Shakespearean Rhetoric


Shakespearean Rhetoric
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Shakespearean Rhetoric


Shakespearean Rhetoric
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Author : Benet Brandreth
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-03-25

Shakespearean Rhetoric written by Benet Brandreth and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-25 with Literary Criticism categories.


Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare's education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.



The Shakespearean Rhetoric


The Shakespearean Rhetoric
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Author : Marina Riggins
language : en
Publisher: GRIN Verlag
Release Date : 2020-05-04

The Shakespearean Rhetoric written by Marina Riggins and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-04 with Foreign Language Study categories.


Academic Paper from the year 2018 in the subject Learning materials - English, grade: A, Northern Arizona University (College of Arts and Letters), course: ENG 562, language: English, abstract: This paper will investigate the fact that even if Shakespeare did possess a great knowledge of classic rhetorical concepts, something that was a normal part of the literary studies during his lifetime; he did not follow the concepts precisely. Did Shakespeare create his own rhetoric? His critical weapons in fact were the figures of language, which he used in a very effective and persuasive manner, such as personification, malapropism, metonymy, and rhetorical questioning, among others. Rhetoric after all is the art of effective use of language, which can be very persuasive, and, one must always keep in mind the reasons for its use and the goals it seeks to achieve. In order to illustrate the point of this paper, the following characters and works, will be looked at: Hamlet, Falstaff and prince Hal from "Henry IV", and Dogberry from "Much Ado About Nothing".



The Development Of Shakespeare S Rhetoric


The Development Of Shakespeare S Rhetoric
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Author : Stefan Daniel Keller
language : en
Publisher: BoD – Books on Demand
Release Date : 2009

The Development Of Shakespeare S Rhetoric written by Stefan Daniel Keller and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with English drama categories.




Shakespeare Rhetoric And Cognition


Shakespeare Rhetoric And Cognition
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Author : Raphael Lyne
language : en
Publisher: Cambridge University Press
Release Date : 2011-09-01

Shakespeare Rhetoric And Cognition written by Raphael Lyne and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-01 with Literary Criticism categories.


Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry.



With What Persuasion


With What Persuasion
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Author : Scott Forrest Crider
language : en
Publisher: Peter Lang
Release Date : 2009

With What Persuasion written by Scott Forrest Crider and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Drama categories.


Although there are a number of book-length studies of rhetoric in Shakespeare's plays, With What Persuasion discerns a distinctly Shakespearean ethics of the art of rhetoric in them. In this interdisciplinary book, Scott F. Crider draws upon the Aristotelian traditions of poetics, rhetoric, and ethics to show how Shakespeare addresses fundamental ethical questions that arise during the public and private rhetorical situations Shakespeare represents in his plays. Informed by the Greek, Roman, and English poetic and rhetorical traditions, With What Persuasion offers close readings of a selection of plays - Hamlet, Julius Caesar, Henry the 5th, All's Well That Ends Well, Othello, Measure for Measure, and The Winter's Tale - to answer universal questions about human speech and association, answers that refute a number of contemporary literary and rhetorical theory's assumptions about language and power. Crider argues that this Shakespearean ethics could assist us in our own historical moment as we in the liberal, multicultural West try to refound, without coercion, ethical principles to bind us to one another.



Vision And Rhetoric In Shakespeare


Vision And Rhetoric In Shakespeare
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Author : A. Thorne
language : en
Publisher: Springer
Release Date : 2000-08-01

Vision And Rhetoric In Shakespeare written by A. Thorne and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-08-01 with Literary Criticism categories.


This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques.



Proteus Unmasked


Proteus Unmasked
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Author : Trevor McNeely
language : en
Publisher: Lehigh University Press
Release Date : 2004

Proteus Unmasked written by Trevor McNeely and has been published by Lehigh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Language Arts & Disciplines categories.


This wide-ranging study touches many aspects of sixteenth-century British culture, putting Shakespearean drama into the context of one of the century's greatest preoccupations, the study and use of rhetoric. Its multifaceted thesis is developed cumulatively over four chapters, each linked to the one preceding, moving from the general picture of the role of rhetoric in sixteenth-century English culture, through its contribution to the rise of Elizabethan drama, and culminating in its specific application to the interpretation of Shakespeare. Recognizing the thesis's challenge to critical orthodoxy, both traditional and contemporary, in all of these areas, its development proceeds with full discussion and deliberation at every stage, citing a broad range of sixteenth-century as well as Classical rhetorical materials to justify a radically subversive reinterpretation of their thrust. Trevor McNeely is Professor Emeritus of English at Brandon University.



Shakespeare S Schoolroom


Shakespeare S Schoolroom
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Author : Lynn Enterline
language : en
Publisher: University of Pennsylvania Press
Release Date : 2012-10-29

Shakespeare S Schoolroom written by Lynn Enterline and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-29 with Literary Criticism categories.


Shakespeare's Schoolroom places moments of considerable emotional power in Shakespeare's poetry—portraits of what his contemporaries called "the passions"—alongside the discursive and material practices of sixteenth-century English pedagogy. Humanist training in Latin grammar and rhetorical facility was designed to intervene in social reproduction, to sort out which differences between bodies (male and female) and groups (aristocrats, the middling sort, and those below) were necessary to producing proper English "gentlemen." But the method adopted by Lynn Enterline in this book uncovers a rather different story from the one schoolmasters invented to promote the social efficacy of their pedagogical innovations. Beginning with the observation that Shakespeare frequently reengaged school techniques through the voices of those it excluded (particularly women), Enterline shows that when his portraits of "love" and "woe" betray their institutional origins, they reveal both the cost of a Latin education as well as the contradictory conditions of genteel masculinity in sixteenth-century Britain. In contrast to attempts to explain early modern emotion in relation to medical discourse, Enterline uncovers the crucial role that rhetoric and the texts of the classical past play in Shakespeare's passions. She relies throughout on the axiom that rhetoric has two branches that continuously interact: tropological (requiring formal literary analysis) and transactional (requiring social and historical analysis). Each chapter moves between grammar school archives and literary canon, using linguistic, rhetorical, and literary detail to illustrate the significant difference between what humanists claimed their methods would achieve and what the texts of at least one former schoolboy reveal about the institution's unintended literary and social consequences. When Shakespeare creates the convincing effects of character and emotion for which he is so often singled out as a precursor of "modern" subjectivity, he signals his debt to the Latin institution that granted him the cultural capital of an early modern gentleman precisely when undercutting the socially normative categories schoolmasters invoked as their educational goal.



Reading Shakespeare S Characters


Reading Shakespeare S Characters
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Author : Christy Desmet
language : en
Publisher: Univ of Massachusetts Press
Release Date : 1992

Reading Shakespeare S Characters written by Christy Desmet and has been published by Univ of Massachusetts Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Drama categories.


Desmet draws on classical and Renaissance texts, as well as on the work of such 20th-century critics as Kenneth Burke and Paul de Man, to explore the role played by rhetoric in fashioning and representing Shakespearean character. Annotation copyright by Book News, Inc., Portland, OR



Rhetoric And Contingency


Rhetoric And Contingency
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Author : DS Mayfield
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-10-26

Rhetoric And Contingency written by DS Mayfield and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-26 with Literary Criticism categories.


Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of—and convey—the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal’s distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts—be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with—and taking advantage of—contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated—among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.