Self Study Module For History Of Music In The Middle Ages
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Self Study Module For History Of Music In The Middle Ages
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Author : Theodore Karp
language : en
Publisher:
Release Date : 1981
Self Study Module For History Of Music In The Middle Ages written by Theodore Karp and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.
Self Study Module For History Of Music In The Renaissance
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Author : Jeffrey Wasson
language : en
Publisher:
Release Date : 1981
Self Study Module For History Of Music In The Renaissance written by Jeffrey Wasson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.
Medieval Music In Practice
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Author : Judith Ann Peraino
language : en
Publisher: American Institute of Musicology, Gmbh
Release Date : 2013
Medieval Music In Practice written by Judith Ann Peraino and has been published by American Institute of Musicology, Gmbh this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Music categories.
Richard Crocker once wrote "we understand many things about the history of music--specifically its development--better from the earlier periods." Since his first publications in 1958, Crocker pioneered a radically phenomenological and critical approach to the study of early music and musical style. Medieval Music in Practice: Studies in Honor of Richard Crocker brings together eleven essays that take up Crocker's call to consider the continuity of medieval and later musical practices in performance, composition, and pedagogy. Two introductory essays open this collection. Judith Peraino surveys the disciplinary questions that emerge in Crocker's work: What constitutes a coherent category of music? What are the "ruling ideas" of musicology? Richard Taruskin pays tribute to Crocker's remarkable prescience in the 1960s of anti-essentialist and anti-universalist arguments that characterized "new musicology" in the 1980s. Nine further essays focus on repertories from the eleventh century to the sixteenth century, reflecting different facets of Crocker's scholarly legacy: Lori Kruckenberg, James Grier, and Margot Fassler explore the use of medieval chant in the crafting of personal and institutional histories; Sarah Fuller, Margaret Hasselman, and Julie Cumming consider pedagogy, continuity, and intertextuality in Medieval and Renaissance compositions; Sean Curran, Anna Maria Busse Berger, and Dorit Tanay examine the material, written artifacts of Medieval music for information about its contexts and meanings. Scholars of early music and those interested in the intellectual history of musicology will find in these essays new historical discoveries and critical insights that enrich our view of the practice of medieval music as well as our practice of musicology. For more information, see http: //www.corpusmusicae.com/misc/misc_cc008.htm
Music As Concept And Practice In The Late Middle Ages
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Author : Reinhard Strohm
language : en
Publisher:
Release Date : 2001
Music As Concept And Practice In The Late Middle Ages written by Reinhard Strohm and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Music In The Middle Ages
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Author : Suzanne Lord
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2008-09-30
Music In The Middle Ages written by Suzanne Lord and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-30 with Music categories.
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.
The Cultural Context Of Medieval Music
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Author : Nancy Van Deusen
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2011-11-02
The Cultural Context Of Medieval Music written by Nancy Van Deusen and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-02 with Music categories.
An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.
The Oxford Handbook Of Music And Medievalism
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Author : Stephen C. Meyer
language : en
Publisher: Oxford University Press
Release Date : 2020-03-02
The Oxford Handbook Of Music And Medievalism written by Stephen C. Meyer and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-02 with Music categories.
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Medieval Music And The Art Of Memory
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Author : Anna Maria Busse Berger
language : en
Publisher: Univ of California Press
Release Date : 2005-06-13
Medieval Music And The Art Of Memory written by Anna Maria Busse Berger and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-06-13 with Music categories.
This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
The Use Of Music And Recordings For Teaching About The Middle Ages
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Author : John W. Barker
language : en
Publisher:
Release Date : 1988
The Use Of Music And Recordings For Teaching About The Middle Ages written by John W. Barker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Arts, Medieval categories.
Words And Music In The Middle Ages
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Author : John Stevens
language : en
Publisher: Cambridge University Press
Release Date : 1986-10-16
Words And Music In The Middle Ages written by John Stevens and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986-10-16 with Music categories.
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.