Selfhood On The Early Modern English Stage


Selfhood On The Early Modern English Stage
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Selfhood On The Early Modern English Stage


Selfhood On The Early Modern English Stage
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Author : Pauline Blanc
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-10-02

Selfhood On The Early Modern English Stage written by Pauline Blanc and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-02 with Performing Arts categories.


The twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out of this collection as the site of a rich confluence of discursive and historical forces existing beyond the theatre itself. Three essays in the first section reveal how abstract figures like Mundus and Mankind gradually became endowed with personal motives and personalizing traits which brought into existence stage beings with a capacity for emotion. In the second section, three essays deal with specific cultural factors that influenced the representation of selfhood in John Lyly’s Alexander, in Marlowe’s Tamburlaine, and in a selection of Stuart court masques presented at Whitehall. The third section offers new insights into the composition of Hamlet as a dramatized personality; the fourth investigates the way in which the poet-playwright’s autobiographical impulses may have helped in the construction of early modern stage selves; the final, fifth section explores the kaleidoscopic sources of the royal protagonists in Rowley’s When You See Me, You Know Me, and Shakespeare’s Richard III. This collection of essays seeks to add a further contribution to the growing body of criticism that investigates the multi-facetted, multi-layered construction of early modern subjectivity.



Surgery And Selfhood In Early Modern England


Surgery And Selfhood In Early Modern England
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Author : Alanna Skuse
language : en
Publisher: Cambridge University Press
Release Date : 2021-02-18

Surgery And Selfhood In Early Modern England written by Alanna Skuse and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-18 with History categories.


Implements stories of surgical alteration to consider how early modern individuals conceived the relationship between body, mind, and self.



Female Transgression In Early Modern Britain


Female Transgression In Early Modern Britain
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Author : Richard Hillman
language : en
Publisher: Routledge
Release Date : 2016-04-15

Female Transgression In Early Modern Britain written by Richard Hillman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-15 with Literary Criticism categories.


Presenting a broad spectrum of reflections on the subject of female transgression in early modern Britain, this volume proposes a richly productive dialogue between literary and historical approaches to the topic. The essays presented here cover a range of ’transgressive’ women: daughters, witches, prostitutes, thieves; mothers/wives/murderers; violence in NW England; violence in Scotland; single mothers; women as (sexual) partners in crime. Contributions illustrate the dynamic relation between fiction and fact that informs literary and socio-historical analysis alike, exploring female transgression as a process, not of crossing fixed boundaries, but of negotiating the epistemological space between representation and documentation.



Magical Transformations On The Early Modern English Stage


Magical Transformations On The Early Modern English Stage
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Author : Lisa Hopkins
language : en
Publisher: Routledge
Release Date : 2016-05-13

Magical Transformations On The Early Modern English Stage written by Lisa Hopkins and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-13 with Performing Arts categories.


Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.



England S Asian Renaissance


England S Asian Renaissance
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Author : Su Fang Ng
language : en
Publisher: Rutgers University Press
Release Date : 2021-12-17

England S Asian Renaissance written by Su Fang Ng and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-17 with Literary Criticism categories.


England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.



Early Modern English Lives


Early Modern English Lives
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Author : Ronald Bedford
language : en
Publisher: Routledge
Release Date : 2016-12-05

Early Modern English Lives written by Ronald Bedford and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Literary Criticism categories.


How did early modern English people write about themselves, and how do we listen to their voices four centuries later? The authors of Early Modern English Lives: Autobiography and Self-Representation 1500-1660 argue that identity is depicted through complex, subtle, and often contradictory social interactions and literary forms. Diaries, letters, daily spiritual reckonings, household journals, travel journals, accounts of warfare, incidental meditations on the nature of time, death and self-reflection, as well as life stories themselves: these are just some of the texts that allow us to address the social and historical conditions that influenced early modern self-writing. The texts explored in Early Modern English Lives do not automatically speak to our familiar patterns of introspection and self-inquiry. Often formal, highly metaphorical and emotionally restrained, they are very different in both tone and purpose from the autobiographies that crowd bookshelves today. Does the lack of emotional description suggest that complex emotions themselves, in all the depth and variety that we now understand (and expect of) them, are a relatively modern phenomenon? This is one of the questions addressed by Early Modern English Lives. The authors bring to our attention the kinds of rhetorical and generic features of early modern self-representation that can help us to appreciate people living four hundred years ago as the complicated, composite figures they were: people whose expression of identity involved an elaborate interplay of roles and discourses, and for whom the notion of privacy itself was a wholly different phenomenon.



