Selected Piano Solos 1928 1941


Selected Piano Solos 1928 1941
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Selected Piano Solos 1928 1941


Selected Piano Solos 1928 1941
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Author : Earl Hines
language : en
Publisher: A-R Editions, Inc.
Release Date : 2006-01-01

Selected Piano Solos 1928 1941 written by Earl Hines and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Music categories.


l + 133 pp.



Surviving Orchestral Music


Surviving Orchestral Music
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Author : Charles Hommann
language : en
Publisher: A-R Editions, Inc.
Release Date : 2007-01-01

Surviving Orchestral Music written by Charles Hommann and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Music categories.


Pagination: lxxxiii + 270 pp.



Four Saints In Three Acts


Four Saints In Three Acts
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Author : Virgil Thomson
language : en
Publisher: A-R Editions, Inc.
Release Date : 2008-01-01

Four Saints In Three Acts written by Virgil Thomson and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-01-01 with Music categories.


Virgil Thomson and Gertrude SteinFour Saints in Three ActsEdited by H. Wiley Hitchcock MU18 / A 64 ISBN (2008) lv + 447 pp. $250.00 ISBN 978-0-89579-629-5 Rental parts available from Schirmer only. With music by Virgil Thomson and a libretto by Gertrude Stein, Four Saints in Three Acts was completed in 1928 but waited almost six years for its first performances. After a week¿s run in Hartford, Connecticut, in February 1934, it moved to New York where--with some sixty performances in six weeks--it became the longest-running opera that Broadway up to that time had experienced.This critical edition by H. Wiley Hitchcock and Charles Fussell features the scenario by Maurice Grosser and is based on the full score that Thomson commissioned from copyist Ben Weber for his 1947-48 revision; it includes the 32-measure orchestral prelude to the Act II "Dance of the Angels," and it makes comparisons primarily to the manuscript scores held at the Library of Congress and Yale University. The critical apparatus applies as much to the music as to the Stein text, the principal source for which is the 1929 first publication.



Seven Selected Piano Solos


Seven Selected Piano Solos
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Author : Albert W. Ketèlbey
language : en
Publisher:
Release Date :

Seven Selected Piano Solos written by Albert W. Ketèlbey and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Selected Works For Big Band


Selected Works For Big Band
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Author : Mary Lou Williams
language : en
Publisher: A-R Editions, Inc.
Release Date : 2013-12-01

Selected Works For Big Band written by Mary Lou Williams and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-01 with Music categories.




Solo For Piano By John Cage Second Realization Part 2


Solo For Piano By John Cage Second Realization Part 2
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Author : David Tudor
language : en
Publisher: A-R Editions, Inc.
Release Date : 2020-01-01

Solo For Piano By John Cage Second Realization Part 2 written by David Tudor and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-01 with Music categories.


“When I think of music, I think of you and vice-versa,” John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor’s nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage’s Concert for Piano and Orchestra (1957–58). None of Cage’s previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture “Indeterminacy,” Tudor created a second realization, for which he devised a new temporal structure to implement Cage’s notations. This edition of Tudor’s second realization of the Solo for Piano presents Tudor’s performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor’s methods of realization; which notations from Cage’s score Tudor selected and why; how Tudor interpreted Cage’s often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor’s realization fulfills, transcends, and sometimes contravenes the instructions of Cage’s score.



Solo For Piano By John Cage Second Realization Part 1


Solo For Piano By John Cage Second Realization Part 1
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Author : David Tudor
language : en
Publisher: A-R Editions, Inc.
Release Date : 2020-01-01

Solo For Piano By John Cage Second Realization Part 1 written by David Tudor and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-01 with Music categories.


“When I think of music, I think of you and vice-versa,” John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor’s nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage’s Concert for Piano and Orchestra (1957–58). None of Cage’s previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture “Indeterminacy,” Tudor created a second realization, for which he devised a new temporal structure to implement Cage’s notations. This edition of Tudor’s second realization of the Solo for Piano presents Tudor’s performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor’s methods of realization; which notations from Cage’s score Tudor selected and why; how Tudor interpreted Cage’s often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor’s realization fulfills, transcends, and sometimes contravenes the instructions of Cage’s score.



Palestina


Palestina
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Author : Leo Zeitlin
language : en
Publisher: A-R Editions, Inc.
Release Date : 2014-11-01

Palestina written by Leo Zeitlin and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-01 with Music categories.


Trained in Russia, Zeitlin (1884–1930) was an accomplished composer, conductor, performer, and pedagogue. In writing Palestina, Zeitlin, as he had done during his entire career, was fulfilling the goals of the Society for Jewish Folk Music, which he joined in 1908 while still a student at the St. Petersburg Conservatory: to compose and perform works of art music on motivic material drawn from Jewish cantillation, liturgy, and folk song. In addition to employing two modes central to Jewish music and several Jewish tunes, in Palestina Zeitlin actually imitates the shofar calls heard in the synagogue before and during Rosh Hashanah and at the conclusion of Yom Kippur. This edition includes an extensive essay on the composer and on the themes and structure of Palestina, with insights into the Capitol Theatre and the role of music in picture palaces of this era.



An American Singing Heritage


An American Singing Heritage
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Author : Norm Cohen
language : en
Publisher: A-R Editions, Inc.
Release Date : 2021-12-20

An American Singing Heritage written by Norm Cohen and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-20 with Music categories.


This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.



Early Published Blues And Proto Blues 1850 1915


Early Published Blues And Proto Blues 1850 1915
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Author : Peter C. Muir
language : en
Publisher: A-R Editions, Inc.
Release Date :

Early Published Blues And Proto Blues 1850 1915 written by Peter C. Muir and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.


This volume is a critical edition of early blues-related sheet music, including forty-three known blues songs and instrumental compositions from the first four years of the blues industry, 1912–15, and twenty-four pre-1912 proto-blues; that is, published works stylistically related to the emerging blues style (for instance, using a twelve-bar blues sequence) from 1850–1912. The purpose of the edition is to present in systematic form, and for the first time, the rise of popular blues culture. Up until 1920, sheet music was the dominant medium of blues dissemination. The first blues recordings did not appear until 1914, two years after the appearance of sheet music; furthermore, almost all the recordings of blues that did appear before 1920 were of pre-existent published compositions. This situation only changed with the rise of the race record industry in the 1920s when the identity of blues became increasingly linked to recordings. For this earliest period of blues history, the documentation offered by sheet music is crucial. A majority of this music has not been reissued since its original publication, while some has never been published at all, and exists only as copyright deposits in the Library of Congress. As a body of work, it is little known to historians and musicians despite its importance to the understanding of the evolution of blues and popular music.