Instrumental Music written by Jacquelyn Sholes and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-24 with Music categories.

Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Meaning And Interpretation Of Music In Cinema

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Author : David P. Neumeyer
language : en
Publisher: Indiana University Press
Release Date : 2015-08-17

Meaning And Interpretation Of Music In Cinema written by David P. Neumeyer and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-17 with Music categories.

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.

Schubert S Late Music

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Author : Lorraine Byrne Bodley
language : en
Publisher: Cambridge University Press
Release Date : 2016-04-07

Schubert S Late Music written by Lorraine Byrne Bodley and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-07 with Music categories.

Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.

Music And The Crises Of The Modern Subject

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Author : Michael L. Klein
language : en
Publisher: Indiana University Press
Release Date : 2015-07-06

Music And The Crises Of The Modern Subject written by Michael L. Klein and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-06 with Music categories.

Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.

Reconfiguring Myth And Narrative In Contemporary Opera

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Author : Yayoi Uno Everett
language : en
Publisher: Indiana University Press
Release Date : 2015-11-30

Reconfiguring Myth And Narrative In Contemporary Opera written by Yayoi Uno Everett and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-30 with Music categories.

Yayoi Uno Everett focuses on four operas that helped shape the careers of the composers Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun, which represent a unique encounter of music and production through what Everett calls "multimodal narrative." Aspects of production design, the mechanics of stagecraft, and their interaction with music and sung texts contribute significantly to the semiotics of operatic storytelling. Everett's study draws on Northrop Frye's theories of myth, Lacanian psychoanalysis via Slavoj Žižek, Linda and Michael Hutcheon's notion of production, and musical semiotics found in Robert Hatten's concept of troping in order to provide original interpretive models for conceptualizing new operatic narratives.

A Theory Of Musical Narrative

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Author : Byron Almén
language : en
Publisher: Indiana University Press
Release Date : 2017-09-04

A Theory Of Musical Narrative written by Byron Almén and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-04 with Music categories.

Byron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almén provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.

The Cambridge Companion To The Lied

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Author : James Parsons
language : en
Publisher: Cambridge University Press
Release Date : 2004-07

The Cambridge Companion To The Lied written by James Parsons and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-07 with Music categories.

Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.

Breaking Time S Arrow

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Author : Matthew McDonald
language : en
Publisher: Indiana University Press
Release Date : 2014-06-16

Breaking Time S Arrow written by Matthew McDonald and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-16 with Music categories.

A critical look at the work of and philosophical influences upon the American Modernist composer. Charles Ives (1874–1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives’s compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives’s works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer’s eclectic and complex style. “A trenchant and intellectually expansive reading of Ives’s relationship to time by connecting several compositions?and indeed, the composer’s larger conceptualization of the past, present, and future?to the Emersonian concept of the “everlasting Now.” This book is a wonderfully written, important contribution to scholarship on the music of Charles Ives.” —Gayle Sherwood Magee, author of Charles Ives Reconsidered “McDonald investigates both the temporal and spatial effects of multidirectional motion, as well as its ramifications for understanding some of the larger philosophical issues that are raised in Ives’s music.” —Music & Letters, May 2015 “McDonald brings together analytic and personal factors to sharpen the image of the composer in convincing ways. . . . This book . . . deserves a close reading. The bibliography provides a select list of scores and recordings as well as articles, books, catalogues, and unpublished commentaries. This book is recommended for college and university libraries and for readers with a music theory background.” —Music Reference Services Quarterly

Schubert S Instrumental Music And Poetics Of Interpretation

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