Scientific Examination For The Investigation Of Paintings


Scientific Examination For The Investigation Of Paintings
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Scientific Examination For The Investigation Of Paintings


Scientific Examination For The Investigation Of Paintings
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Author : D. Pinna (ed.)
language : en
Publisher:
Release Date : 2009

Scientific Examination For The Investigation Of Paintings written by D. Pinna (ed.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.


This volume, a friendly-consulting handbook, stems from professionals involved in the European project EU-ARTECH to address a particular need in the field of scientific analyses applied to cultural heritage conservation. The handbook is specifically addressed to conservator-restorers to illustrate the role played by scientific examinations in the investigation of panel and canvas paintings by explaining some analytical techniques - what they are and why they are used, what are their limits, and what kind of effects/results they are expected to supply. Contents: 1. Structure of Paintings 2. Wooden Support 3. Canvas Support 4. Underdrawing, Ground/Priming Layers 5. Paint Layers 6.Gilding and other Metallic Covers/Layers 7. Varnish Layers 8. Non-Destructive and Micro Destructive Techniques Restoration ILLUSTRATIONS 250 colour



Paintings In The Laboratory


Paintings In The Laboratory
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Author : Karin Groen
language : en
Publisher:
Release Date : 2014

Paintings In The Laboratory written by Karin Groen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


This book is a collection of scientific papers written over 30 years by Karin Groen on aspects of the painting of Rembrandt, Frans Hals, Leyster, Vermeer, Van Gogh etc. The author tracks the historical development of the application of scientific techniques in research into artists techniques and materials and examines phenomena such as the changing of green pigments to blue, the use of red in preparatory layers, binding media, blanching and organic pigments. Contents: In memoriam: Karin Groen Introduction: Perspectives on the evolution of science for art history and conservation, and its current state Part I - Grounds and binding media Chapter 1 - Halcyon days for art history Chapter 2 - Grounds in Rembrandt's workshop and in paintings by his contemporaries Chapter 3 - Earth Matters. The origin of the material used for the preparation of the Night Watch and many other canvases in Rembrandt's workshop after 1640 Chapter 4 - In the beginning there was red Chapter 5 - Investigation of the use of the binding medium by Rembrandt. Chemical analysis and theology Part II - Changing colours Chapter 6 - Towards identification of brown discolouration on green paint Chapter 7 - Towards identification of brown discolouration on green paint revisited Chapter 8 - The foliage tends almost to blue Chapter 9 - Scanning electron-microscopy as an aid in the study of blanching Part III - Study of painting techniques Chapter 10 - Frans Hals: a technical examination (Co-author: Ella Hendriks) Chapter 11 - Judith Leyster: a technical examination of her work (Co-author: Ella Hendriks) Chapter 12 - Scientific examination of Vermeer's Girl with the Pearl Earring (Co-authors: Inez van der Werf, Klaas Jan van den Berg and Jaap J. Boon) Summary Samenvatting Bibliography Acknowlegdements



Paintings In The Laboratory Scientific Examination For Art History And Conservation


Paintings In The Laboratory Scientific Examination For Art History And Conservation
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Author : K. Groen
language : en
Publisher:
Release Date : 2011

Paintings In The Laboratory Scientific Examination For Art History And Conservation written by K. Groen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.




Scientific Examination Of Art


Scientific Examination Of Art
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Author :
language : en
Publisher: National Academies Press
Release Date : 2005-01-01

Scientific Examination Of Art written by and has been published by National Academies Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Technology & Engineering categories.


Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.



Scientific Examination Of Early Netherlandish Painting


Scientific Examination Of Early Netherlandish Painting
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Author : J. P. Filedt Kok
language : de
Publisher: Fibula-Van Dishoeck
Release Date : 1976

Scientific Examination Of Early Netherlandish Painting written by J. P. Filedt Kok and has been published by Fibula-Van Dishoeck this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Art categories.




The Scientific Examination Of Pictures


The Scientific Examination Of Pictures
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Author : Angenitus Martinus de Wild
language : en
Publisher:
Release Date : 1929

The Scientific Examination Of Pictures written by Angenitus Martinus de Wild and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1929 with Painting categories.




Analytical Archaeometry


Analytical Archaeometry
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Author : Howell Edwards
language : en
Publisher: Royal Society of Chemistry
Release Date : 2016-01-13

Analytical Archaeometry written by Howell Edwards and has been published by Royal Society of Chemistry this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-13 with Science categories.


Analytical Archaeometry describes this interesting and challenging field of research - on the border between natural sciences (chemistry, spectroscopy, biology, geology) and humanities (archaeology, (art-)history, conservation sciences). It fills the gap between these two areas whilst focussing on the analytical aspects of this research field. The first part of the book studies the main analytical techniques used in this research field. The second part expands from the different types of materials usually encountered, and the final part is organised around a series of typical research questions. The book is not only focussed on archaeological materials, but is also accessible to a broader lay audience. Overall the book is clearly structured and gives insight into different approaches to the study of analytical providing extensive discussion on a wide range of techniques, materials, questions and applications. Due to the advances in analytical instrumentation and applications in this field, it is important to have all this information merged together. Academics as well as professionals in archaeology, art history, museum labs and conservation science will find this an invaluable reference source ensuring the reader is provided with the latest progress in this research field.



The Scientific Examination Of Pictures


The Scientific Examination Of Pictures
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Author : Angenitus Martinus de Wild
language : en
Publisher:
Release Date : 1929

The Scientific Examination Of Pictures written by Angenitus Martinus de Wild and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1929 with Painting categories.




Scientific Investigation Of Copies Fakes And Forgeries


Scientific Investigation Of Copies Fakes And Forgeries
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Author : Paul Craddock
language : en
Publisher: Taylor & Francis
Release Date : 2009-02-04

Scientific Investigation Of Copies Fakes And Forgeries written by Paul Craddock and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-04 with Antiques & Collectibles categories.


The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.



Scientific Investigation Of Copies Fakes And Forgeries


Scientific Investigation Of Copies Fakes And Forgeries
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Author : Paul Craddock
language : en
Publisher: Routledge
Release Date : 2009-02-04

Scientific Investigation Of Copies Fakes And Forgeries written by Paul Craddock and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-04 with Antiques & Collectibles categories.


The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.