Writing The Other


Writing The Other
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Author : Mike Pincombe
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-10-02

Writing The Other written by Mike Pincombe and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-02 with Literary Criticism categories.


An international group of scholars working in early modern English literature and culture have been invited to reflect upon one of the most dynamic dialectics of the period: the opposition between the concept “human, humanist, humanism” versus the concept “barbarous, barbarian, barbarism.” The result is Writing the Other: Humanism versus Barbarism in Tudor England. The essays in this volume range widely across the literary and cultural field mapped out by this opposition, thus revealing a rich multiplicity of voices and approaches to one of the fundamental processes by which self-fashioning and also “other-fashioning” operated during the Tudor reign. The focus moves from England to North Africa, to Hungary and to the New World in its panoramic display of the vast theatre in which identities were forged. The volume as a whole demonstrates how the cultural OtherOther was as much invented as described—“forged” in the sense, perhaps, of “counterfeited” —during the early modern and especially the Tudor period. This invention occasionally led to the demonisation of the object of its gaze, at other times its rehumanisation; sometimes we may detect evidence of a painful act of distortion, and at others we see the purposeful and profitable creation of a self-identityidentity with an eye on the rhetorical, religious, poetic, national expectations of the readers in the new context of print culture. But everywhere we witness the remarkable energy and fertility of the primary opposition which gives this collection its central theme.



Disguise On The Early Modern English Stage


Disguise On The Early Modern English Stage
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Author : Professor Peter Hyland
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-05-28

Disguise On The Early Modern English Stage written by Professor Peter Hyland and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-28 with Literary Criticism categories.


Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.



A Comparative Guide To Sartrean And Deleuzean Selves In Modernist And Post Modernist Fiction


A Comparative Guide To Sartrean And Deleuzean Selves In Modernist And Post Modernist Fiction
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Author : Onur Ekler
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2021-07-12

A Comparative Guide To Sartrean And Deleuzean Selves In Modernist And Post Modernist Fiction written by Onur Ekler and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-12 with Literary Criticism categories.


This book provides insights into the maze of ‘know thyself’ through a carefully detailed, comparative study of the Sartrean no-self and the Deleuzean rhizomic self. It is informative, argumentative and rich in literary context, and mainly focuses on the shift in the notion of self from Sartre’s elegiac, suicidal and nihilistic tone seen pervasively in modernist fiction to the celebratory, Deleuzean self in postmodernist fiction. To trace this shift, the book presents a comparative analysis of selected novels, showing that authors like Bellow and Atwood have adopted a more positive attitude toward the self similar to the Deleuzean rhizomic self, while authors like Hedayat and Beckett have more reductionist, decadent, nihilistic views on the self, like the Sartrean no-self. Moreover, as argued in the cases of the protagonists in the selected novels, this book further asserts that the Deleuzean rhizomic self might be seen as a possible alternative to help one survive in times of crisis, in contrast to the nihilistic Sartrean no-self.



Clothing And Queer Style In Early Modern English Drama


Clothing And Queer Style In Early Modern English Drama
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Author : James M. Bromley
language : en
Publisher: Oxford University Press
Release Date : 2021

Clothing And Queer Style In Early Modern English Drama written by James M. Bromley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Literary Criticism categories.


This book examines early modern drama's depiction of non-standard forms of masculinity grounded in superficiality, inauthenticity, affectation, and the display of the extravagantly clothed body. Practices of extravagant dress destabilized distinctions between able-bodied and disabled, human and non-human, and the past and present, distinctions that structure normative ways of thinking about sexuality. In city comedies by Ben Jonson, George Chapman, Thomas Middleton, and Thomas Dekker, extravagantly dressed male characters imagine alternatives to the prevailing modes of subjectivity, sociability, and eroticism in early modern London. While these characters are situated in hostile narrative and historical contexts, this book draws on recent work on disability, materiality, and queer temporality to rethink their relationship to those contexts in order to access the world-making possibilities of early modern queer style. In their rich representations of life in London around the turn of the seventeenth century, these plays not only were, but also remain, uniquely sensitive to the intersection of sexuality, urbanization, and material culture. The attachments and pleasures of early modern sartorial extravagance they depict can estrange us from the epistemologies that narrow current thinking about sexuality's relationship to authenticity, pedagogy, interiority, and privacy.