Sentimental Fabulations Contemporary Chinese Films

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Sentimental Fabulations Contemporary Chinese Films

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Author : Rey Chow
language : en
Publisher: Columbia University Press
Release Date : 2007

Sentimental Fabulations Contemporary Chinese Films written by Rey Chow and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.

What is the sentimental and how can we understand it through the cinema of a particular culture in an age of globalisation? Chow explores these questions by examining nine contemporary Chinese directors whose accomplishments have become historic events in world cinema.

Primitive Passions

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Author : Rey Chow
language : en
Publisher: Columbia University Press
Release Date : 1995

Primitive Passions written by Rey Chow and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Education categories.

On Chinese cinema

Visual Culture In Contemporary China

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Author : Xiaobing Tang
language : en
Publisher: Cambridge University Press
Release Date : 2015-01-08

Visual Culture In Contemporary China written by Xiaobing Tang and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-08 with Art categories.

Explores China's rich visual culture from the founding of the People's Republic of China in 1949 to the present day.

Metacinema In Contemporary Chinese Film

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Author : G. Andrew Stuckey
language : en
Publisher: Hong Kong University Press
Release Date : 2018-08-17

Metacinema In Contemporary Chinese Film written by G. Andrew Stuckey and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-17 with Performing Arts categories.

Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema reflects ways of being in the world that audiences may take up for themselves. The films studied in this book are drawn across the full spectrum of Chinese films made in mainland China, Hong Kong, and Taiwan during the 1990s and 2000s, from award-winning conceptual art films to popular crowd pleasers, blockbusters to low-budget productions, and documentary-style social realist exposé projects to studio assembly-line investments. The recurrence of the metacinematic across this broad range of works is indicative of its relevance to Chinese films today, and the analysis of these diverse examples allows us to gauge the cultural, social, and aesthetic implications of Chinese cinemas as a whole. “Stuckey surveys a broad swath of contemporary Chinese cinema, from popular blockbusters to elite art films, around the theme of metacinema, yielding new insights into both previously neglected films and those already acknowledged as contemporary classics. The result is a fascinating dive into the growing and diversifying cinema culture of China today.” —Jason McGrath, University of Minnesota “Stuckey’s brilliant work, Metacinema in Contemporary Chinese Film, offers insightful close analyses of films by key directors from the PRC (Jiang Wen, Lou Ye, Jia Zhangke, and Li Yu), Hong Kong (Peter Chan), and Taiwan (Tsai Ming-liang). This clearly written book is essential reading for scholars and students of Chinese cinemas. Stuckey’s study of genre and metacinema makes it a must-read for anyone interested in cinema.” —Michelle Bloom, University of California, Riverside

Semiotics Of Exile In Contemporary Chinese Film

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Author : H. Zeng
language : en
Publisher: Springer
Release Date : 2012-09-25

Semiotics Of Exile In Contemporary Chinese Film written by H. Zeng and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-25 with Performing Arts categories.

Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.

The Sentimental In Chinese Cinema

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Author : Hui Miao
language : en
Publisher: Springer Nature
Release Date : 2022-03-30

The Sentimental In Chinese Cinema written by Hui Miao and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-30 with Performing Arts categories.

This book explores manifestations and perpetuations of the sentimental in Mainland Chinese cinema from the 1990s to the 2000s. A sentimental Chinese cinema – one that articulates notions of homecoming and belonging – emerged in the 1990s with its distinctive styles. The representations and configurations of this evolving style of Chinese cinematic expression are not only thought provoking in their own right, but also in the way they contrast with past forms of Chinese sentimental cinema and with sentimental aesthetics elsewhere in the world. These new representations have transformed established family centred expressions of the sentimental in Chinese cinema. The new sentimental emphasises togetherness and a yearning for belonging which often appear in the themes of homecoming and home-longing. This also forms a cultural resistance towards the increasingly alienating and isolating forces of globalisation and urbanisation. This book analyses the sociocultural conditions that have allowed for a renewed understanding of the sentimental and the cultural identity markers that are perpetually under contestation.

Chinese Films In Focus Ii

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Author : Chris Berry
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Chinese Films In Focus Ii written by Chris Berry and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.

Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.

Art Politics And Commerce In Chinese Cinema

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Author : Ying Zhu
language : en
Publisher: Hong Kong University Press
Release Date : 2010-06-01

Art Politics And Commerce In Chinese Cinema written by Ying Zhu and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-01 with Social Science categories.

"Ying Zhu and Stanley Rosen have brought together some of the leading scholars and critics of Chinese cinema to rethink the political mutations, market manifestations, and artistic innovations that have punctuated a century of Chinese screen memories. From animation to documentary, history of the industry to cinematic attempts to recreate history, propaganda to piracy, the influx of Hollywood imports to Chinese-style blockbusters, Art, Politics, and Commerce in Chinese Cinema presents a fresh set of critical approaches to the field that should be required reading for scholars, students, and anyone interested in the past, present, and future of one of the most vibrant and dynamic film industries in the world."-Michael Berry, author, Jia Zhangke's "Hometown Trilogy" and A History of Pain "An excellent collection of articles that together offer a superb introduction to contemporary Chinese film studies."-Richard Pena, Program Director, Film Society of Lincoln Center "This is one of the most important, comprehensive, and profoundly important books about Chinese cinema. As correctly pointed out by the editors of the volume, understanding of the emerging film industry in China requires a systematic examination of arts, politics, and commerce of Chinese cinema. By organizing the inquiry of the Chinese film industry around its local and global market, politics, and film art, the authors place the current transformation of Chinese cinema within a large framework. The book has set a new standard for research on Chinese cinema. It is a must-read for students of arts, culture, and politics in China."-Tianjian Shi, Duke University Art politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of the twelve chapters treats a particular history, development, genre, filmmaker or generation of filmmakers, adding up to a distinctively comprehensive rendering of Chinese cinema. The book illuminates China's changing stat-society relations, the trajectory of marketization and globalization, the effects of China's start historical shifts, Hollywood's role, the role of nationalism, and related themes of interest to scholars of Asian studies, cinema and media studies, political science, sociology comparative literature and Chinese language. Ying Zhu is professor of cinema studies in the Department of Media Culture and co-coordinator of the Modern China Studies Program at the City University of New York, College of Staten Island. Stanley Rosen is director of the East Asian Studies Center and a professor of political science at the University of Southern California.

Transnational Chinese Cinema

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Author : Brian Bergen-Aurand
language : en
Publisher: Transaction Publishers
Release Date : 2015-03-26

Transnational Chinese Cinema written by Brian Bergen-Aurand and has been published by Transaction Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-26 with Art categories.

This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.

A Companion To Chinese Cinema

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Author : Yingjin Zhang
language : en
Publisher: John Wiley & Sons
Release Date : 2012-04-23

A Companion To Chinese Cinema written by Yingjin Zhang and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-23 with Performing Arts categories.

A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications